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Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism more
Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world. close
How independent are we in our judgments? How do other people influence us? Being like everyone else is a natural desire of a child. He often succumbs more
How independent are we in our judgments? How do other people influence us? Being like everyone else is a natural desire of a child. He often succumbs to suggestion and passes out someone else's opinion for his own. But for an adult, this is a loss of personality, adaptability, conformism, which forms the psychology of a slave. close
Four love stories connected by newsreels of the late 60s. Each short story begins with an epigraph taken from the Song of Songs of the Old Testament. more
Four love stories connected by newsreels of the late 60s. Each short story begins with an epigraph taken from the Song of Songs of the Old Testament. The stories are interconnected by documentary shots and numerous interviews taken on the streets from passers-by who are asked the same question: “what does it mean to love?”. close
Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th more
Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..." close
A physicist, a director of popular-science films, and a sports fan talk about the structure of the atom between periods of a hockey game they watch on TV.
A physicist, a director of popular-science films, and a sports fan talk about the structure of the atom between periods of a hockey game they watch on TV. close
An informative documentary Felix Sobolev “Do Animals Think” is a popular science study that attempts to answer one of the most burning questions. After more
An informative documentary close
The film observes and records the people travelling, adding to this very simple but effective visual set a pure (and magic) pot pourri of designed and more
The film observes and records the people travelling, adding to this very simple but effective visual set a pure (and magic) pot pourri of designed and recorded voices and sounds. Hereby not only the people become human beings alive, but also the city awakens. close
In the documentary TV movie "Irakli Andronikov". For the first time on stage, Andronikov tells the audience about his youth, when he just began to master more
In the documentary TV movie "Irakli Andronikov". For the first time on stage, Andronikov tells the audience about his youth, when he just began to master his talent as an imitator and work as a lecturer at the Leningrad Philharmonic. In addition, the critic, literary critic and master of oral story in one person shares memories of literary critic and musicologist Sollertinsky I.I., writers Tolstoy A.N. and M. Gorky and artists Kachalov V.I. and Ostuzhev A.A.
It was in this film Irakli Andronikov first admitted that the main qualities of his character from early childhood were love of music and shyness, and that it all began with them. Heraclius joked that no one now believes in his shyness, and even he sometimes begins to doubt it, but no one doubts his love for music. close
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and more
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons. close
Soldiers' passage. Order. Photo of soldiers. The soldiers are knights of the three Orders of Glory. Militias. Graves. A monument by the road. Walls with more
Soldiers' passage. Order. Photo of soldiers. The soldiers are knights of the three Orders of Glory. Militias. Graves. A monument by the road. Walls with the names of those killed in Volgograd, Novosibirsk. Graves. Monuments with inscriptions (names) on the graves. The cemetery. The Tomb of the Unknown Soldier in Moscow Fight. Germans. Prisoners. The surrender of Berlin. Soldiers in town. Building a bridge. Crossing. Military photos. Memories of veterans. Soldiers eat. Soldier. Horses. Tankers. A soldier's funeral. Gymnastery with patches. Trenches. Wounded. Hospital. Bombing. A minute of silence in the hall of the Kremlin Palace of Congresses. L. I. Brezhnev on the podium. Military action. Women feed soldiers, bring shells. The ruins of the city. The kids are going to school. Outside. The guns. Photo. Soldiers with children. Volgograd, Novgorod, Minsk, Kiev, Smolensk, Sevastopol, Kaluga. Birch. Fight. Party membership. Photo. Exhibition of German trophies. Tank fight. Katyusha on the pedestal. Photo. Three degrees of glory in Red Square. The Kremlin Wall. Soldiers throwing fascist banners. Wheat field. Borodino field. Overgrown trench. Passage of soldiers in a destroyed city. Soldiers' rewards. Funeral. Photo. close
Like the previous film Luna produced by Klushantsev, the film Mars was created at the intersection of educational science films and science-fiction. It more
Like the previous film Luna produced by Klushantsev, the film Mars was created at the intersection of educational science films and science-fiction. It consists of seven pieces, which tell (based on scientific understanding of the 1960s) of the physical conditions on planet Mars, the possibility of life on Mars and what forms it might take, of Martian canals and "seas" of the Red Planet. In addition, the film includes the director's fantasy hypothetical forms of life on mars, and of the exploration and colonization of Mars in the near future. close
Kingdom of animals is an unknown territory. We are like foreigners in here. We don’t understand the language of this country. They say, once lived a person more
Kingdom of animals is an unknown territory. We are like foreigners in here. We don’t understand the language of this country. They say, once lived a person who could talk to the animals, King Solomon. All peoples have fairytales with animals speaking with each other and with humans. In amazement, we’re looking at the world which considered long discovered. Animal language. It’s not human language, but special, sometimes completely unexpected ways of communication between animals… close
This is the subject of ongoing discovery of the beauty of the world, that man makes in his life and in his work, which is being developed as part of a more
This is the subject of ongoing discovery of the beauty of the world, that man makes in his life and in his work, which is being developed as part of a big city, presented during a day's work. This film starts and ends with the rotating image of the sculpture of Rodin the Thinker; this famous sculpture has long since become the symbol of the unchanging expression of human thought. close
Has the capacity of the human brain already been exhausted due to information overload? Sobolev posed this question at the end of the 1960s after a hidden more
Has the capacity of the human brain already been exhausted due to information overload? Sobolev posed this question at the end of the 1960s after a hidden camera recorded the results of a university entrance exam. The director, renowned for his belief in the endless possibilities of humanity, created a participatory documentary in which he filmed experiments with people with phenomenal abilities under the guidance of professors from the Academy of Sciences. Scientific analysis of the nature of hypnosis, telepathy, and dermo-optical perception reveals potential avenues to expanding the frontiers of human knowledge. close
One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores more
One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society. close
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). more
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.” close
A popular science film dedicated to research of the Earth from spacecraft, instilling a sense of empathy for protection of the Earth's natural resources.
A popular science film dedicated to research of the Earth from spacecraft, instilling a sense of empathy for protection of the Earth's natural resources. close
An excellent 1969 documentary, S. Raitburt’s The Kuleshov Effect, made about a year before Lev Kuleshov died, and interviewing him at length, both about more
An excellent 1969 documentary, S. Raitburt’s The Kuleshov Effect, made about a year before Lev Kuleshov died, and interviewing him at length, both about his filmmaking and his far lengthier career as a teacher (including some fascinating remarks about Bertolt Brecht’s Galileo). Also interviewed is the father of Russian Formalism, Viktor Shklovsky, who worked with Kuleshov as a screenwriter on a Jack London adaptation, By the Law, in 1926. close
Under the premise of documenting for the sake of preservation the various forms of Georgian religious chanting, a distinct kind of sonorous psalmody passed more
Under the premise of documenting for the sake of preservation the various forms of Georgian religious chanting, a distinct kind of sonorous psalmody passed over from generation to generation, what Otar Iosseliani captures in reality is the snapshot of a not-so-distant past that coexists with the world we might know yet transports us to what used to be. close
The war prevented Marina Kupriyanova from fulfilling her dream of becoming an actress. She works as a waitress in the youth cafe "Rovesnik" and today more
The war prevented Marina Kupriyanova from fulfilling her dream of becoming an actress. She works as a waitress in the youth cafe "Rovesnik" and today recalls the days of the heroic defense of Leningrad, which she participated in. close
In the 1966 the population of the Soviet Union was estimated at 235 million. A group of Latvian filmmakers traveled the length and breadth of the country more
In the 1966 the population of the Soviet Union was estimated at 235 million. A group of Latvian filmmakers traveled the length and breadth of the country to create a portrait of the diverse population. close
