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University of California Berkeley professor Daniel Fletcher built a portable microscope which attaches to the Nokia N8 phone, for medical purposes. Nokia more
University of California Berkeley professor Daniel Fletcher built a portable microscope which attaches to the Nokia N8 phone, for medical purposes. Nokia asked Aardman Animations to utilise both the microscope and the phone to create a short.[2] The entire film is shot using a Nokia N8. close
Daniel is going to a party. When he rings the doorbell, he is asked to borrow sugar from the neighbor. However, it doesn't turn out to be simple, as everyone more
Daniel is going to a party. When he rings the doorbell, he is asked to borrow sugar from the neighbor. However, it doesn't turn out to be simple, as everyone seems to mistake him for someone else. And speaking up isn't always the easiest thing to do. close
Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are more
Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are a series of tensions. Rather than using animation to produce seamless illusions, his films reveal cinema’s dual nature as both an illusion of movement and a succession of stills. The ultimate effect of his work is ecstatic: by combining various rhythmic patterns, abstract and photographed shapes, and flatness mixed with depth illusions, Breer energizes ordinary eyesight. The whole world can seem more alive, alive with rhythms and colors and shapes and textures as well, after seeing one of his films. But Breer’s films also often have a theme of failure, of failed movements and failed aspirations, and the title What Goes Up..., in referencing the idiom “What goes up must come down”, refers to his childhood dreams of flying (illustrated here as in many of his films with airplanes) as well as to the limpness that follows orgasm for males. close
Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by more
Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film. close
The result of a series of camera-less collaborations between the filmmaker, the Atlantic Ocean, and a crab trap. For three days in January and three days more
The result of a series of camera-less collaborations between the filmmaker, the Atlantic Ocean, and a crab trap. For three days in January and three days in October of 1997, and again, for a day, in August of 1998, lengths of unexposed, undeveloped film were soaked in a crab cage on a South Carolina beach. Both the sound and image are the result of the ensuing oceanic inscriptions written directly into the emulsion of the film as it was buffeted by the salt water, sand, rocks and shells. close
The result of over five years of Super-8 and 16mm filming on New York City streets, Lost Book Found melds documentary and narrative into a complex meditation more
The result of over five years of Super-8 and 16mm filming on New York City streets, Lost Book Found melds documentary and narrative into a complex meditation on city life. The piece revolves around a mysterious notebook filled with obsessive listings of places, objects, and incidents. These listings serve as the key to a hidden city: a city of unconsidered geographies and layered artifacts—the relics of low-level capitalism and the debris of countless forgotten narratives. The project stems from the filmmaker's first job in New York—working as a pushcart vendor on Canal Street. As usual, Cohen shot in hundreds of locations using unobtrusive equipment and generally without any crew. Influenced by the work of Walter Benjamin. close
Coproduced by the U.S.Holocaust Memorial Museum Research Institute,this Academy Award-winning documentary relates the harrowing story of Gerda Weissmann more
Coproduced by the U.S.Holocaust Memorial Museum Research Institute,this Academy Award-winning documentary relates the harrowing story of Gerda Weissmann Klein and her journey of survival and remembering both before and after the war. close
Dysfunctional friends Dignan and Anthony plan and execute a robbery with their pot-growing friend, Bob. The short film that inspired Wes Anderson’s feature debut.
Dysfunctional friends Dignan and Anthony plan and execute a robbery with their pot-growing friend, Bob. The short film that inspired Wes Anderson’s feature debut. close
The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in the background, hand-painted patterns, sometimes step-printed more
The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in the background, hand-painted patterns, sometimes step-printed hand-painting, abstractions composed of distorted (jammed) TV shapes in shades of blue with occasional red, refractions of light within the camera lens, sometimes mixed with reflections of water. Increasingly closer images of water, and of light reflected off water, as well as of bursts of fire, intersperse the long shots, the seascapes and all the other interwoven imagery. Eventually a distant volleyball arcs across the sky: this is closely followed by, and interspersed with, silhouettes of a young man and woman in the sea, which leads to some extremely out-of-focus images from a front car window, an opening between soft-focus trees, a clearing. Carved wooden teeth suddenly sweep across the frame. Then the film ends on some soft-focus horizon lines, foregrounded by ocean. close
A six-year-old boy in pre-hippie 1960s United States endures ridicule from his schoolmates and worry from his father over his fixation with a TV star named Dottie.
A six-year-old boy in pre-hippie 1960s United States endures ridicule from his schoolmates and worry from his father over his fixation with a TV star named Dottie. close
Follows a day in the life of a young artist who longs for professional success and the attention of beautiful women, but who encounters only frustration and violence.
Follows a day in the life of a young artist who longs for professional success and the attention of beautiful women, but who encounters only frustration and violence. close
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. more
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning) close
Using the male-dominated backdrop of baseball, Green explores her conflicted passion for the sport- more specifically, how her sexuality factors into her interest.
Using the male-dominated backdrop of baseball, Green explores her conflicted passion for the sport- more specifically, how her sexuality factors into her interest. close
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a more
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity. close
When young Victor's pet dog Sparky (who stars in Victor's home-made monster movies) is hit by a car, Victor decides to bring him back to life the only more
When young Victor's pet dog Sparky (who stars in Victor's home-made monster movies) is hit by a car, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked "monster" wreaks havoc and terror in the hearts of Victor's neighbors, he has to convince them (and his parents) that despite his appearance, Sparky's still the good loyal friend he's always been. close
A complex visual study of the women of rural Senegal. Through a complicity of interaction between film and spectator, Reassemblage reflects on documentary more
A complex visual study of the women of rural Senegal. Through a complicity of interaction between film and spectator, Reassemblage reflects on documentary filmmaking and the ethnographic representation of cultures. close
A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, more
A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, leaf, bud, or petal. Often we see only the outline of objects against a black background. Black and green are occasionally joined by fragments of orange or of white and blue. The objects in the frame don't move but they are quickly replaced by another collage, giving the feel of rapid motion. Each collage is crisp, its lines etched against the background of black and later of white. Whitman anyone, or Hieronymus Bosch? Although there is no soundtrack, the rapidity of changing images and colors suggests a riot. close
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second more
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York. close
Through the poetic lens of visionary filmmakers Albert and David Maysles, Muhammad and Larry explores the unique and poignant relationship between two more
Through the poetic lens of visionary filmmakers Albert and David Maysles, Muhammad and Larry explores the unique and poignant relationship between two great boxers and two remarkable men who were more than just competitors. They were once teacher and student, and remain close friends. close