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Death in Venice

Morte a Venezia

1971 16+ 2 hours 10 min.

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The celebrated story of a man obsessed with ideal beauty.

Composer Gustav von Aschenbach travels to Venice for health reasons. There, he becomes obsessed with the stunning beauty of an adolescent Polish boy named Tadzio who is staying with his family at the same Grand Hôtel des Bains on the Lido as Aschenbach.

cannes

Cannes Film Festival

1971

Anniversary prize in honor of the 25th anniversary of the cannes film festival

Luchino Visconti

bafta

British Film Academy

1972

Best soundtrack

Best artist's work

Best costumes

Best cameraman performance

About movie show more

Countries:

Italy France

Genres:

Drama Romance

Properties:

complex slow dramatic cruel realistic brutal

Director:

Luchino Visconti

Rating:

1000 Greatest Movies #210

Writers:

Luchino Visconti Nicola Badalucco Thomas Mann

Producers:

Robert Gordon Edwards Luchino Visconti Mario Gallo

Camerman:

Pasqualino de Santis

Studios:

Warner Bros. Pictures Productions et Éditions Cinématographiques Françaises Alfa Cinematografica

Premiere: 01 March 1971

Competitions:

Oscar

1972

NOMINATIONS

Best costumes

Cannes Film Festival

1971

Anniversary prize in honor of the 25th anniversary of the cannes film festival

Luchino Visconti

NOMINATIONS

Palm d'or

British Film Academy

1972

	Best soundtrack
	Best artist's work
	Best costumes
	Best cameraman performance

NOMINATIONS

Best movie

Best director

Luchino Visconti

Best actor

Dirk Bogarde

Collections:

Foreign cinema
Film adaptations

Tags:

death 1911 composer venice italy art teenager virus beach beach resort love street life aesthetics costume drama death of the main character mother-son relationship hairdresser family relationships homosexuality italy holiday passion historical drama Polish family musician death of daughter unrequited love tragedy boy friendship girl holidays friend dove singer aging prostitute venice Guy 1910s morality doctor song lie philosophy pocket watches German orchestra bonfire Italian voyeurism allegory film ends with death scene singing professor receptionist tourist boat food plague sister relationship gay guitar crying man hotel funeral brothel street musician flirt bank epidemic obsession photographer homosexual teenage boy church Kiss governess genius violin voyeur nightmare piano gondola laughter cover balcony breakfast dying money Cannes Film Festival 1971 bafta award British Academy 1972 intellectual station memory applause luggage mirror lagoon channel lifter ill health warning old man cottage prayer dining room newspaper cholera travel agent pianist delirium sense of smell ephebophil 'wheel' candle restaurant tea accordion blockade coffin sunset camera idealist steamboat strawberry makeup elevator sea mandolin introvert hair salon ocean liner Smoking cigarettes homosexual romance cannot be translated bells in church secret surveillance men's hairdresser pedestrian bridge persistent pursuit wedding ring hotel clerk bank clerk looking out of the window concerto orchestra reflection in water beach umbrella transfer of corpse difficulty breathing nervous breakdown subject to surveillance cosmetics application hotel manager hourglass music critic sightseeing hotel room craving framed photograph railway station pince nez eating homosexual overtones reflection in the mirror relationship between husband and wife father-daughter relationship brother and sister relationship mother-daughter relationship middle-aged male music school student watching someone small amount of dialogue erotica creating a new look foreign language without subtitles Based on the novel Flashback Foreign language adaptation Flashforward voicing the thoughts of heroes relationships between older and younger men Audio flashback Bel-Epoc (early twentieth century)

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17 May 2025 9 Sense and feeling. s* A film about a man unexpectedly happens what he most fears. He who is accused of not being able to feel is capable of feeling. About cruelty of nature, negligence of people and indifference of the world. How people argue about what is more important - feelings or reason, work or impulse - more close Sense and feeling. s* A film about a man unexpectedly happens what he most fears. He who is accused of not being able to feel is capable of feeling. About cruelty of nature, negligence of people and indifference of the world. How people argue about what is more important - feelings or reason, work or impulse - when they could use both. And it doesn't seem that hard to understand, but most people for some reason can't. close
	alylyu777 1

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