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The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. more
The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography. close
The story unfolding during one day, tells about the male vileness and ever-hard female share ... The action takes place against the background of the more
The story unfolding during one day, tells about the male vileness and ever-hard female share ... The action takes place against the background of the first hits of the young group "Nautilus Pompilius" ... close
Short feature film, filmed in 1988. One of the first works of the film director Alexei Balabanov, at that time an assistant at the Sverdlovsk Film Studio. more
Short feature film, filmed in 1988. One of the first works of the film director Alexei Balabanov, at that time an assistant at the Sverdlovsk Film Studio. The film is a course work, filmed while studying at the Higher Courses of Scriptwriters and Directors; the materials of the film became the basis for the thesis work of the director, the film "Nastya and Egor" (1989). close
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage more
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors. close
About Sado-masochism, suicide and the irrational nature of the human spirit. The irrationality of the human psyche, sadomasochism and suicide are the more
About Sado-masochism, suicide and the irrational nature of the human spirit. The irrationality of the human psyche, sadomasochism and suicide are the leitmotifs of this film. The documentary footage of airplanes and pilots – symbols of courage and honour – become an unexpected counterpoint to the main structure of the film. The combination of documentary footage and poetic storytelling with the inclement northern setting reinforce the ascetic atmosphere of Suicide Monsters and give its self-destructive characters a heroic and noble appearance. —arsenals.lv close
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno more
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno prostoty"). The anti-hero Glumov tries to escape exposure in the midst of acrobatics, derring-do, and farcical clowning. Several members of Eisenstein's troupe at the legendary "Proletkult" stage theatre in Moscow briefly appear in this little film. close
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, more
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, who was the first in the world in 1731 to fly in a balloon. Was there really the balloonist Krikutny, or was this story invented by the provincial official Sulukadzev? Whom to believe? To the text of the charter for the first ballooning or to historians who refute the reality of this event? close
This dialogue-free short film, Devochka I Veshchi (A Girl and Things), was one of Mikhalkov’s first student films, made under the tutelage of Mikhail more
This dialogue-free short film, Devochka I Veshchi (A Girl and Things), was one of Mikhalkov’s first student films, made under the tutelage of Mikhail Romm, himself a legendary filmmaker. It is a modernist (and very Soviet) look at a young girl’s interaction with the world around her and displays many of the strengths of the director’s later work, including his attention to milieu and his sensitivity to young performers. -http://www.vulture.com/2009/07/in_soviet_russia_nikita_mikhal.html close
A young sailor descends from a local train. He goes to a nearby forest, which is full of strange men in medical uniforms behaving in an absurd and eccentric more
A young sailor descends from a local train. He goes to a nearby forest, which is full of strange men in medical uniforms behaving in an absurd and eccentric manner. The sailor falls under their influence and masochistically gives himself up to them only to be disemboweled by the werewolf orderlies. The sailor’s last unconscious image is a “white ship sailing towards the horizon”—a Soviet symbol for happiness and joy. close
Violence in the snow! One of the most radical shorts ever made behind the iron curtain, a special document of the Necrorealists' art group, in the former more
Violence in the snow! One of the most radical shorts ever made behind the iron curtain, a special document of the Necrorealists' art group, in the former USSR. "Lesorub" (Lumberjack) is a reaction full of energy and morbid rage against the rigid rules of socialist realism - Claus Loeser, Gegenbilder close
All passengers take things on the road. So the hero of the cartoon "Suitcase" took with him on the train everything he considered necessary, packing the more
All passengers take things on the road. So the hero of the cartoon "Suitcase" took with him on the train everything he considered necessary, packing the property in a huge yellow suitcase. He is in such a hurry to the train that he knocks the rest of the passengers in his path. The bushman crushed someone's leg, left someone without pants, but does not pay attention to it.
Here, finally, is the Paradise Coupe. You can arrange a suitcase on the luggage shelf and relax. But, dozing off, this mustachioed gentleman has a nightmare: his suitcase opens, and in it instead of luggage - a mysterious city. Its inhabitants bake an unimaginable size cake.
This vision is so ridiculous that a man wakes up in horror. Around the road, there is nothing to worry about. He closes his eyes again, and again slides the snake of the suitcase, revealing the cityscape with strange inhabitants, only now he, its owner, becomes a prisoner of the suitcase.
The film is based on a poem by V. Linkova. close
A young guy gets caught on a currency transaction, changing rubles to dollars. But in his mind, he has long overcome not only state borders, but also the laws of gravity.
A young guy gets caught on a currency transaction, changing rubles to dollars. But in his mind, he has long overcome not only state borders, but also the laws of gravity. close
A short film based on the story of Leonid Andreev “The Abyss”. A student walks in the woods with his girlfriend. It slowly gets darker and it turns out more
A short film based on the story of Leonid Andreev “The Abyss”.
A student walks in the woods with his girlfriend. It slowly gets darker and it turns out that young people are lost. They have been wandering for a long time in search of the road. They meet strangers who attack the guy, the girl tries to hide in the woods. close
A sweet romance unfolds between two young factory workers who meet on a train and set out to discover their city together before the young woman must return to her flat.
A sweet romance unfolds between two young factory workers who meet on a train and set out to discover their city together before the young woman must return to her flat. close
A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody more
A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole. close
One of the most structured of Yufit’s reels with an elaborated montage work. This film combines three diverse worlds in an absurd manner to show the author’s more
One of the most structured of Yufit’s reels with an elaborated montage work. This film combines three diverse worlds in an absurd manner to show the author’s passion for black humour: traditions of the avant garde cinematography of 20s, the social motives of contemporary Russia, and forensic medicine. —arsenals.lv close
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date more
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes. close
The manifestation and fireworks on the 1st of May, one of the ritual celebrations of Soviet times, as a gathering of tired participants of a mass scene more
The manifestation and fireworks on the 1st of May, one of the ritual celebrations of Soviet times, as a gathering of tired participants of a mass scene falling into pieces without the director's orders and without any aims. close
Children write an essay on the topic “What I want to become”. Nikitin, Jr., "hanging" for a while, realized that better father's profession - M.S. - he more
Children write an essay on the topic “What I want to become”. Nikitin, Jr., "hanging" for a while, realized that better father's profession - M.S. - he does not know anything. And although his older sister calls his dad mayonnaise, the boy knows that his father loves his profession and will not exchange it for any other. And so he too, like his dad, will work on virus breeding, write papers, speak at symposiums and be called Emanes.
Additional information: Nice, fun and innovative picture, diploma work of GITIS graduates. No pathos, no deep philosophical thoughts, no superstars. But there is youth, relaxation and energy. This 15-minute movie is worth watching. close
A three-minute long insight into the life of completely unusual people – a group of pacifists forced into hiding in the cellar of a ruinous house to escape more
A three-minute long insight into the life of completely unusual people – a group of pacifists forced into hiding in the cellar of a ruinous house to escape a war tribunal. The difficulties of war are manly endured by the film’s characters. This film, like most of Yufit’s works, shows his love of 1920’s avant garde cinema, which was considered the highest pinnacle in cinematography. The director believes the art of moving pictures was more heartfelt before sound and colour. “The development of technologies is not a particularly positive thing for human existence,” says Yufit. —Arsenals Film Festival close
A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require more
A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require the death of each participant once his or her task is accomplished. After killing one of their colleagues and splitting into several groups, the alpinists continue their journey. But the human unconscious doesn’t follow military orders. Having once committed murder, the “knights” can’t control their desire to kill. They forgot their mission… and kill each other instead. —University of Pittsburgh close
This film was Sokurov's first feature at Lenfilm, roughly based on a short story by the contemporary Soviet writer Grigory Baklanov about the transitional period from power to subordinance.
This film was Sokurov's first feature at Lenfilm, roughly based on a short story by the contemporary Soviet writer Grigory Baklanov about the transitional period from power to subordinance. close
In "The Soviet Elegy" the long train of photos of the Soviet leaders, dead or alive, stops at the portrait of Yeltsin. At the time of shooting Yeltsin more
In "The Soviet Elegy" the long train of photos of the Soviet leaders, dead or alive, stops at the portrait of Yeltsin. At the time of shooting Yeltsin had fallen down from the assembly of the Communist Party deities, and participated in the earthly life through connections of different kinds. close
Course work of the student of the directorial department Ivan Okhlobystin.
Training film studio VGIK. Since early childhood, I have played different games. more
Course work of the student of the directorial department Ivan Okhlobystin.
Training film studio VGIK.
Since early childhood, I have played different games. And the older I get, the more dangerous it is for me to lose, and the scarier it is for others to win. Jesus! Leave me one game to hide and seek. That's the only thing I'm willing to play my whole life. close
Just before the arrival of the commission, Dyrokol, the head of the 1st branch of the state farm Zarya, found in his farm a half-depleted cowboy and ordered more
Just before the arrival of the commission, Dyrokol, the head of the 1st branch of the state farm Zarya, found in his farm a half-depleted cowboy and ordered to immediately send her to the meat plant. But there is a skinny cow (not taken). And then the Hole threw it to his neighbor Koleno in the 3rd branch. While the Hole and the knee, quarreled, tried to get rid of the poor cattle, it picked up the milkmaid Lucia Prokopenko ... close
Silent serious people buy weapons. They are taking him by a caravan of trucks through Moscow. One of them changes into new clothes and leaves the others more
Silent serious people buy weapons. They are taking him by a caravan of trucks through Moscow. One of them changes into new clothes and leaves the others for his beloved girlfriend, who lives in the capital. close
Not having time to appear at the construction site, the new worker Shura Averyanova (Love of Polekhin) has already declared itself as a principled and more
Not having time to appear at the construction site, the new worker Shura Averyanova (Love of Polekhin) has already declared itself as a principled and independent person whose opinion should be considered. Her indignation over the riots “taking place” in the working team is shared by master Sergey Petrovich Arzhanov (Vladimir Nossik), and they quickly find a common language. Their friendship becomes a warmer feeling, but Shura did not have a cloudless past, in which there was a deception, and the birth of a child, and the difficult fate of a single mother.
The old Soviet melodrama by Gennady Karyuk “We have a new girl”, created based on Boris Ekimov’s story “Officer”, is a film that has characteristic signs of customs and life of the 70s of the twentieth century, which became history, against the background of which a group of famous and beloved Russian actors was shot. close
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