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For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, more
For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment. close
Emmanuelle, a svelte, naive young woman, is en route to Bangkok where she'll join her new husband. He works for the French Embassy and has a lovely home, more
Emmanuelle, a svelte, naive young woman, is en route to Bangkok where she'll join her new husband. He works for the French Embassy and has a lovely home, several dedicated servants, and an expensive car at his disposal. Once Emmanuelle arrives, her husband and a few friends introduce her to a realm of sexual ecstasy she'd never imagined. close
A self-centered man (Gérard Depardieu) with many diversions occasionally visits his 4-year-old son (Antoine Pialat) and the boy's mother (Géraldine Pailhas).
A self-centered man (Gérard Depardieu) with many diversions occasionally visits his 4-year-old son (Antoine Pialat) and the boy's mother (Géraldine Pailhas). close
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected more
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters’ lives. close
On the Caribbean island of Matul, white doctor David Menard is trying to stem the tide of cannibal zombies that are returning from the dead. Arriving more
On the Caribbean island of Matul, white doctor David Menard is trying to stem the tide of cannibal zombies that are returning from the dead. Arriving on the island are Anne and reporter Peter West who are looking for Anne's missing father. The pair soon find themselves under attack from the zombies. close
A brief fantasy tale involving a strange fairy who can produce and deliver babies coming out of cabbages. This film is lost or never existed. Copies of it online are actually the 1900 remake.
A brief fantasy tale involving a strange fairy who can produce and deliver babies coming out of cabbages. This film is lost or never existed. Copies of it online are actually the 1900 remake. close
In the far future, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people.
In the far future, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people. close
Protéa is the last film directed by Victorin-Hippolyte Jasset, one of the early film pioneers in France. The hero of this film is a female spy, an acrobatic more
Protéa is the last film directed by Victorin-Hippolyte Jasset, one of the early film pioneers in France. The hero of this film is a female spy, an acrobatic Mata-Hari, played by his favorite actress, Josette Andriot, who wore a characteristic costume of a close-fitting black jersey, two years before Musidora achieved cult status with her similar appearance as Irma Vep. This final masterpiece reflects Jasset's popular style: rhythmic action, fantastic realism, rich visuals, an anarchistic philosophy, a disdain for psychology, and an attention to lighting that earned him the nickname “the Rembrandt of the cinema". Although Jasset died shortly after completion, the film had considerable success and Andriot went on to make four more films in the series with other directors. close
Debord directed his first film, "Hurlements en faveur de Sade" in 1952 with the voices of Michele Bernstein and Gil Holman. The film has no actual images; more
Debord directed his first film, "Hurlements en faveur de Sade" in 1952 with the voices of Michele Bernstein and Gil Holman. The film has no actual images; instead, it shows bright white when there is speaking and black when there is not. Long silences separate speaking parts. The film ends with 24 minutes of black silence. close
In Madrid, Spain, at the end of the 19th century, the young and reckless Basilio seems to be the only person who perceives the spectral presence of Professor more
In Madrid, Spain, at the end of the 19th century, the young and reckless Basilio seems to be the only person who perceives the spectral presence of Professor Robinsón de Mantua, who begs him to take care of his niece Inés, because she is in grave danger. close
A meadow, a lake, the silhouette of a hill, trees. 21 days of the same view in Saarland. 21 days with five different cut-outs in a mask before the camera, more
A meadow, a lake, the silhouette of a hill, trees. 21 days of the same view in Saarland. 21 days with five different cut-outs in a mask before the camera, which finally reveals a complete panorama. The landscape changes with the advancing seasons and becomes slowly delirious in its technical alienation. close
An old empty house. The guard who takes care of it. The priest of the town. Spaces, sounds, lights and shadows. Time goes by and the memories are shown in its walls and in the most hidden nooks.
An old empty house. The guard who takes care of it. The priest of the town. Spaces, sounds, lights and shadows. Time goes by and the memories are shown in its walls and in the most hidden nooks. close
Bored and restless, Alice spends much of her time lusting after Jim, a local sawmill worker. When not lusting after him, Alice fills the hours with such more
Bored and restless, Alice spends much of her time lusting after Jim, a local sawmill worker. When not lusting after him, Alice fills the hours with such pursuits as writing her name on a mirror with vaginal secretions and wandering the fields with her underwear around her ankles. And, in true teenaged tradition, she spends a lot of time writing in her diary. close
A street sweeper who cleans up after grisly accidents brings home a full corpse for him and his wife to enjoy sexually, but is dismayed to see that his wife prefers the corpse over him.
A street sweeper who cleans up after grisly accidents brings home a full corpse for him and his wife to enjoy sexually, but is dismayed to see that his wife prefers the corpse over him. close
Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy more
Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy tale. Carefully restricting the image track, Monteiro maintains an almost totally black screen in order to focus instead on the voices of Snow White, the Prince, the Queen and the Hunter, engaged in an extended debate about love, free will and the events leading up to the fateful attempt on the maiden’s life. Despite its visual austerity, Snow White is haunted by the arresting images with which it begins – infamous black-and-white photographs of Walser lying dead in the snow after his heart attack outside a Swiss asylum at the age of seventy-eight, a strange realization of the “death of the author” so central to postmodern literary criticism. close
FREAK ORLANDO is divided into five more-or-less distinct sections, all featuring "Freak" Orlando, a woman, played by the late Magdalena Montezuma, who more
FREAK ORLANDO is divided into five more-or-less distinct sections, all featuring "Freak" Orlando, a woman, played by the late Magdalena Montezuma, who appears in various guises, and deformities, throughout. close
A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self-interest to engineer more
A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self-interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile. close
A story about Janina Duszejko, an elderly woman, who lives alone in the Klodzko Valley where a series of mysterious crimes are committed. Duszejko is more
A story about Janina Duszejko, an elderly woman, who lives alone in the Klodzko Valley where a series of mysterious crimes are committed. Duszejko is convinced that she knows who (or what) is the murderer, but nobody believes her. close
A silent short film by Segundo de Chaumont. It premiered in France on October 31, 1908. A couple arrives at a hotel where only one person works. The building more
A silent short film by Segundo de Chaumont. It premiered in France on October 31, 1908.
A couple arrives at a hotel where only one person works. The building is fully automated: the suitcases carry themselves, the comb combs the heroine, the razor shaves the hero herself. In order to achieve this effect, Chaumont used not magic, but the method of frame-by-frame shooting. The object is removed while the handle of the camera produces a quarter of a revolution, then it is slightly moved, removed by another quarter of a revolution and repeat the operation the desired number of times. When viewed at normal speed, the crest appears to be moving on its own. close
Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about more
Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful. close
Two anarchistic brothers live by petty thievery and try to recover from their Catholic upbringing. Bandiera and Rabbino were children when they pushed more
Two anarchistic brothers live by petty thievery and try to recover from their Catholic upbringing. Bandiera and Rabbino were children when they pushed their drunk of a father out of a window for killing their pet sheep. When a girl is raped by her father, she is brought by young "rescuers" to the home of the two brothers who then watch their friends take advantage of her sexually. The brothers take her in, and the three live happy and celibate if not uneventful lives until the brother's are sent to jail for stealing. close
Macário spends an entire train journey to the Algarve talking to a woman he does not know about the trials and tribulations of his love life: straight more
Macário spends an entire train journey to the Algarve talking to a woman he does not know about the trials and tribulations of his love life: straight after starting his first job as a book keeper at his Uncle Francisco's shop in Lisbon he falls madly in love with a young blonde, who lives across the road. No sooner does he meet her than he straightaway wants to marry her. His uncle, totally opposed to the match, fires him and kicks him out of the house. Macário departs for Cape Verde where he makes his fortune. When he finally wins his uncle’s approval to marry his beloved, he discovers the “singularity” of his fiancée’s character. close
A Mexican outlaw known as "The Stranger" is part of a band of thieves that steal a cargo of gold from a stagecoach. However, the Americans in the band more
A Mexican outlaw known as "The Stranger" is part of a band of thieves that steal a cargo of gold from a stagecoach. However, the Americans in the band betray him, and shoot all the Mexicans. The Stranger is not completely dead though, and crawls his way out of his shallow grave, continuing his pursuit of the gold, and exacting a bloody vengeance. close
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with more
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third. close