- The hero, who was always known as courageous, fearless and arrogant, turned first into a jester, and secondly into a frightened woman. He squeals with horror simply because he is about to meet a local king, begs for mercy when his hair is cut and how a bitch lies to two of Banner’s personalities that he prefers. The Torah is thousands of years old and still doesn’t know what its powers are and needs the advice of a folder. After four films in which he proved himself worthy, he fell too low and too unexpectedly.
- For Ragnarok to happen, you need to put the crown of Surtur in the Eternal Flame. Therefore, the heroes did not try to destroy one of these artifacts, did not leave them for storage in different worlds, but put them next to each other in one museum.
- The search for Odin on Earth, which has been billed as one of the film's themes and which in itself could be an interesting story, is simply leaking. A car god named Dr. Strange arrives and, in 2 minutes of sparkling chatter, just dumps everything on the screen: here's your One, bye-bye. It's an ineptly ruined storyline. It's a drain. The authors wrote that they could not shoot at least 15 minutes of interesting stories about the search for God in New York.
- Even more ridiculous it looks for those viewers who solo Strange did not look and do not know who and why fell on them like this. Its appearance was not even necessary in the plot, since the Rainbow Bridge, if there was an additional setting, could deliver immediately to Odin.
- Odin's death is completely copied from the death scene of Master Ugway from Kung Fu Panda.
- And there's not a single frame with a live background. It's a gallimite chromakei who just shouts about a few characters talking in front of a green screen.
Friends of Thor, who played a more or less prominent role in the other two films, appeared here for a few seconds just to be killed. Could it have been possible to make their death less in vain and incompetent? It's called "character drain."
- The film, which is called Thor: Ragnarok, after a quarter of the timekeeping is interrupted, and we are transferred to the film Planet Hulk, which lasts more than an hour. In the end, we go back to the Ragnarok movie. It's an artificial, crazy embedding of one story into another. It looks like a jacket with a sports tight.
- Did the Hulk land on another planet... on a plane? Yes, there is a very implicit hint that the plane was dragged into some portal, but how, why?
- Hulk lives a quiet life, he is happy and not at all angry. Then why does he stay like this and not return to Banner?
The character of Mick (the insect), although little known, still deserved to be shown by canon. In the original, he was a poet and looked quite beautiful to the insect. There's some faceless freak here, an animal that doesn't say a word.
- The last of the Valkyries is shown as a betrayer of her duty! a corrupt! a drinker! a dark-haired Latin! who is also a lesbian! It was simply impossible to omit a positive mythological character, even in the series about Xena you will not see this.
- The revolution on Sakaar. A bunch of runaway gladiators could pull this off? With local technology, with all his wealth, the tyrant showman had nothing to put down the rebellion? How did the Grandmaster end up in the trash when all the rebels did was escape on a ship?
- The entire population of Asgard was placed on the same ship. Yes, not as many people live there as on Earth, but sorry, one ship?
- Within a couple of days, the inhabitants of Asgard were left without a king, survived the attack of Hela, were attacked by Surtur, lost Asgard himself, and then, fleeing on a ship, met the ship of Thanos, who would finish them off. It's been a busy day!
- In a film with this title, you could express more respect for Scandinavian mythology. After all, there are hundreds of thousands of people, not a single century believed that after death ... will drink, and then fight the ghosts of their wives and children to lose and the universe plunged into darkness. Since it is unlikely that anyone will shoot a big-budget film about the real Ragnarok, as he was represented by the Vikings, the audience could get this event only in the form of a comic book. And in it, the moment of the fall of Asgard was shown without a note of greatness, without regret, and was merged with the laughter of a stone dude and the indifference of the people.
- There are as many as 4 villains: Surtur, Loki, Hela, Grandmaster. Of course, none of them receive disclosure.
- There's a shit joke, a dick joke. The authors are also obsessed with death. I don't mind black humor per se, but here, twice, the death of a sentient being is spoken of with such indifference as if a toy had broken.
To sum up, a few years before that, the studio probably had plans for a serious Ragnarok, since the first and second parts of Thor were filmed in a normal way. But their fees were not high enough, the audience did not need Thor in the form of Thor with his mythology, his character. Therefore, the authors gave us the Torah in the form of a clown. They didn’t even believe in this film, so they didn’t shoot it about what it was supposed to be about, and half of the content was silenced by a completely different comic book arch about another character, and the events of Asgard themselves showed in a glimpse and with jokes. The twilight of the gods is shown without the slightest respect for the source, more than half of the characters are missing, and the rest are a deep degeneration of their images. Loki is being groundlessly heroized. Apparently drawn specifically for girls, Marvel focuses a lot on fan service for them.
At the same time, we must admit that the film performs its main function – entertainment. It is a spectacular attraction, it has a large amount of fan service, Easter eggs for fans, it is designed. Therefore, he is able to create a very vile trick with the viewer - to leave satisfied immediately after watching, with a charge of emotions. But if there is a head on his shoulders, the viewer then realizes that he was simply deceived by a trick.