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Karen Oganesyan
Карен Оганесян
Birth at
27 June 1978
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Karen Hovhannesyan is an Armenian film director from Yerevan. Despite the fact that Karen received an education in the field of philological sciences, however, his craving for creativity took over. The novice director moved to Moscow, hoping to learn cinema, but he was offered paid training at VGIK. But when popular director Vladimir Motyl saw Karen’s diploma short meter, he said that Oganesyan should teach, not study.
Soon Karen met Yuri Grymov, and at the end of the promotional courses they began
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Karen Hovhannesyan is an Armenian film director from Yerevan.
Despite the fact that Karen received an education in the field of philological sciences, however, his craving for creativity took over. The novice director moved to Moscow, hoping to learn cinema, but he was offered paid training at VGIK. But when popular director Vladimir Motyl saw Karen’s diploma short meter, he said that Oganesyan should teach, not study.
Soon Karen met Yuri Grymov, and at the end of the promotional courses they began to work together. In 2003, Oganesyan expected the first success in creativity. In 2007, the director made his first film.
"I'm staying." . The authors of the script were Alena Zvantseva and Dmitry Konstantinov.
In 2008, Karen filmed the psychological thriller Home about a writer-killer. The main roles in the film were performed by Konstantin Khabensky, Vladimir Mashkov and Chulpan Khamatova. In the same year, the director tried himself as an actor, starring in a television series.
Zhilin outpost which took place during the Second World War.
In 2009, Karen Hovhannisyan began filming television series. The director's projects were multi-series films
Open up, it's me. and Zhurov. In 2011, Karen presented his next creation - a comedy film about the postwar period "Five Brides".
Oganessian has an individual approach to cinema. For most, his thinking is a little broader than that of modernity. Karen himself believes that stupid parodies on Western films are not interesting for teenagers, and most viewers expect something original from Russian cinema.
The director said that an intelligent viewer is drawn to experiences, not special effects. To date, no one is surprised by special effects, and genuine emotions are much more difficult to play, transmit, and invent compared to special effects.