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It is not known where in the yard of the Moscow elite house, in the center, one night appears a cow. The cow is exhausted and barely wandering. The cow more
It is not known where in the yard of the Moscow elite house, in the center, one night appears a cow. The cow is exhausted and barely wandering. The cow is strange and beautiful. Katya saw her first. I saw it at the time of the greatest disaster of my life. Katya leaves her husband, Vadim, whom she has loved for fifty years out of her fifty-four. Kate needs something to cling to, at least someone to be needed to survive. And she gives shelter to a cow in her empty huge apartment. Katya becomes attached to the cow and comes to the idea that everyone has the right to choose whom to love. But others and loved ones think otherwise. close
One day spent at the famous Russian FM radio station will reveal many professional secrets and secrets of the success of famous presenters and radio programs.
One day spent at the famous Russian FM radio station will reveal many professional secrets and secrets of the success of famous presenters and radio programs. close
The events of the series Dmitry Orlov "The General's Daughter - Tatiana" unfold during the era of "half-life", in the 80s in Moscow. In the story, an more
The events of the series Dmitry Orlov "The General's Daughter - Tatiana" unfold during the era of "half-life", in the 80s in Moscow.
In the story, an intelligent and beautiful Moscow State University student Tatiana Lebedeva meets a talented nuclear physicist Alexander Kazansky, with whom she falls in love. The guy responds to the girl in kind, and it seems that nothing will ever hurt to be always together, but the whole world rebels against this relationship – from relatives to the entire state system. Tatiana is the daughter of a high-ranking KGB general, and Alexander is a dissident from an unknown provincial family. close
Valentine is an actor, he is about 30. There is no money. There is no career. Beloved girl left. An unexpected call and an invitation to the casting are more
Valentine is an actor, he is about 30. There is no money. There is no career. Beloved girl left. An unexpected call and an invitation to the casting are like a gift of fate. Valentine will have to learn about himself that he never knew before. This casting will divide life into "before" and "after". close
Movie "Moscow." Voices of elusive truths" were taken by order of the Moscow Department of Family and Youth Policy. The full-length film consists of nine more
Movie "Moscow." Voices of elusive truths" were taken by order of the Moscow Department of Family and Youth Policy.
The full-length film consists of nine novels, nine social advertising, touching on the main problems of a modern resident of the Moscow metropolis. close
The film “Ukhnya” by Konstantin Vinogradsky is one of such experimental works, when the author, with apparent simplicity, sets almost impossible tasks more
The film “Ukhnya” by Konstantin Vinogradsky is one of such experimental works, when the author, with apparent simplicity, sets almost impossible tasks for himself.
For the director, this is the first experience of this scale. The idea of the film is simple and obvious – the kitchen as the center of the universe. Only Vinogradsky is interested not in culinary identity, but in the place of action.
The director presents a number of paintings that differ from each other in the theme and manner of shooting. For millions of our compatriots, the kitchen is a sacred place. At the gas stove, people quarrel, love each other, bear children, unravel philosophical problems. The kitchen has long been a place of psychological consumption for each other. Our native cuisine, in fact, has retained its pagan nature. A place where fire, water and metal meet. A triumph of flesh, pleasure and spirit. The themes of the seven deadly sins are enclosed in square meters of post-Soviet kitchens.
The tone of the film is set by the first novel about a playwright who writes plays in the kitchen at night, and his characters speak only with mat. Neurasthenic, exhausted by the trends of the “new drama”, specializing in maternity. His wife, a reasonable woman, tries to convince her husband to use a more harmonious syllable in his work. The role of the writer’s wife was very unexpectedly performed by Irina Lindt. It is symbolic that the husband is played by the scriptwriter and director of the film. Thus, each subsequent novel is presented as a figment of the writer’s imagination.
The action of the next plot takes place in a tiny kitchen two by two meters. The character, played by Yegor Barinov, quit his job, sold his car and is going to Chechnya as a civilian. Late at night he comes to say goodbye to the woman he has long loved. The plot is distinguished by a touching lyrical atmosphere, which is created by the exact psychological work of the actors. The hero of Barinov is an angular, simple man with a tender, vulnerable soul. Olga Sarycheva represents the recognizable character of a single woman who raises a child without a father.
The third novel is a satirical household sketch. The action takes place on the eighth of March in the communal. Drunk in the mind, the hero, played by Leonid Krasnov, talks about women, showing no respect for his own wife. In the foreground, a fan works and a fly is constantly buzzing somewhere.
The interior of the fourth novel is an expensive comfortable kitchen. The camera quietly, very slowly hits the faces of the actors. Two teenagers dream of dying between classes. Absurd teenage dialogue in the interior of luxury and well-being is interrupted by short bursts - photos of dying children from concentration camps. The novella seems to be a bitter tragedy of modernity.
In the next story, in the dark by the light of candles sit lonely old people (Valentina Kudinova and Alexei Golovin). The old woman can’t sleep without her favorite show, which was postponed after midnight. She projects the action of the series on her own life, and while there is no light in the house, her husband tolerates her presentation. Very touching dialogue, deeply executed by talented actors.
The next novel is a satirical sketch in the interior of a modern empty kitchen. Through the window, a thief (Vladimir Tishenkov) climbs into the apartment and opens the doors to his partner in the craft (Andrey Chernyshov). After scouring the apartment, they find a box of champagne and get drunk unconscious. In this form, they find the prosecutor with the wings of an angel behind them. The time has passed when the country believed Lenin’s words that even a housewife can govern a state. The kitchen is the only place for political debate. Vladimir Tishenkov and Andrei Chernyshov play out a grotesque scene, trying to understand the intricacies of modern politics. The last novel is preceded by an epigraph – a quote from a poem by Vladislav Surkov. Two girls (Olesya Veselova and Victoria Zakharova), apparently only from the bath in the interior of a chic kitchen, talking about cooking and going through the names of Caucasians, mix poison in coffee.
In the finale of the film, the writer from the first novel sits in front of the manuscripts at the night window. Vinogradsky does not put an end and does not rush to present the viewer with morality. He looks out the window, behind which is another space, not enclosed by square meters of the kitchen. close
Funny stories about the competition of two antagonistic inventors. Talented inventor of Uletov and his dog Corkscrew against the evil genius of Baron Flug
Funny stories about the competition of two antagonistic inventors. Talented inventor of Uletov and his dog Corkscrew against the evil genius of Baron Flug close
Moving from the city to the village of Leonya is trying to stir up inert rural residents for an active and interesting life. For example, invites those more
Moving from the city to the village of Leonya is trying to stir up inert rural residents for an active and interesting life. For example, invites those who wish to gather in a certain place for a general health jog at eight in the morning. He sincerely and earnestly calls on his neighbours to be treated for alcoholism or to establish a common commune for living and working together. Aborigines refer to the newly arrived altruist with condescending humor and at the same time “give out” no less outlandish eccentricities.
The documentary Natalia Meshchaninova "Good intentions" received the prize of the festival "Cinema.doc" "For convincing demonstration of the insubmersible reality", held in Moscow in 2009. close
Director Andrei Zagidullin presents his short film "The Observer". The action of this thriller takes place within the walls of the university. Alexander moreDirector Andrei Zagidullin presents his short film "The Observer". The action of this thriller takes place within the walls of the university. Alexander Krekhov, the main character of the film, like thousands of other students, goes to lectures, moving from one study to another. When everyday reality is replaced by horror, Alexander suddenly realizes that something terrible is happening around him - all the students disappear somewhere, and at the university, where all the exits are blocked for some reason, he remains completely alone.
But even greater horror engulfs the main character of the movie “The Observer” when he begins to realize that among the offices and corridors of the abandoned university there is someone else hiding. close
They live in the modern world and are afraid of being alone. They get to know each other quickly and talk a lot. They accidentally collide in the cycle more
They live in the modern world and are afraid of being alone. They get to know each other quickly and talk a lot. They accidentally collide in the cycle of a big city. Will nine hours be enough for them to really get to know each other and talk about the main thing? close
Kirill Slepnev, one of the main characters of the series "Two Destinies" (in this case - "Two Destinies 4. New Life"), constantly interferes with the more
Kirill Slepnev, one of the main characters of the series "Two Destinies" (in this case - "Two Destinies 4. New Life"), constantly interferes with the happiness of Dasha and Peter. These two have decided to unite their destinies forever, they are very happy: they have their own home, favorite work, tenderness for each other. But Kirill, who has served time in prison, is released with the most sinister intentions.
The film starred: Dmitry Shcherbina, Oleg Shklovsky, Anna Gorshkova, Anatoly Rudenko. close
Under unclear circumstances, the head of the city council Prokofiev Vyacheslav Ivanovich dies and Olga Andreevna Morozova is appointed in his place. After more
Under unclear circumstances, the head of the city council Prokofiev Vyacheslav Ivanovich dies and Olga Andreevna Morozova is appointed in his place. After getting to know the team, she takes on a new position and tries to sort things out. close
Twenty years ago, the name of journalist Alexander Nevzorov was first heard in St. Petersburg. They didn't pay attention at first. But day after day, more
Twenty years ago, the name of journalist Alexander Nevzorov was first heard in St. Petersburg. They didn't pay attention at first. But day after day, he, the host of 600 Seconds, went live, bringing the truth about his hometown to every home. Twenty years ago, the entire country switched to the Leningrad Canal for exactly 10 minutes. Nevzorov tore babies from the breasts of mothers, old people from dominoes, drunkards from drinking, housewives from borsch. All froze in torpor, hearing only the echo of a familiar voice. In those years, the rating of TV projects was measured by the number of letters that came to the editorial office. They were usually not read. They were counted. The rating of “Second” reached 90 percent. That is why the program got into the Guinness Book of Records. This record has never been repeated. Alexander Nevzorov mastered many spheres of activity: he was a novice in the monastery, a singer of the church choir (bass), an orderly in the hospital, a keeper in the museum, a loader, a stuntman, a mercenary ... close
Documentary series (Russia). The 2008 season. 5 issues. Episode 1. Alexander Khanzhonkov. The Emperor
Directed by A. Ladoga.
Authors N. Yakovlev, Andrey more
Documentary series (Russia).
The 2008 season. 5 issues.
Episode 1. Alexander Khanzhonkov. The Emperor
Directed by A. Ladoga.
Authors N. Yakovlev, Andrey Shemyakin.
About the former officer of the Cossack regiment Alexander Khanzhonkov. He is the organizer of film production comparable to the Pate Empire. Khanzhonkov could become the first emperor of young Russian cinematography.
Episode 2. 20th: The War of Images
Director Dmitry Lavrinenko.
The first decade of the Soviet system of state production. In the center of the picture is the chairman of Sovkino Kirill Shvedchikov and the brightest film entrepreneur of that era, the head of the Mezhrabpomfilm studio Moses Aleynikov. They each in their own way defended the interests of the audience. The best directors of the 1920s developed the film language. However, the authorities in relation to cinema as the greatest mythmaker had their own plans, where none of our heroes fit. But the system was built.
Episode 3. 30s: Boris Shumyatsky. History of Soviet Hollywood
Director Dmitry Lavrinenko.
About the most famous movie utopia of the decade - "Soviet Hollywood". The attempt to implement this project, which was supposed to equalize the USSR and the United States in terms of the pace of film production, cost the author of the idea, the new People's Commissar of Cinematography Boris Zakharovich Shumyatsky freedom and life. But not because the task was impossible. Utopian was the idea of the hero of the film - to become a co-author of Stalin himself.
Episode 4. 40th: Ivan Bolshakov. Stalin's film mechanic
Director Anna Golikova.
About the vicissitudes of the 15-year reign of Ivan Grigorievich Bolshakov, who became the Minister of Cinematography, who was nicknamed “Stalin’s cinema mechanic” by his eyes. It was on his shoulders fell two of the most difficult periods of the development of the national film music: the years of war and the years of post-war devastation. Bolshakov managed to overcome all difficulties. But after Stalin’s death, he was sacrificed to the changing political environment, defamed and forgotten.
Episode 5. 50s: Ivan Pyrev. Ivan the builder
Directed by A. Ladoga.
The great director, Ivan Alexandrovich Pyriev, in the years of Khrushchev’s thaw, was often a film director. He managed to do a lot: he raised Mosfilm from the ruins, created the Union of Cinematographers of the USSR, became the godfather of a new generation of directors. He absolutely did not want and could not fit into the framework of the Soviet system. He was not a functionary, but a builder. . .
The 2011 season. 4 issues.
Directors: Alexander Shuvikov, Daria Khrenova, Anna Golikova.
Episode 1. The 60s: Thaw, or Secret Strategies for Renewal
The main film director of the thaw era should probably be considered Khrushchev. With one caveat: he did not control the "most important of the arts" as his predecessor, Stalin, did. Khrushchev only occasionally interfered in the film process, ceding the main role to officials of the governors. It is with him that the hardware style of cinema management is formed, which later will lead to the appearance of "shelf" films. The film is attended by Alexei German, Sergey Solovyov, Vitaly Melnikov, Armen Medvedev and others.
Episode 2. '70s: The golden age of stagnation. Philip Ermash and Vladimir Baskakov
Behind the well-established system of production of “gray” films of the 70s was a man who is not without reason called a producer – both in scope and intuition. This is the all-powerful Minister of cinema Philip Ermash. And his de facto predecessor, Vladimir Baskakov, manages cinema and, after his resignation, from his office at the Film Institute. The film is attended by Alexei German, Sergey Solovyov, Gemma Firsova, Vitaly Melnikov, Armen Medvedev and others.
Episode 3. 80s: The Death of Philippe Ermash's Empire
With the change of political weather in the mid-1980s, the style of film management also changed. At the Fifth Congress of the Union of Cinematographers, former leaders are overthrown. Director Elem Klimov is elected as the new chairman. Philip Ermash's empire is bursting at the seams. Alexander Kamshalov, who replaced him, became the last minister of Soviet cinema. The film is attended by Alexei German, Vadim Abdrashitov, Sergey Solovyov, Vladimir Menshov, Andrei Plakhov, Vitaly Melnikov, Armen Medvedev and others.
Episode 4. 90s: Change of fate
With the appointment of Armen Medvedev as film minister, Bulat Okudzhava’s prophecy comes true: “Soon all my friends will break into the leadership, and then it will probably become easier for me to live.” True, freedom, which so dreamed of filmmakers, turns into permissiveness and a new "shelf" - now not censorship, but market. The rental system is destroyed: in cinemas they sell furniture. The situation is saved by festivals that turn into parallel rentals. The state becomes a philanthropist, which finds expression in the support of the low-budget project of Gorky Studio. It remains to be seen who will become the new most important filmmaker - the minister, the critic or the producer? The film is attended by Vadim Abdrashitov, Sergey Solovyov, Vladimir Menshov, Vitaly Melnikov, Andrei Plakhov, Ivan Okhlobystin, Alexei Fedorchenko, Alexei Serebryakov and others. close
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