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Raw footage filmed by George Stevens during World War II between 1944 and 1946 for the US Army Signal Corps. Includes footage shot at D-Day, the liberation more
Raw footage filmed by George Stevens during World War II between 1944 and 1946 for the US Army Signal Corps. Includes footage shot at D-Day, the liberation of Paris and the Dachau concentration camp. close
We Feed People spotlights renowned chef José Andrés and his nonprofit World Central Kitchen’s incredible mission and evolution over 12 years from being more
We Feed People spotlights renowned chef José Andrés and his nonprofit World Central Kitchen’s incredible mission and evolution over 12 years from being a scrappy group of grassroots volunteers to becoming one of the most highly regarded humanitarian aid organizations in the disaster relief sector. close
A documentary on the 1956 Olympic semifinal water polo match between Hungary and Russia. Held in Australia, the match occurred as Russian forces were in Budapest, stomping out a popular revolt.
A documentary on the 1956 Olympic semifinal water polo match between Hungary and Russia. Held in Australia, the match occurred as Russian forces were in Budapest, stomping out a popular revolt. close
This film from acclaimed theater director Lonny Price charts the journey of the original cast of Stephen Sondheim's "Merrily We Roll Along" in the 30-plus more
This film from acclaimed theater director Lonny Price charts the journey of the original cast of Stephen Sondheim's "Merrily We Roll Along" in the 30-plus years since the musical debuted on Broadway at the Alvin Theatre in 1981. close
Intimate documentary about young women who make papier mache fruit and vegetables in a small factory in Mexico. They have a gringo boss, but the factory more
Intimate documentary about young women who make papier mache fruit and vegetables in a small factory in Mexico. They have a gringo boss, but the factory is owned by his Mexican wife. The focus of the film is on the color, music and movement involved, and the gossip which goes on constantly, revealing what the young women think about men. close
While our photographers were crossing the Atlantic Ocean a most wonderful and sensational picture was secured, showing a storm at sea. The picture was more
While our photographers were crossing the Atlantic Ocean a most wonderful and sensational picture was secured, showing a storm at sea. The picture was secured by lashing the camera to the after bridge of the Kaiserine Maria Theresa, of the North German Lloyd Line, during one of its roughest voyages. The most wonderful storm picture ever photographed. Taken at great risk. (Edison Films, 1901) close
Stations of the Elevated exposes viewers to an underground art scene- that is, one found exclusively on the sides of subways and train cars. A moving more
Stations of the Elevated exposes viewers to an underground art scene- that is, one found exclusively on the sides of subways and train cars. A moving portrait of late-70's NYC, the film boasts a soundtrack by jazz legends Charles Mingus & Aretha Franklin. close
Three Candidates, Two blind Politicians, One Race. Anytown USA follows a tightly run race in the small town of Bogota, New Jersey and resonates as an more
Three Candidates, Two blind Politicians, One Race. Anytown USA follows a tightly run race in the small town of Bogota, New Jersey and resonates as an all-too-familiar look at partisan politics in our increasingly polarized nation. close
Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on more
Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on living in a society afflicted with violence, separatism and religious and political extremism. This 2002 Oscar nominee for Best Feature Documentary culminates in an astonishing day in which two Israeli children meet Palestinian youngsters at a refugee camp. close
Constructed from a wealth of archival footage, the documentary follows Dr. Martin Luther King, Jr. from 1955 to 1968, in his rise from regional activist more
Constructed from a wealth of archival footage, the documentary follows Dr. Martin Luther King, Jr. from 1955 to 1968, in his rise from regional activist to world-renowned leader of the Civil Rights movement. Rare footage of King's speeches, protests, and arrests are interspersed with scenes of other high-profile supporters and opponents of the cause, punctuated by heartfelt testimonials by some of Hollywood's biggest stars. close
The Devil's Playground is a fascinating and moving documentary about a little-known aspect of Amish life. Amish are not permitted to join the church until more
The Devil's Playground is a fascinating and moving documentary about a little-known aspect of Amish life. Amish are not permitted to join the church until their late teens, and have to do so of their own volition. The film explores Rumspringa, wherein young Amish are given the opportunity to explore the "English" way of life. close
This documentary by Joe Berlinger and Bruce Sinofsky details the murder trial of Delbert Ward. Delbert was a member of a family of four elderly brothers, more
This documentary by Joe Berlinger and Bruce Sinofsky details the murder trial of Delbert Ward. Delbert was a member of a family of four elderly brothers, working as semi-literate farmers and living together in isolation from the rest of society until William's death. close
Years ago, Kevin Jerome Everson asked his aunt where their old family photos had gone. Her answer - ‘they were all lost in the flood’ - sparked this trip more
Years ago, Kevin Jerome Everson asked his aunt where their old family photos had gone. Her answer - ‘they were all lost in the flood’ - sparked this trip to meet the inhabitants of Westport, a small town just to the west of Columbus, Mississippi. They reminisce about the great flood of the Tombigbee River in 1973, when some people lost everything. Many heirlooms and photos of the Eversons were swallowed up, and part of the family history disappeared. close
This short Depression-era documentary describes the importance of the Mississippi River to the United States and laments the environmental destruction more
This short Depression-era documentary describes the importance of the Mississippi River to the United States and laments the environmental destruction committed in the name of progress, particularly farming and timber practices and their impact on impoverished farmers. close
This film is a set of often silent street scenes of the life of the city of Cannapolis in 1941. The director does not put any story under the “picture”, more
This film is a set of often silent street scenes of the life of the city of Cannapolis in 1941. The director does not put any story under the “picture”, simply filming passers-by. The film contains several color scenes, and some shots, for unknown reasons, the director decided to insert backwards. Almost half of the picture is dedicated to white residents of the city, and the rest of the time we see black Americans in the frame. close
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, more
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. close
African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the more
African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis. close
Explores the attempts of the minister of the Augustana Lutheran Church in Omaha, Nebraska, to persuade his all-white congregation to reach out to "negro" Lutherans in the city's north side.
Explores the attempts of the minister of the Augustana Lutheran Church in Omaha, Nebraska, to persuade his all-white congregation to reach out to "negro" Lutherans in the city's north side. close
The long log drive: a spring journey down icy streams and rivers moving logs from the forest to the mill for sawing into boards, laths, and clapboards. more
The long log drive: a spring journey down icy streams and rivers moving logs from the forest to the mill for sawing into boards, laths, and clapboards. For more than 150 years, logging techniques remained the same. Men cut trees by hand and loaded them on horse-drawn sleds to be hauled over snow to the river. Skilled river drivers maneuvered the logs downstream, risking their limbs and lives every day. This film survives as a record of the long log business. close
The Original Kings of Comedy achieves the seemingly impossible task of capturing the rollicking and sly comedy routines of stand-up and sitcom vets Steve more
The Original Kings of Comedy achieves the seemingly impossible task of capturing the rollicking and sly comedy routines of stand-up and sitcom vets Steve Harvey, D.L. Hughley, Cedric the Entertainer, and Bernie Mac and the magic of experiencing a live concert show. Director Spike Lee and his crew plant a multitude of cameras in a packed stadium and onstage (as well as backstage, as they follow the comedians) to catch the vivid immediacy of the show, which is as much about the audience as it is about the jokes. close
Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant more
Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures. close
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