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These people survived the Great Patriotic War and immediately ended up in the "death camps" on Kolyma. At least two million people were captured in Germany. more
These people survived the Great Patriotic War and immediately ended up in the "death camps" on Kolyma. At least two million people were captured in Germany. This was considered a betrayal of the Motherland, Article 58. The death camps, an innovation of the NKVD, worked flawlessly. It was designed to destroy the “enemies of the people.” No, they didn’t kill, people just couldn’t stand it themselves, beasts and destroyed each other, someone died of disease, cold and hunger. In the film, several rehabilitated prisoners talk about their cruel fate, about what few people know, about what was kept in strict secrecy for many years. These are the nuances of the “Zack” life, wild and cruel. Film 1 – The Story of a Trust Semi-destroyed wooden buildings, empty eye sockets of windows, barracks, stars on towers, a rickety palisade, a wooden bridge - whether to freedom or in conclusion - this is all that remains of one of the countless Stalinist camps. “The stone promised to keep the secret” now protects only the countless bodies of the regime’s victims buried here. It all started in the '30s. Movie 2 - "Face to Face" Freelance workers, former prisoners and children born in the camps continue to testify. The late 30s and early 40s were full of important events for prisoners. At first, changes were expected in connection with the removal of Yezhov and the appointment of Beria. But instead of changes, there were mass shootings. Movie 3 – “The War After the War” From the mountain, on which lies the old cracked “cup” of the high-voltage transmission line, the remains of the camp are visible. Chronicle - soldiers of the Great Patriotic War are met with Victory and flowers. In parallel with these trains there were other trains that did not meet with flowers. Those who traveled in them - prisoners of war, repatriates - from German captivity were sent to Soviet captivity, to camps. They wanted to return to their homeland, but instead received a tribunal and a prison. Denunciations began again, the regime was tightened, handcuffs and numbers were introduced, which now replaced names. Underground organizations were created among prisoners, people went on the run. They were shot, the corpses of the murdered fugitives lay unburied for weeks to intimidate, but they still ran away - chased the excitement of freedom, human dignity. Death was a common occurrence... The authors dedicated this film without guilt to the murdered, our brothers and sisters, who rested anonymously on the cold Kolyma land. close
Roman Viktyuk either hate or adore. But the eccentricity, the dissimilarity to everything of his work is recognized by everyone. The film by Alexei Uchitel more
Roman Viktyuk either hate or adore. But the eccentricity, the dissimilarity to everything of his work is recognized by everyone. The film by Alexei Uchitel - illustration for the life of the scandalous maestro. Unique shots from rehearsals, a trip to Lviv and New York, young actors, now stars - once opened by Viktyuk, scenes from the director's most striking and challenging performances. And Roman Viktyuk himself, ironic, funny, sincere . close
The television series "The Tragedy of the Century" was filmed by a magnificent duo of directors - Yuri Ozerov and Anatoly Rasskazov. The film tells about more
The television series "The Tragedy of the Century" was filmed by a magnificent duo of directors - Yuri Ozerov and Anatoly Rasskazov. The film tells about the most significant events of the Second World War, based on real events and documentary facts. Each series recreates one of the great battles of this bloody and unforgettable war. With the help of art cinema, as well as with the involvement of unique documentary footage shot by both Soviet operators and cameramen of other countries, including America, England, France, Japan and, of course, German film archives, scenes of battles were recreated in great detail. This film is considered the best of all films about the war. close
According to the figurative expression of the author of the picture, gray flowers are people who grew up outside of love, deprived of parents in childhood, more
According to the figurative expression of the author of the picture, gray flowers are people who grew up outside of love, deprived of parents in childhood, innocently trampled by the Gulag, who fled as teenagers from the beatings of a drunken father, from their mother who betrayed them, from the lies in which parents live, intolerable for them. And so, despite being defenseless, these people are the most dangerous.
The film is dedicated to the director’s father, musician Evgeny Micheladze – the prototype of the main character of the film “Repentance”, who died in the Gulag.
The film uses the magnificent camera techniques of Alexander Minaev, who made a generous contribution to the artistic and expressive means of world cinema.
Prize of the Ecumenical Jury of the XXVI IFF in Leipzig. close
For many ages the Armenian nation, having no statehood, has concentrated all its values in the family and made it the center of the national spirit. The more
For many ages the Armenian nation, having no statehood, has concentrated all its values in the family and made it the center of the national spirit. The main characters of the film arrived in northern Armenia and not from paradise. They are refugees who escaped from violence. Both of them are young. The woman is pregnant. They create a world around themselves, and thus create themselves. close
Under Soviet rule, everyone wanted to get to Moscow, because in Moscow “there was everything!”. And there was a "limit" on non-residents. They were accepted more
Under Soviet rule, everyone wanted to get to Moscow, because in Moscow “there was everything!”. And there was a "limit" on non-residents. They were accepted on those jobs where Muscovites refused to go to work. In anticipation of the “Moscow residence” passed years in the half-collapsed dormitories. The dream of “equal opportunities” with Muscovites was unrealizable. But the path to it was a dologue and exhausting. Meanwhile, the hatred of Muscovites to “limit” grew. close