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This documentary depicts the creation of collective farms for Jews in Crimea. It shows them building their houses, digging a well, and farming the land.
This documentary depicts the creation of collective farms for Jews in Crimea. It shows them building their houses, digging a well, and farming the land. close
Stones from the sky - tangible pieces of other worlds. After millions of years of wandering in the darkness and the cold expanses of space, meteorites more
Stones from the sky - tangible pieces of other worlds. After millions of years of wandering in the darkness and the cold expanses of space, meteorites find shelter in the windows of museums. By studying meteorites, scientists know their origins, how they get to the Earth, and from which substances they are comprised. This film also explores the attitude towards this phenomenon in different nations through different times in history. close
Director Fridrikh Ermler brings together monarchist Vasiliy Shulgin with a nameless historian who accompanies the right wing politician on a stroll through more
Director Fridrikh Ermler brings together monarchist Vasiliy Shulgin with a nameless historian who accompanies the right wing politician on a stroll through Leningrad, confronting him with his past. close
Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism more
Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world. close
Four love stories connected by newsreels of the late 60s. Each short story begins with an epigraph taken from the Song of Songs of the Old Testament. more
Four love stories connected by newsreels of the late 60s. Each short story begins with an epigraph taken from the Song of Songs of the Old Testament. The stories are interconnected by documentary shots and numerous interviews taken on the streets from passers-by who are asked the same question: “what does it mean to love?”. close
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). more
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.” close
In the documentary TV movie "Irakli Andronikov". For the first time on stage, Andronikov tells the audience about his youth, when he just began to master more
In the documentary TV movie "Irakli Andronikov". For the first time on stage, Andronikov tells the audience about his youth, when he just began to master his talent as an imitator and work as a lecturer at the Leningrad Philharmonic. In addition, the critic, literary critic and master of oral story in one person shares memories of literary critic and musicologist Sollertinsky I.I., writers Tolstoy A.N. and M. Gorky and artists Kachalov V.I. and Ostuzhev A.A.
It was in this film Irakli Andronikov first admitted that the main qualities of his character from early childhood were love of music and shyness, and that it all began with them. Heraclius joked that no one now believes in his shyness, and even he sometimes begins to doubt it, but no one doubts his love for music. close
How independent are we in our judgments? How do other people influence us? Being like everyone else is a natural desire of a child. He often succumbs more
How independent are we in our judgments? How do other people influence us? Being like everyone else is a natural desire of a child. He often succumbs to suggestion and passes out someone else's opinion for his own. But for an adult, this is a loss of personality, adaptability, conformism, which forms the psychology of a slave. close
A documentary film about the agricultural development in the region of Gorky: the everyday life in a sovkhoz, the building of a reservoir and of a greenhouse.
A documentary film about the agricultural development in the region of Gorky: the everyday life in a sovkhoz, the building of a reservoir and of a greenhouse. close
Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th more
Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..." close
The film, shot in 1979, but allowed to be shown only 10 years later, talks about the traditional hero of Soviet propaganda. It consists of two parallel more
The film, shot in 1979, but allowed to be shown only 10 years later, talks about the traditional hero of Soviet propaganda. It consists of two parallel plots. The first is the classic "newsreel" about the hero of labor, a noble weaver Golubeva. Golubev at the machines, Golubev on the podium. The second line of the film is the life of the Golubeva family. More precisely, the life of her husband and son. Mom is not at home. close
About the best discos in the USSR - in Moscow, Riga, Novosibirsk, Dubna, etc., with comments by the Deputy Minister of Culture of the USSR Golubtsova more
About the best discos in the USSR - in Moscow, Riga, Novosibirsk, Dubna, etc., with comments by the Deputy Minister of Culture of the USSR Golubtsova G.V., Doctor of Historical Sciences I.V. Bestuzhev-Lada. close
A 1981 documentary film directed by Yuri Ozerov. It showed the opening and closing ceremonies of the 1980 Summer Olympics held in Moscow. The director more
A 1981 documentary film directed by Yuri Ozerov. It showed the opening and closing ceremonies of the 1980 Summer Olympics held in Moscow. The director was awarded the State Prize of the USSR in 1982. The film was selected as the Soviet entry for the Best Foreign Language Film at the 54th Academy Awards, but was not accepted as a nominee. close
The history of the Soviet circus. The film is a memory of famous actors, directors, writers and veterans of the circus about the past, about what the circus was like during their childhood.
The history of the Soviet circus. The film is a memory of famous actors, directors, writers and veterans of the circus about the past, about what the circus was like during their childhood. close
Pskov-Pechersk Monastery is a documentary film created in 1986 by Archimandrite Tikhon (Shevkunov). The picture depicts the holy elders, Archimandrite more
Pskov-Pechersk Monastery is a documentary film created in 1986 by Archimandrite Tikhon (Shevkunov). The picture depicts the holy elders, Archimandrite Seraphim, Archimandrite Theophan, Schiarchimandrite Alexander, Archimandrite Nathanael, Schigumen Melchizedek, Archimandrite John.
All of them had something to remember and tell about the years of deprivation, defeat and persecution. The trials did not break the strength of the spirit in them and did not destroy mercy, the gift of God. close
Nostalgic memories of post-war cinema. queues in cinemas, ice halls and the fascinating magic of the screen ... Boys and girls of the late 1940s, they more
Nostalgic memories of post-war cinema. queues in cinemas, ice halls and the fascinating magic of the screen ... Boys and girls of the late 1940s, they watched their favorite films many times, they collected photos of idols, so I wanted to look like my favorite heroes. close
The first full-length film about the Chornobyl tragedy, filmed in May-September 1986. The authors did not set themselves the task of showing an exhaustive more
The first full-length film about the Chornobyl tragedy, filmed in May-September 1986. The authors did not set themselves the task of showing an exhaustive picture of what happened in Chornobyl. They sought to capture the testimonies of people directly involved in the tragedy, the lessons of which have yet to be realized. close
About the coach of the Moscow football team "Spartak" Konstantin Ivanovich Beskov. The film shows the difficult path of the Spartak team to the title of USSR champion in football in 1987.
About the coach of the Moscow football team "Spartak" Konstantin Ivanovich Beskov. The film shows the difficult path of the Spartak team to the title of USSR champion in football in 1987. close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
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