Light short movies of 30-th - quite rare category. We know total 89 this movies.
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light short movies of 30-th
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Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including more
Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body. close
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead.
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead. close
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: more
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful." close
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still more
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique. close
The Hefbrug may not be a remarkably beautiful bridge, but through a mix of close-ups, long shots, bird’s eye views and low angles, Joris Ivens conveys more
The Hefbrug may not be a remarkably beautiful bridge, but through a mix of close-ups, long shots, bird’s eye views and low angles, Joris Ivens conveys a sense of the bridge’s structure, its intricate mechanisms and ways of operating, the way it fits into the overall transport infrastructure and therefore the immense importance of this bridge for the whole city of Rotterdam. close
In this short film, Laurel and Hardy wage battle with inanimate objects, their co-workers, and the laws of physics during a routine work day at a sawmill.
In this short film, Laurel and Hardy wage battle with inanimate objects, their co-workers, and the laws of physics during a routine work day at a sawmill. close
Entertaining Dadaist experimental short, similar to Man Ray's work, full of shifting geometric shapes, stock footage of seagulls, flying eyeballs, and glaring floating heads.
Entertaining Dadaist experimental short, similar to Man Ray's work, full of shifting geometric shapes, stock footage of seagulls, flying eyeballs, and glaring floating heads. close
Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked more
Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked faces play dice in a bar. They decide to drive to Paris. Country roads, hills, fences. The posh "chateau" appears again: meticulous garden, fancy interior, odd sculptures. And at home? "No one, NO ONE." For the next two days, masked figures play dice, frolic by the pool, perform exercises with a ball. Two new figures arrive. Masked. They search and find the dice. They dance. Mannequin hands hold a pair of dice. close
Les Berceaux is about the dedicated sailors who venture out into the deepest ocean, and the wives who must await their return. The woman sits in her living more
Les Berceaux is about the dedicated sailors who venture out into the deepest ocean, and the wives who must await their return. The woman sits in her living room, gently rocking her infant’s cradle as she sings, the movement mimicking the rolling motion of the ocean waves. Many men will lose their lives to the ocean’s vast waters, but the juxtaposition of death and life (in the cradle) suggests an endless and noble cycle. Kirsanoff imaginatively places a rear-projection screen outside the woman’s window, through which, as she sings, we can watch the ocean waves lapping up against the shore, or the ship charging majestically over the water. Also worth noting is that the film was photographed by Boris Kaufman, who later also shot On the Waterfront (1954) and 12 Angry Men (1957). —Shortcutcinema.blogspot.pt close
The film is a visual accompaniment to Honegger's music representing the progress of a transcontinental locomotive. The superimposed orchestra rhythmically reinforces the music.
The film is a visual accompaniment to Honegger's music representing the progress of a transcontinental locomotive. The superimposed orchestra rhythmically reinforces the music. close
The story involves Stan and Ollie as two musicians attempting to travel by train to Pottsville. It was only their second sound film, but a silent version more
The story involves Stan and Ollie as two musicians attempting to travel by train to Pottsville. It was only their second sound film, but a silent version was also made for cinemas at the time that were not equipped to show talkies. close
Stan and Ollie wreak havoc at an upper class hotel in their jobs as footman (Hardy) and doorman (Laurel). They partially undress blonde bombshell Jean more
Stan and Ollie wreak havoc at an upper class hotel in their jobs as footman (Hardy) and doorman (Laurel). They partially undress blonde bombshell Jean Harlow (in a brief appearance) and repeatedly escort a stuffy nobleman into an empty elevator shaft. close
Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James more
Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee. close
Oliver stands to inherit a large fortune from his rich Uncle Bernal, with the condition that he be happily married. But when Mrs. Hardy walks out just more
Oliver stands to inherit a large fortune from his rich Uncle Bernal, with the condition that he be happily married. But when Mrs. Hardy walks out just before Uncle Bernal is due for a visit, Stanley is pressed into duty (and into drag) to impersonate Oliver's loving spouse. close
The remaining fragments of an early Ozu film. It is the simple story of two friends who live together in a poor tenement and who share about everything more
The remaining fragments of an early Ozu film. It is the simple story of two friends who live together in a poor tenement and who share about everything in life (food, hopes, work...). Everything goes well until they gallantly rescue a young (and pretty) woman injured in a road accident. Since the lady has nowhere to go, the two good-hearted friends invite her to their home. She soon becomes their housemaid and they soon begin to seek her favors. Alas, she falls for a young student she has met in the neighborhood, much to the two friends' dismay. close
Stanley and Oliver are trying to spend a relaxing night at home playing checkers, but the antics of their mischievous sons keep interrupting their recreation.
Stanley and Oliver are trying to spend a relaxing night at home playing checkers, but the antics of their mischievous sons keep interrupting their recreation. close
