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Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We more
Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements. close
Ballet Mécanique (1923-4) is a Dadaist, post-Cubist art film conceived, written, and co-directed by artist Fernand Léger and filmmaker Dudley Murphy (with more
Ballet Mécanique (1923-4) is a Dadaist, post-Cubist art film conceived, written, and co-directed by artist Fernand Léger and filmmaker Dudley Murphy (with cinematographic input from Man Ray). It has a musical score by the American composer George Antheil (However, the film premiered with no soundtrack, on September 24th, 1924 at the Internationale Ausstellung neuer Theatertechnik in Vienna). It is considered one of the masterpieces of early experimental filmmaking. close
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard more
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Maurice Chevalier in "Gigi" and Godard's own "À bout de souffle." close
Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.
Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films. close
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still more
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique. close
The short film Assassins Creed: Lineage is based on Assassin’s Creed II. The plot of the picture consists of a series of plots and murders that occur more
The short film Assassins Creed: Lineage is based on Assassin’s Creed II. The plot of the picture consists of a series of plots and murders that occur during the rule of the country of one of the dynasties.
The main character of the film Giovanni Auditore Di Firenze lives during the Renaissance in the XV century in Italy. In order to protect the united Italy and prevent the overthrow of the Medici family, Giovanni becomes a murderer who must restore justice. The plot of the film presents the situation before the events of Assassin's Creed II, but shows the enemies and environment of the main character of the film and his son (the main character of the game Assassin's Creed II). close
The action takes place in the middle of the 18th century in France. A young woman and the man prepared to enter into a duel with pistols, in the presence more
The action takes place in the middle of the 18th century in France. A young woman and the man prepared to enter into a duel with pistols, in the presence of woman in the red. Libertine kills a person and flees on a white horse, while the woman in red is threatening revenge. close
Conceived as a reflection on the theme of time at the turn of the millennium, "Dans le noir du temps" functions as a Pandora’s box which hides all the more
Conceived as a reflection on the theme of time at the turn of the millennium, "Dans le noir du temps" functions as a Pandora’s box which hides all the horrors of the world: the last moments of youth, fame, thoughts, memory, love, silence, history, fear, eternity and, of course, cinema. close
This short film can be considered as notes on the origins of the situationist movement; notes which thus naturally include a reflection on their own language.
This short film can be considered as notes on the origins of the situationist movement; notes which thus naturally include a reflection on their own language. close
Two travellers are tormented by Satan from inn to inn and eventually experience a buggy ride through the heavens courtesy of the Devil before he takes more
Two travellers are tormented by Satan from inn to inn and eventually experience a buggy ride through the heavens courtesy of the Devil before he takes one of them down to Hell and roasts him on a spit. close
The music video "Umshini Wam" is a short film on the song of the same name, which was filmed by musicians of the South African rap rave group Die Antwoord. more
The music video "Umshini Wam" is a short film on the song of the same name, which was filmed by musicians of the South African rap rave group Die Antwoord.
The song "Umshini Wam" was popular among anti-apartheid activists, especially supporters of the ANC's political organization, the African National Congress.
In the mini-film, vocalists Ninja and Yolandi Fisser, dressed in bizarre bright jumpsuits, depict two gangsters in wheelchairs who want others to take them seriously. Sometimes unexpected actions are taken. close
What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted more
What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera. close
Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked more
Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked faces play dice in a bar. They decide to drive to Paris. Country roads, hills, fences. The posh "chateau" appears again: meticulous garden, fancy interior, odd sculptures. And at home? "No one, NO ONE." For the next two days, masked figures play dice, frolic by the pool, perform exercises with a ball. Two new figures arrive. Masked. They search and find the dice. They dance. Mannequin hands hold a pair of dice. close
A short film that shows Boundless, Surreal objects that are juxtaposed with our present World. Cars, Motorways, noise of our modern society; A giant city more
A short film that shows Boundless, Surreal objects that are juxtaposed with our present World. Cars, Motorways, noise of our modern society; A giant city in the distance - all that shrouds this lonely and forgotten island of Dreams. Filmed at the Emeryville Mudflats near San Francisco. close
A short mime adaptation of a Thomas Mann story about a Parisian urchin who makes her living selling human heads. Lost for nearly 50 years, the movie was more
A short mime adaptation of a Thomas Mann story about a Parisian urchin who makes her living selling human heads. Lost for nearly 50 years, the movie was found in 2006 by the son of Ruth Michelly and Saul Gilbert when he found it in his mom's attic in Munich. close
Georges Méliès' adaptation of Jonathan Swift's "Gulliver's Travels" is most distinguished, today, for being a color film of the classic story. Color was more
Georges Méliès' adaptation of Jonathan Swift's "Gulliver's Travels" is most distinguished, today, for being a color film of the classic story. Color was rare in 1902 (and many years after) as non-tinted color has to be hand painted on the film; this was an arduous task. Also notable is the film's short running time of approximately five minutes. Much of the original work is not covered, but viewers were expected to be familiar with the story, and enjoy the filmed highlights. There are a couple of scenes missing; according to contemporary reports, Gulliver's shipwreck was certainly included. You can do a lot in a few minutes, as Mr. Méliès includes a re-make of his own "Une partie de cartes" (1896), which already looked like something previously covered by the Lumière Brothers. close
A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the more
A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out? Méliès based the art direction on engravings by Gustave Doré. First known example of a fairy-tale adapted to film, and the first film to use dissolves to go from one scene to another. close
