Dinara Kuldasheva-Asanova is a famous Soviet film director, actress, honored artist since 1980 and winner of the USSR State Prize since 1985.
Dinara was born in Bishkek, the capital of Kyrgyzstan, on October 24, 1942. She graduated from the school in 1960, then started working at the Kirgizfilm film studio, from where she left after a couple of years.
During this period, she managed to play small roles in the films “Everyone has his own road” and “Girl from the Tien Shan”, as well as work together
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Dinara Kuldasheva-Asanova is a famous Soviet film director, actress, honored artist since 1980 and winner of the USSR State Prize since 1985.
Dinara was born in Bishkek, the capital of Kyrgyzstan, on October 24, 1942. She graduated from the school in 1960, then started working at the Kirgizfilm film studio, from where she left after a couple of years.
During this period, she managed to play small roles in the films “Everyone has his own road” and “Girl from the Tien Shan”, as well as work together with Larisa Shepitko on the film “Heat”.
Then Asanova entered VGIK at the director's faculty, where she studied until 1968, mentored by Alexander Stolper and Mikhail Romm. To defend the diploma Dinara was able only in 1969, shooting a short film “Rudolfio” based on the work of the same name Valentin Rasputin.
In 1974, the first full-length film of the director called
" Woodpecker doesn't have a headache. , which was filmed at the film studio "Lenfilm". The script for it was written by Yuri Klepikov, the main role was played by debutante Elena Tsyplakova, who in the future became a famous actress, and then a film director.
In 1976, Dinara Asanova worked on a movie.
"Key without transfer" , where actors Alexei Petrenko, Elena Proklova and Zinovy Gerdt played.
The following year, another film of the director called “Trouble” was released, the film was based on the script of Israel Metter. The plot of the picture was based on the story of the collapse of the personality of alcoholic Vyacheslav, whose role was played by Alexei Petrenko.
In her works, Dinara often touched on the problems of the younger generation and other difficulties of modern reality. Her best films can rightly be considered tapes.
Boys 1983, The No Transfer Key (1976) and The Sweet, Dear, Loved One (1984).