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Pan`s Labyrinth, 2006
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7.6 376519 10
IMDb8.2 

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Pan's Labyrinth

El laberinto del fauno
2006 16+ 1 hour 58 min.
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What happens when make-believe believes it's real?
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.
oscar
oscar
Oscar
2007
Best cameraman performance
The best scenery
Best makeup
bafta
bafta
British Film Academy
2007
Best foreign language film
Best costumes
Best makeup/hairstyle
saturn
saturn
Saturn
2007
Best foreign film
Best young actor/actress
Ivana Baquero
goya
goya
Goya
2007
Best original screenplay
Best cameraman performance
Best sound
Best editing
Best special effects
Best makeup/hairstyle
Best actress debutant
Ivana Baquero
About movie show more Hide
Countries:  Mexico Spain
Genres:  Fantasy Drama War
Properties:
dramatic complex fantastic cruel slow sentimental ambiguous
Director:  Guillermo Del Toro
Ratings:  1000 Greatest Movies #516
1000 main films of the 21st century #46
additional information Show Hide
Screenwriter:  Guillermo Del Toro
Producers:  Alfonso Cuaron Guillermo Del Toro Bertha Navarro Frida Torresblanco Víctor Albarrán Belén Atienza Alvaro Augustin David Ebner Edmundo Gil Elena Manrique
Camerman:  Guillermo Navarro
Music:  Javier Navarrete
Studios:  Telecinco Cinema Esperanto Filmoj Estudios Picasso Tequila Gang
Premiere: 27 May 2006
In russia: 30 November 2006
Budget:€19 000 000
Competitions: Cannes Film Festival
Cannes Film Festival
2006
NOMINATIONS
Palm d'or
Golden Globes
Golden Globes
2007
NOMINATIONS
Best foreign language film
Georges
Georges
2007
NOMINATIONS
Best low-budget/arthouse film
Oscar
Oscar
2007
Best cameraman performance
The best scenery
Best makeup
NOMINATIONS
Best original screenplay
Best foreign language film of the year
Best soundtrack
British Film Academy
British Film Academy
2007
Best foreign language film
Best costumes
Best makeup/hairstyle
NOMINATIONS
Best cameraman performance
Best sound
Best art direction
Best original screenplay
Best visual effects
Saturn
Saturn
2007
Best foreign film
Best young actor/actress
Ivana Baquero
NOMINATIONS
Best makeup
Best screenplay
Best dvd special edition
Best director
Guillermo Del Toro
Best supporting actor
Sergi Lopez
Goya
Goya
2007
Best original screenplay
Best cameraman performance
Best sound
Best editing
Best special effects
Best makeup/hairstyle
Best actress debutant
Ivana Baquero
NOMINATIONS
Best movie
Best art direction
Best original soundtrack
Best actress
Maribel Verdu
Best actor
Sergi Lopez
Best director
Guillermo Del Toro
Tags:  labyrinth magic girl king heroine - girl rebel fairy tale princess spain military officer fairy forest cruelty army father's death mother's death fascist full moon father-son relationship pregnancy mother-daughter relationship mention of Franco queen magical creature trick dead girl relationship between stepfather and stepdaughter war Heroine child abuse secret corridor love spy propaganda communism prince kingdom war crime monster rabbit partisan Alisa in Wonderland magic book murder Spanish Civil War hunting sacrifice farmer the world through the eyes of a child tragedy Female nudity mayor spirit resistance 1940s fascism death lottery coming of age armed forces priest horse poison loss of mother imagination soldier strong heroine housekeeper murder of a child frog cave driver anarchism small town magical realism transformation execution servant singer secret door train doctor battle infanticide creature torture baby tree after death nurse cavalry funeral cook informant bath grave scout bandage dagger toad concealment mirror monument embryo shaving immortality bottle ambush tyrant sabotage capture fireplace book cane wound psychopath binoculars Weapons tailor shoe anarchist calming down singing luger calligraphy Saturn Award Saturn 2007 Oscar Award 2007 bafta award British Academy 2007 Goya Prize 2007 shooting sadist lullaby key injection cowardice grenade syringe bread amputation death of wife dress thunderstorm stutter leech rain antibiotic embryo revolver mouth pain lifts food atrocity fever ill health rationing vomiting kitchen promise fauna Mandragora song hammer associated deception reading lie echo Knife statue skeleton captive phonograph euthanasia Cigarette immortal celebration memory liar lantern fear rescue fire extinguishing medal rifle whisper death during childbirth takes insect flower dirt chalk interrogation umbrella lifting the body into the air sadism limousine explosion paramedic coffin persecution courage blood self-sacrifice discipline gramophone portal general fantasy world the main character is a woman bloody scenes Firearms wheelchair speaking to an unborn child catastrophe lottery ticket dead tree cooking narcotic drink another universe train wreck morning sickness giant animal Smoking cigarettes hand injury watermill hiding under the bed straight razor another dimension birthmark burnt alive mercy killing Headshot Voiceover shot in the chest bubble bath horse riding neck wound pocket watches cult film female hero storytelling fur theft mythical creature rabbit hunting Punch to the face eyeball secret compartment cow milking hourglass Shot in the back parallel world beating with a baton Shot in the face secret passage no credits at the beginning of the film card game relationship between husband and wife Naked woman (back view) relations between men and women strong woman leader good vs evil lifting a man into the air surrealism dark fantasy Puncture in the mouth Stabbing with a knife stabbing to the chest Knife held at the throat Unexpected ending Cult director making fiction a reality recording (paper audio video) relationship of half brother and sister
Wiki
Cast:  Ivana Baquero Sergi Lopez Maribel Verdu Doug Jones Ariadna Gil Alex Angulo Manolo Solo César Vea Roger Casamajor Ivan Massagué Sebastian Haro Gonzalo Uriarte Eusebio Lázaro Francisco Vidal Juanjo Cucalón Lina Mira Mario Zorrilla Sebastian Haro Alonso Mila Espiga Pepa Pedroche María Jesús Gattoo Ana Sáez Chani Martín Milo Taboada Fernando Albizu Pedro G. Marzo José Luis Torrijo Íñigo Garcés Fernando Tielve Federico Luppi Chicho Campillo Pablo Adán Eduardo Aranega Luke Burnyeat
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Reviews (4) Show Hide
21 May 2023
5
Well shot. But!
No sense.
A lot of depression. It's bad for a psycho to watch this movie.
Ded Pahom
1
21 July 2011
10
Labyrinth or ruins Fairies simply cannot but exist, Ophelia is sure. Small aerial creatures from the world of underground corridors and secret forest trails are ready to open to the child's eye. You need to know where and how to look. In the light breeze to see a secret sign, in a deadly world to be always ready for more
close
Labyrinth or ruins


Fairies simply cannot but exist, Ophelia is sure. Small aerial creatures from the world of underground corridors and secret forest trails are ready to open to the child's eye. You need to know where and how to look. In the light breeze to see a secret sign, in a deadly world to be always ready for a miracle. But maybe the girl was just fascinated by fairy tales. And the ancient ruins of the labyrinth spurred the imagination, throwing the bizarre fears of past generations from the book pages into the world of civil war and causing painfully threatening visions.

For the mother to be healthy, you need to dip the mandrake root in fresh milk and add two drops of blood. Mother is starting to recover. But maybe it's just an accident.

Several dozen guerrillas, almost without weapons, food and medicine, are fighting the fascists, led by the textbook villain Captain Vidal. They believe in a future without Franco. But perhaps one should listen to the doctor who reasonably notes that even if Vidal is defeated, another will be sent in his place. Although the Allied troops have already landed in Normandy, they are unlikely to come to Spain and the arrow of chances for luck still timidly fluctuates in the Zero region.

Sacrificing new shoes that a poor tailor’s daughter could never dream of. Sacrifice for the sake of faith in a fairytale world. To be in mortal danger and to lose eternity for the sake of the Other. But maybe this is just inadequate actions of the dreamed child and there was no heroism.

All trials were overcome and love won, opening the way to the fatherly home. But maybe all the trials are fiction, and evil won with a shot at point-blank range.

The road to the father’s house begins at the nearest turn of our rolled-in direct lesser pain. Where the long-dead fig tree blossoms timidly, where the child hears the tale of the rose of immortality in the womb, where hope for eternal life is born in the sermon at the funeral. But maybe we are mere mortals and our home is in an enemy military camp where food cards are distributed.

10 out of 10

Original

close
Dmitriy01
09 August 2009
9
The script is the main feature of this film. The story develops in two directions. The first is how a young girl, Ophelia, on behalf of Faun, performs three tasks. The second is the confrontation between Vidal’s army and the rebels. In general, this film shows one of the best combinations of the fantastic genre more
close

The script is the main feature of this film. The story develops in two directions. The first is how a young girl, Ophelia, on behalf of Faun, performs three tasks. The second is the confrontation between Vidal’s army and the rebels. In general, this film shows one of the best combinations of the fantastic genre with the military. This film is probably the only one of its kind. Often there are action films-fantasy, comedy-fantasy, less often drama-fantasy, but that war film and fantasy, this is the first time I see. Of course, this is a great merit of the writers. Although, it often seems that these two branches of the same plot grow in different directions. In general, it is absolutely unclear whether they intersect or not, or all the fiction happens only in the head of Ophelia? Sometimes it feels like watching a series consisting of two episodes, which are connected only by the main character. Although I personally do not imagine how the storyline with Vidal could be woven fantasy. That during a shootout, trees would start to rise from the ground and trample soldiers? It would look very stupid, so I think every event, no matter what branch it unfolds in, is in place.

In ancient mythology, the faun is a kind, merciful god. This film seems to contradict this claim. In the film, he is portrayed as evil and bloodthirsty. This is especially true at the end of the film. Although, maybe it should be, because what the world around Ophelia is, and fauns. It was very interesting to watch the faun itself. In all the movies I've seen and where the faun has been, it's portrayed a little differently, but it's got it all over. Maybe it’s because the faun is an Italian mythological creature, and the film takes place in Spain, and there the fauns may be some other.

In general, the confrontation between fascists and rebels looks very realistic. Due to the fact that there were not so many skirmishes, it can be argued that the film plays more on psychology than on entertainment. And the budget for fantasy is very modest. It seems that all the money went to the fantastic branch of the film, but for the film it is a big plus. This makes him stand out from the rest.

Although there are overlaps between the stories. And even the very ending of the film speaks to what helped Ophelia survive in this infinitely violent world. The most obvious example of this brutality is, of course, Captain Vidal. Arrogant and cruel, it seemed that he had only two goals in life: to kill all the rebels and to have a son. Okay. He doesn't care about anything else. And even the doctor's words that if you kill him, a second one will come, then a third. In general, these words are very indicative in the sense that there are many such people in the world, and the only salvation for the world at that time were these rebels.

Of all the Guillermo Del Torro films I’ve seen, I liked this one the most. First of all, as I said, it’s a novelty. He offered a very original view of many problems. I especially liked the second test. I've seen something like this before, but I think of a story from the Bible. This is when God burned several cities, but before that he told the righteous to leave it, and when he walked, he did not look back, otherwise you will turn into stone. And as they walked, his wife turned, out of curiosity, and turned to stone. Something similar happened in that movie. Disobeying. She tasted the grapes purely out of curiosity, but the effect it has is curiosity. The forbidden fruit is sweet.

I can’t say enough about the great music in the film. Although it only sounded twice, in the middle and at the end of the film, but it exactly fits into this film.

Anyway, I really liked the movie. It kind of plunges you into the atmosphere of a gloomy fairy tale, with an ambiguous ending, but with a great plot in general. What a faun, like a scenery for a movie. You should have made up an actor like that. My assessment of the film:

9 out of 10

Original

close
Maksim
09 August 2009
9
The script is the main feature of this film. The story develops in two directions. The first is how a young girl, Ophelia, on behalf of Faun, performs three tasks. The second is the confrontation between Vidal’s army and the rebels. In general, this film shows one of the best combinations of the fantastic genre more
close

The script is the main feature of this film. The story develops in two directions. The first is how a young girl, Ophelia, on behalf of Faun, performs three tasks. The second is the confrontation between Vidal’s army and the rebels. In general, this film shows one of the best combinations of the fantastic genre with the military. This film is probably the only one of its kind. Often there are action films-fantasy, comedy-fantasy, less often drama-fantasy, but that war film and fantasy, this is the first time I see. Of course, this is a great merit of the writers. Although, it often seems that these two branches of the same plot grow in different directions. In general, it is absolutely unclear whether they intersect or not, or all the fiction happens only in the head of Ophelia? Sometimes it feels like watching a series consisting of two episodes, which are connected only by the main character. Although I personally do not imagine how the storyline with Vidal could be woven fantasy. That during a shootout, trees would start to rise from the ground and trample soldiers? It would look very stupid, so I think every event, no matter what branch it unfolds in, is in place.

In ancient mythology, the faun is a kind, merciful god. This film seems to contradict this claim. In the film, he is portrayed as evil and bloodthirsty. This is especially true at the end of the film. Although, maybe it should be, because what the world around Ophelia is, and fauns. It was very interesting to watch the faun itself. In all the movies I've seen and where the faun has been, it's portrayed a little differently, but it's got it all over. Maybe it’s because the faun is an Italian mythological creature, and the film takes place in Spain, and there the fauns may be some other.

In general, the confrontation between fascists and rebels looks very realistic. Due to the fact that there were not so many skirmishes, it can be argued that the film plays more on psychology than on entertainment. And the budget for fantasy is very modest. It seems that all the money went to the fantastic branch of the film, but for the film it is a big plus. This makes him stand out from the rest.

Although there are overlaps between the stories. And even the very ending of the film speaks to what helped Ophelia survive in this infinitely violent world. The most obvious example of this brutality is, of course, Captain Vidal. Arrogant and cruel, it seemed that he had only two goals in life: to kill all the rebels and to have a son. Okay. He doesn't care about anything else. And even the doctor's words that if you kill him, a second one will come, then a third. In general, these words are very indicative in the sense that there are many such people in the world, and the only salvation for the world at that time were these rebels.

Of all the Guillermo Del Torro films I’ve seen, I liked this one the most. First of all, as I said, it’s a novelty. He offered a very original view of many problems. I especially liked the second test. I've seen something like this before, but I think of a story from the Bible. This is when God burned several cities, but before that he told the righteous to leave it, and when he walked, he did not look back, otherwise you will turn into stone. And as they walked, his wife turned, out of curiosity, and turned to stone. Something similar happened in that movie. Disobeying. She tasted the grapes purely out of curiosity, but the effect it has is curiosity. The forbidden fruit is sweet.

I can’t say enough about the great music in the film. Although it only sounded twice, in the middle and at the end of the film, but it exactly fits into this film.

Anyway, I really liked the movie. It kind of plunges you into the atmosphere of a gloomy fairy tale, with an ambiguous ending, but with a great plot in general. What a faun, like a scenery for a movie. You should have made up an actor like that. My assessment of the film:

9 out of 10

Original

close
Maksim Efremov
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{title} {average}
{nobjects}
{title} ({nobjects})
{?created_date created} {created_date}{?last_addition_date , fulfilled } {last_addition_date}