Leningrad; 60th years; white nights. Walking on Neva Embankment, the charming provincial has met three friends: poet, artist and film director. And each of young people has suggested to marry him.
St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming more
St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz? close
Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited more
Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted. close
ASSA is set in Crimea during the winter in the mid eighties. A young musician (Bananan) falls for mobster's (Krymov) young mistress (Alika). The parallel more
ASSA is set in Crimea during the winter in the mid eighties. A young musician (Bananan) falls for mobster's (Krymov) young mistress (Alika). The parallel story line involves an 18th century assassination plot. close
This is a remarkably subtle film–a character study that focuses on Mitya’s attempts to cope with each new startling phase of discovery. At first he mourns more
This is a remarkably subtle film–a character study that focuses on Mitya’s attempts to cope with each new startling phase of discovery. At first he mourns for his dead wife, but then he discovers that he didn’t really know her. close