You want to choose the most light western short movies of 70-th from this list, which you'll really like?
Tell us a little about yourself or rate some films.
The most light western short movies of 70-th - choose and watch online
Light western short movies of 70-th - not very popular category. We know 110 this movies.
These are the most popular ones but just because a lot of people have watched them doesn't mean you should watch them.
To find movies,
which you won't be disappointed,
fill out a short form
and/or rate several films,
and filmAdviser will pick you up
light western short movies of 70-th
according to your taste
among those
110 ,
which we know.
We will not only help you choose movie,
but we’ll also tell you where it is watch for free in russian
A 26-second documentary filmed by Abraham Zapruder in Dallas on the day of the assassination of John F. Kennedy on November 22, 1963. The film shows the more
A 26-second documentary filmed by Abraham Zapruder in Dallas on the day of the assassination of John F. Kennedy on November 22, 1963. The film shows the movement of the presidential motorcade and the hit of two shots in the neck and head of Kennedy. close
A silent avant-garde experience created by Derek Jarman, filled with superimposed images forming a whole picture. His palette consists mostly of reddish more
A silent avant-garde experience created by Derek Jarman, filled with superimposed images forming a whole picture. His palette consists mostly of reddish random images of Egypt and the pyramids; a strange garden destroyed from time to time by a man with a whip; a young peaceful man relaxing on the floor; other smoking and eating insects. This is Jarman's view of the Garden of Luxor and its mysteries. (IMDb) close
“A silent perusal of the Grand Canyon, morning to night, from a single, fixed camera position, by means of constant dissolves spaced a few seconds apart. more
“A silent perusal of the Grand Canyon, morning to night, from a single, fixed camera position, by means of constant dissolves spaced a few seconds apart. Man — entirely absent — is no longer the center of the universe; the canyon exists outside of him. Despite the invisible photographer and his technologically-caused dissolves, this is a creditable approximation of the true foreign-ness of nature.” — Amos Vogel, Film as a Subversive Art (1974) close
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s more
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema close
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as more
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt? close
The first attempt to translate Wonder Woman to the small screen in 1967. Diana lives with her mother close to a United States Air Force base. Much of more
The first attempt to translate Wonder Woman to the small screen in 1967. Diana lives with her mother close to a United States Air Force base. Much of the film consists of her mother berating Diana about not having a boyfriend. When her mother leaves the room, Diana changes into her Wonder Woman costume and admires her reflection in a mirror. What she sees is not Diana Prince, but rather a sexy super-heroic figure (played by Linda Harrison) who proceeds to preen and pose as the song "Oh, You Beautiful Doll" plays on the soundtrack. close
The magnificent landscape seen from the windows of a house in Wiltshire is shot to beautiful music. The voice of the invisible announcer lists the details more
The magnificent landscape seen from the windows of a house in Wiltshire is shot to beautiful music. The voice of the invisible announcer lists the details of the fall from the windows of adults and children, telling about the causes and time of the fall, the age of the victims, their professions and health and sanity. Statistics note accidents, suicides and murders, experiments with a parachute and testing their own ability to fly like a bird, drug delusions and dementia.
Arthouse film Peter Greenway It is filmed as an experience of abstract cinema in search of the specifics of the combination of image and sound and reflects its characteristic tendency to systematize in cinema. close
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard more
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min close
In 1912, Szczebieniew, a rich and ailing old man, comes to Italy with his young wife, Zinaida. Bored with his company, she looks for amusement and casual more
In 1912, Szczebieniew, a rich and ailing old man, comes to Italy with his young wife, Zinaida. Bored with his company, she looks for amusement and casual affairs. Szczebieniew is aware of it but he hopes that at least this way she can bear him an heir. However, he makes sure that she is always accompanied by Emelianow, Szczebieniew's servant and confidant. One day, in a movie theater Zinaida meets Ernesto Fosca, a young Italian violinist. She asks him to give her music lessons. She doesn't conceal her affection for him and they end up spending a night together. In the morning, though, Emelianow tells Ernesto that it was all planned. close
All the researchers of the IMPS laboratory are males - with one exception : Mademoiselle Clara, Antoine, the cleaner, desperately yearns for. Night after more
All the researchers of the IMPS laboratory are males - with one exception : Mademoiselle Clara, Antoine, the cleaner, desperately yearns for. Night after night, when Clara is alone, going on with her experiments, the young man awkwardly manoeuvres with a view to declaring his flame. But the cold scientist remains unconcerned. In his trouble, Antoine regularly drops and breaks phials and other test tubes full of dangerous chemical products. He doesn't care when his skin gets into contact with acid. His heart burns too much for him to be able to feel the burning of his skin. And if he can't GIVE his hand to Clara will he really mind to... LOSE it ? close
The human eye, the human form, the human face: these are the three central images of this avant-garde collage and kaleidoscope of shifting and fractured more
The human eye, the human form, the human face: these are the three central images of this avant-garde collage and kaleidoscope of shifting and fractured images, changing colors, and pulsing rhythms. Near the end, a tree appears briefly, and birds fly - first white, then red and blue. Celtic knots morph from one to another. The images become Rorschach tests although the mood, driven by the rapid changing images and the soundtrack, remains frantic. close
A 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May. It was directed by Douglas Hickox. It tells the story of a young man more
A 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May. It was directed by Douglas Hickox. It tells the story of a young man (May) cycling around the Hampstead (NW3) area of London on a Raleigh RSW16. After crashing into a billboard he falls in love with a fashion model (Huxtable) depicted on it. Despite the title, the Belsize Park area does not actually feature. There is almost no spoken dialogue, and the soundtrack to the film is musical virtually throughout. The title song of the film has been a hit for Mireille Mathieu and Engelbert Humperdinck (a top ten hit in the UK and a top 40 hit in the USA) amongst others. The title is derivative of the French film, Les Parapluies de Cherbourg; apart from a musical theme there is no other obvious link. close
In which the off-screen voice of Michael Snow narrates a series of Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a hot plate.
In which the off-screen voice of Michael Snow narrates a series of Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a hot plate. close
A silent short movie, is a literal journey that we can experience. We are being taken to Avebury and given the chance to admire it for 10 minutes. The more
A silent short movie, is a literal journey that we can experience. We are being taken to Avebury and given the chance to admire it for 10 minutes. The shots are incredibly beautiful, as we see a huge stone or trees bathed in orange light of sunset. close
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his more
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub. close
Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy more
Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy assassination coverage—and repurposes them into a meditation on how the media tries to exert authority and apply a sense of order to the anarchic. And though it may sound perverse to say so, the film is also—not incidentally—a thrill to watch. -- The A.V. Club close
In the complex geometry of space, a woman in a translucent gas dress, a young man, a creature with a head of a devil and their endless reflections collide.
In the complex geometry of space, a woman in a translucent gas dress, a young man, a creature with a head of a devil and their endless reflections collide. close
Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his more
Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his life to the camera after having been excluded from his community to spend years of his life on the island with his fellow sufferers. Themes addressed include love, community, companionship and death and the importance of these values to all people whatever their state of health. close
1 from 4
If you were registered, you should have seen the full description right here...