Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary more
Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary Final Academy events at the South London Ritzy Cinema. These were Burroughs-themed art and performance nights curated by Psychic TV. Jarman’s film shows Burroughs on Tottenham Court Road signing autographs with fans and inside a shop buying alcohol. The industrial soundtrack by Psychic TV features a sample of Burroughs repeating "boys, school showers and swimming pools full of 'em'". Additional footage shot by Jarman during Burroughs' visit is reported to have been confiscated by Scotland Yard in 1991 and remains lost. Jarman and Psychic TV would continue to collaborate (“magic bound us together” Jarman wrote), with Jarman directing the music video for Catalan and staring as the spokesperson in the Psychic TV video A Spokesman for the Temple of Psychick Youth. close
His first film shot with sound, Feelings is a two and a half minute movie made as an NYU film school assignment in 1984. Solondz himself takes the lead more
His first film shot with sound, Feelings is a two and a half minute movie made as an NYU film school assignment in 1984. Solondz himself takes the lead role of a sensitive young man who finds he can no longer endure life without his beloved. Photographed by Andy Day, the film is set to Todd Solondz's personal rendition of the song "Feelings" by Morris Albert. close
About the best discos in the USSR - in Moscow, Riga, Novosibirsk, Dubna, etc., with comments by the Deputy Minister of Culture of the USSR Golubtsova more
About the best discos in the USSR - in Moscow, Riga, Novosibirsk, Dubna, etc., with comments by the Deputy Minister of Culture of the USSR Golubtsova G.V., Doctor of Historical Sciences I.V. Bestuzhev-Lada. close
A document on the daily life of an ordinary collective farm of the U.S.S.R. in 1978 : the hard-working people who love their work just because they are more
A document on the daily life of an ordinary collective farm of the U.S.S.R. in 1978 : the hard-working people who love their work just because they are brought up to do so, almost with no rewards from life, in an atmosphere contaminated with official rhetoric. close
"The Discipline of D.E." is a short 16mm film directed by Gus Van Sant. It’s based on a story in “Exterminator!” by William Burroughs that at times reads more
"The Discipline of D.E." is a short 16mm film directed by Gus Van Sant. It’s based on a story in “Exterminator!” by William Burroughs that at times reads like Buddhist noir: "DE is a way of doing. DE simply means doing whatever you do in the easiest most relaxed way you can manage which is also the quickest and most efficient way, as you will find as you advance in DE.You can start right now tidying up your flat, moving furniture or books, washing dishes, making tea, sorting papers. Don't fumble, jerk, grab an object. Drop cool possessive fingers onto it like a gentle old cop making a soft arrest.” close
Jörg Buttgereit himself plays a TV horror show presenter, introducing the audience to a variety of "Horror classics”. These are of course all short Super more
Jörg Buttgereit himself plays a TV horror show presenter, introducing the audience to a variety of "Horror classics”. These are of course all short Super 8 films and he shows here his versatility as a filmmaker. The short pieces are all made in 1984 and range from a spoof on the Mummy to a Frankenstein parody, to an amazingly well-crafted stop-motion animated Godzilla-like monster pic called GAZORRA (starring Daktari Lorenz from NEKROMANTIK) to a down and dirty girl-fights-off-violent-rapist segment named CANNIBAL GIRL. Hilarious horror comedy! close
A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, more
A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, leaf, bud, or petal. Often we see only the outline of objects against a black background. Black and green are occasionally joined by fragments of orange or of white and blue. The objects in the frame don't move but they are quickly replaced by another collage, giving the feel of rapid motion. Each collage is crisp, its lines etched against the background of black and later of white. Whitman anyone, or Hieronymus Bosch? Although there is no soundtrack, the rapidity of changing images and colors suggests a riot. close
The film is about the relationship of a man with three women: his daughter from his first marriage came to enter the Institute second wife and her daughter from her first husband.
The film is about the relationship of a man with three women: his daughter from his first marriage came to enter the Institute second wife and her daughter from her first husband. close
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions more
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see. close
A mockumentary starring Warwick Davis, the actor who played the Ewok, Wicket W. Warrick in Star Wars Episode VI: Return of the Jedi and the Ewok spin-off more
A mockumentary starring Warwick Davis, the actor who played the Ewok, Wicket W. Warrick in Star Wars Episode VI: Return of the Jedi and the Ewok spin-off films. Davis and David Tomblin, Return of the Jedi's first assistant director, created it, with Tomblin directing. Lucasfilm planned to use the movie as a promotional film for Return of the Jedi, but post-production on the film was never completed. close
Anne-Marie Miéville, frequent collaborator of Jean-Luc Godard, made this partner piece to Godard's own 'Je vous salue, Marie'. Marie, eleven years old, more
Anne-Marie Miéville, frequent collaborator of Jean-Luc Godard, made this partner piece to Godard's own 'Je vous salue, Marie'. Marie, eleven years old, is experiencing difficult times. Her parents will separate. The perception of her universe is profoundly disturbed. This exacting portrait of a child immersed in her books, music and dancing casts a dispassionate yet touching eye on the girl's reaction to the new upheaval in her life. close
The Iron Cross Army are sabotaging oil-tankers with the help of their monster, the Sea-Devil, a semi-mechanical anthropomorphic swordfish with an ability more
The Iron Cross Army are sabotaging oil-tankers with the help of their monster, the Sea-Devil, a semi-mechanical anthropomorphic swordfish with an ability to shoot torpedoes from its mouth. Spiderman employs the help of the interpol agent Juzo Mamiya to help him stop the Iron Cross Army. close
A traveller comes across a signalman stationed by the exit of a railway tunnel in a deep cutting. The traveller becomes familiar with the signalman, and more
A traveller comes across a signalman stationed by the exit of a railway tunnel in a deep cutting. The traveller becomes familiar with the signalman, and finds that he is troubled by an apparition which appears by the tunnel. close