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As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots more
As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots of a tableau nature, each appearing to be a more or less random cross section of American reality, but which in total invoke a highly emblematic picture of the USA. close
The Hefbrug may not be a remarkably beautiful bridge, but through a mix of close-ups, long shots, bird’s eye views and low angles, Joris Ivens conveys more
The Hefbrug may not be a remarkably beautiful bridge, but through a mix of close-ups, long shots, bird’s eye views and low angles, Joris Ivens conveys a sense of the bridge’s structure, its intricate mechanisms and ways of operating, the way it fits into the overall transport infrastructure and therefore the immense importance of this bridge for the whole city of Rotterdam. close
A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed more
A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed by the captain and promises to help him shanghai some seamen. The daughter stows away to follow Charlie. Charlie assists in the galley and attempts to serve food during a gale. close
Ostensibly a non-narrative study of various aspects of a rural winter, this short film by one of modern Hungarian cinema’s greatest visual poets has all more
Ostensibly a non-narrative study of various aspects of a rural winter, this short film by one of modern Hungarian cinema’s greatest visual poets has all the spellbinding qualities of his better-known feature debut Sindbad (Szindbád, 1971), but here allied to a winning sense of humour that’s never quite allowed to detract from the haunting beauty of many of the images. The end of autumn is heralded by a few red leaves still clinging to a statue’s sculpted robes, while whip pans across the increasingly wintry landscape and close-ups of rippling water are given character by seemingly random freeze-frames and Zoltán Jeney’s electronic chirrups on the soundtrack. There are recurring shots of birds, migrating en masse, huddled by the icy water or lying individually dead, frozen stiff in the snow. So far Capriccio has been a reasonably generic mood piece, but then the snowmen arrive… close
Sredni Vashtar is a 1981 short film, written, produced and directed by Andrew Birkin, based on the short story of the same name written by Hector Hugh more
Sredni Vashtar is a 1981 short film, written, produced and directed by Andrew Birkin, based on the short story of the same name written by Hector Hugh Munro. The story concerns a slowly dying ten-year-old boy named Conradin, who lives with his strict cousin and guardian, Mrs. De Ropp. Conradin rebels against her and invents a new religion for himself, which centres on idolising a polecat-ferret he calls Sredni Vashtar; a vengeful, merciless god. The film won the BAFTA award for Best Short Film, and was nominated for an Academy Award for Best Live Action Short Film. close
A young teacher is the victim of a cruel joke. When she enters the classroom, all her pupils are naked, standing near their bench. Their clothes are heaped up on the podium
A young teacher is the victim of a cruel joke. When she enters the classroom, all her pupils are naked, standing near their bench. Their clothes are heaped up on the podium close
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem. close
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage more
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street. close
A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, more
A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, the officer (Jean-Claude Pascal) is quartered by a dull bourgeois couple who treat him with a cold politeness bordering on indifference. close
Angelic and demonic serpentine dances from dawn of cinema. The dancer is Loie Fuller; the pioneer modern dancer. Recorded in Paris, and hand-colored frame by frame.
Angelic and demonic serpentine dances from dawn of cinema. The dancer is Loie Fuller; the pioneer modern dancer. Recorded in Paris, and hand-colored frame by frame. close
