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French short movies of 30-th - very rare category. We know total 26 this movies.
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french short movies of 30-th
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A spiral design spins. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is more
A spiral design spins. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as it rotates. The messages, in French, feature puns and whimsical rhymes and alliteration. The final message comments on the spiral motif itself. close
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still more
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique. close
A poetic documentary tribute to the famous Eiffel tower, built for the 1889 World Fair and intended to have been destroyed 20 years later. A vocal subset more
A poetic documentary tribute to the famous Eiffel tower, built for the 1889 World Fair and intended to have been destroyed 20 years later. A vocal subset of Parisians (among which, one may surmise, Clair would've been counted) insisted the Tower remain above the River Seine, a continued display of French engineering excellence. Clair makes strategic use of double exposures and dissolves, capturing the mechanical exuberance of the Tower; The great swooping steel latticework edifice a bounding symbol of the modern age. close
On a cold New Year's Eve, a poor girl tries to sell matches in the street. She is freezing badly, but she is afraid to go home because her father will more
On a cold New Year's Eve, a poor girl tries to sell matches in the street. She is freezing badly, but she is afraid to go home because her father will beat her for not selling any matches. She takes shelter in a nook and lights the matches to warm herself. In their glow, she sees several lovely visions including a Christmas tree and a holiday feast. The girl looks skyward, sees a shooting star, and remembers her deceased grandmother saying that such a falling star means someone died and is going into Heaven. As she lights her next match, she sees a vision of her grandmother, the only person to have treated her with love and kindness. She strikes one match after another to keep the vision of her grandmother nearby for as long as she can. The child dies and her grandmother carries her soul to Heaven. The next morning, passers-by find the dead child in the nook. close
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: more
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful." close
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers more
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design. close
In close-ups and extreme close-ups, we watch two small species of marine crustaceans, the slender long-legged stenorhynchus and the clumsy, short-legged more
In close-ups and extreme close-ups, we watch two small species of marine crustaceans, the slender long-legged stenorhynchus and the clumsy, short-legged hyas. To blend in, both cover themselves with found objects, such as algae and sponges. We watch them move, eat, greet each other, and fight. They have small mandibles and large claws. Near them are spirograph worms, 6 inches long, with a plume of branchiae that fan out like exploding fireworks. We see vibrating cilia, 0.001 mm long, on the branchiae, sending food toward the mouth at the plume's center. Chopin's music and an off-screen narrator suggest we're watching a ballet. close
Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked more
Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked faces play dice in a bar. They decide to drive to Paris. Country roads, hills, fences. The posh "chateau" appears again: meticulous garden, fancy interior, odd sculptures. And at home? "No one, NO ONE." For the next two days, masked figures play dice, frolic by the pool, perform exercises with a ball. Two new figures arrive. Masked. They search and find the dice. They dance. Mannequin hands hold a pair of dice. close
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants. close
Romance sentimentale is a 1930 French film directed by Grigori Aleksandrov and Sergei M. Eisenstein. A short, experimental, slightly poetic montage of city and abstract images.
Romance sentimentale is a 1930 French film directed by Grigori Aleksandrov and Sergei M. Eisenstein. A short, experimental, slightly poetic montage of city and abstract images. close
Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including more
Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body. close
Examines the sea horse, the only fish that swims upright. We watch it use its prehensile tail to wrap around plants and other sea horses. A frontal bulge more
Examines the sea horse, the only fish that swims upright. We watch it use its prehensile tail to wrap around plants and other sea horses. A frontal bulge houses organs including an air ballast. Three fins propel this fish. We see a female place her eggs in a male's pouch where they are fertilized and nurtured until birth in violent contractions. Inside the pouch are nurturing blood vessels. We then follow the growth of an embryo, greatly magnified: we examine its heart beating and its dorsal fin moving. Young sea horses attach themselves to each other. The film ends with images of many sea horses moving on the ocean floor, superimposed on a horse race. close
A slapstick comedy centered around two neighboring republics, Crogandia and Miremia, and the various disasters that befall the ceremonial unveiling of more
A slapstick comedy centered around two neighboring republics, Crogandia and Miremia, and the various disasters that befall the ceremonial unveiling of a statue, the launching of a ship, and the crash-landing of a Miremian pilot in Crogandian territory. close
Les Berceaux is about the dedicated sailors who venture out into the deepest ocean, and the wives who must await their return. The woman sits in her living more
Les Berceaux is about the dedicated sailors who venture out into the deepest ocean, and the wives who must await their return. The woman sits in her living room, gently rocking her infant’s cradle as she sings, the movement mimicking the rolling motion of the ocean waves. Many men will lose their lives to the ocean’s vast waters, but the juxtaposition of death and life (in the cradle) suggests an endless and noble cycle. Kirsanoff imaginatively places a rear-projection screen outside the woman’s window, through which, as she sings, we can watch the ocean waves lapping up against the shore, or the ship charging majestically over the water. Also worth noting is that the film was photographed by Boris Kaufman, who later also shot On the Waterfront (1954) and 12 Angry Men (1957). —Shortcutcinema.blogspot.pt close
Jacques Tati and his friend Rhum star as down-and-outs (very much their situation in reality at the time) who try to generate funds by providing an impromptu more
Jacques Tati and his friend Rhum star as down-and-outs (very much their situation in reality at the time) who try to generate funds by providing an impromptu leisure tour in a rickety bus they wangle use of for free. close
