Destroying the world is easy, but remaking it is not an easy task, because the world, like time and the human heart, cannot be reversed.
Evangelion 3.33: You will not correct, 2012
It turned out such a cartoon ... how to say it ... ordinary, but a little bit in a different sense. Here everything is different, not something close or familiar, but a completely different path. Other experiences and activities. But they also look like something ordinary. Although the consequences are similar, very little. I don’t even know what to write.
Here’s a little thought, yet how a series of serial series this part looked: it does not reveal much, but a strong “load” does not have, at least throughout the cartoon. Yes, the new Evangelion, all that, but that's it. "Wow" or "super-duper" effect this part does not cause. It just exists, just showed a new development and a new groundwork, they say, this is how everything can go, and that's all. But to understand the picture, I think it is worth a look.
7 out of 10
P.N. Ah, yes, this "Marie" is some bad girl, by God.
You'll fix it. Really. In this part, the rebild finally said goodbye to the plot of the original and went on a free voyage. The story got lost somewhere almost at the beginning. The third part is terribly long, full of pathos and contains almost no development. When watching, there is a huge desire to shorten it by at least half, or even 2/3. No part of the rebirth. However, the ending gives high hopes that everything will end interestingly.
All explanations (not) will be given in the next part.
The third film shows us the classic plot "All explanations (not) will give in the next part." This story is traditionally divided into three major arches:
Arch of nonsense: characters perform actions that have no meaning from the point of view of the plot.
Arc of Justification: The audience performs the classic aria 'It's only the middle of the story! Wait until the end, everything will be explained.
The Arch of Inevitability: The Story Ends. With the inevitability of dawn, it turns out that not a damn thing was explained there, only made the plot even more meaningless.
The plot begins with the fact that Shinji is fourteen years old inside Eve and now he is taken out and woken up. Which is illogical for the simple reason that nothing prevented Shinji from getting out fourteen years ago. If you could, but for some reason did not want to, what has changed over the years? But the main problem is not this, the main problem is that the timeskip for the plot is simply not necessary. It could be beaten in many ways. Fifteen years passed between the Second and Third Strikes. Shinji is only one year shorter. You think that's a coincidence? Or another, quite logical option - all of Shinji's friends have a family for a long time, three children. Those who wait fourteen years for their school love, Lord. But no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no. Or rather, in the fourth film about the “family” there is something, but in the amount of three minutes, and then, at the level of “why they cohabit – think for yourself.”
Same thing with Eve's curse. It appears in the plot without any prerequisites, is not used for anything other than to justify the young appearance of the pilots. Also, after all, it was possible to beat by raising the problems of an adult in a child's body or adding a thirst for blood to a young appearance. Again, this topic was conditionally taken up only in the fourth film, and even then, in the amount of one and a half indistinct phrases. Let all the characters become vampires, but they will not drink blood, they will not be afraid of the sun, just a fang sticking out of the mouth and that’s all.
The characters apparently conspired to act strictly to their own detriment. Wunder's crew behaves as if they buried a corpse there, but forgot to agree on what to answer during interrogation. God, give me a clear answer like, ‘We’re fighting because they want to kill everyone’ instead of ‘We’re shooting because we’re fighting.’ Or say, 'It's not her, it's an evil double,' instead of saying, 'Yetamnet' like a broken record. And the whole plot of the third film will fall apart. Do you want to disrupt Gendo's plans or not? Gendo does not lag behind them - without Rei, all four films will fall apart, since all the key decisions of Shinji are tied to her. But why would we use Rey as leverage anymore is too easy. Let's get the girl and Shinji into a fight by telling Fuyutsuki to feed the boy some fresh gossip. Great plan, Gendo. Reliable as a Swiss watch. Yeah, Gendo's got three-meter story armor, and he can throw it away. But he doesn't know about armor. Finally, Shinji embarks on a 'Hut Evening' adventure! You are concerned about the security service of Sberbank.
Probably, in this case, everything is explained by the gluing of several drafts. In one scenario, Wunder's crew buried a corpse. In another scenario, there was no Wunder, Shinji was immediately to be planted in ruins. What, in particular, explains the fact that on the one hand, Nerva has a whole army for the war with Wunder, and on the other hand, Gendo sits in deserted ruins, where there is no one to support this army. Ruins and an army are simply drawn from different drafts. And we wanted to do a story about Kaoru, but it turns out that the position of honeitrap is already taken. So there's no quarrel between Shinji and Rei. Unfortunately, to glue these drafts into something sane and could not. Well, then it turned out as always - if the story went downhill, then it will only get worse.
The original series, Neon Genesis Evangelion, was a strange but complete work. He could be boring in places, he could be accused of insulting the feelings of believers because of the too free handling of biblical images (in relation to the Bible, this is the most uncanon), but even in the last series there was no compromise, despite the lack of budget. Hideaki Anno’s sincerity was one of the reasons for the popularity and cultism of this series. The alternative version of the last two series, as well as the previous compilation from the rest of the series, seemed to me already redundant, although these features somewhat clarify the plot, in themselves they are not very watchable.
And that's where the rebils come in. It's the same story, but in a better schedule. Now the studio has the money to not just paint fur, but to make it an enchanting spectacle. The first rebirth looks decent: more colorful, more atmospheric, but in general it is the same story about the same Shinji Ikari. But some good scenes about Shinji's classmates and his relationship with them went under the knife. The way they painted the naked boys was also stressful. Either don’t draw them at all or do them normally. In addition, there is no wonderful opening from the series. But all these shortcomings outweigh the entertainment and atmosphere, so I still prefer the first rebilde to the series. Another plus for a great voiceover from Reanimedia.
The second rebilt is considered the most popular, but this fact caused me only bewilderment. He was stuffed most of the events of the series, but in the end there was a fragmentary indistinct mess. The general trend of what is happening is clear, but scenes and images exist on their own, without adding up to the plot.
After the unpleasant ordeal, which turned out to be the second rebild, the third one already scared me a little. I knew he was already being scolded, and if I had serious complaints about the second, which seemed to be praised, would I even be able to watch the third? It turned out, yes, moreover, I would say that this is the best film of the entire franchise, including the series.
The main thing you pay attention to is the composition. The form of the three-part concert, emphasized by the presence of a musical instrument in the plot - Allegro - Largo - Allegro, looks like working on the mistakes of the second part, which sinned with confusion and indistinct drama. At the same time, the post-apocalyptic atmosphere is simply brilliantly conveyed, the middle, slow part is especially good. The piano in the empty headquarters evokes associations with a moment from the film “Andrey Rublev” in the temple after the Tatar raid. The action scene is a beautiful Allegro, there is no graphics for the sake of graphics, you can see that every yen is spent on creating the right atmosphere.
Dramaturgically, it is very correct that the first Allegro is more dry and rigid, and the final one is more pathetic. The final part of the film has a quiet, chamber code reminiscent of the final 45 of Haydn's symphony. The title of the title of the part You can (not) redo. In the first rebilde, this place is almost accidental, in the second it is logical, but it is chosen too "from the head" and therefore does not catch, and here this is just one of the culminations that reveal the meaning.
As for the plot, unlike the series, Kaoru is no longer molested by Shinji, their relationship is more friendly, although the element of falling in love with them is still present. Absolutely brilliant decision looks the first part of the film, in which not only the main character, but also the viewer does not explain anything, and looking at what is happening, you feel the same as the main character, as well as not understanding anything. A very powerful dramatic move is that when Shinji learned the truth about the Third Strike, he certainly got upset, but not as much as when he learned the truth about Rey. Man needs man. Close and dear. The fate of the world is only later.
So the third rebirth surprised me no less than the second. But unlike the second, it's nice. I wish the whole Evangelion was like that. Maybe those who didn’t like this movie just don’t understand classical music.
In general, I like the format of a small number of full-length films, not the series. I like that the action has become more spectacular and atmospheric. I like that this is not simultaneous translation, but full dubbing. But, at the same time, if the series looks self-sufficient and whole, you can not love it, but at the same time there is nothing to be scolded for, then in all rebilds, except for this, there are shoals that should not be in a good film. Probably the reason for these shoals is the contradiction between artistic and commercial tasks. It's very expensive to shoot this. And you have to make compromises, introducing into your world what should not be there, so that the necessary investment in the project was in principle possible. Moreover, even the relative failure of this film confirms the need for these compromises. To demand from the mass audience that he understands classical music is to lose him.
For the film itself, but not for the whole rebirth series.
10 out of 10.
A lot of people thought the third movie in Eva’s lineup was a failure, and I can find an explanation for that, because everything we were used to and loved about Eva has changed dramatically. And to most it seemed pointless and unnecessary due to the fact that it is unusual for the whole Evangelion, both films and TV series.
And the plot tells us about the events that occurred 14 years after the Third Impact.' Another global catastrophe, initiated by the pilot of Eva-01, and concurrently the main character of the entire franchise - Ikari Shinji. During these 14 years, much has changed: the world has changed globally, some NERV employees left the organization and created a soybean - WILLE, headed by Misato Katsuragi. It is in the headquarters of this organization that Shinji wakes up after a 14-year coma. After that, one of the most important events in the history of the whole series begins.
I can say about the drawing that it remained at the same level as in previous films, that is, excellent. But in this picture there are many scenes with three-dimensional animation, that is, 3D.
The soundtrack is still as magnificent as the previous films and series, because the composer is the same - Shiro Sagisu, his participation in any film suggests that the sound part will be stunning, and the third Evangelion was no exception!
Probably the only thing you can blame this creation is for the poor exposure, which is so lacking, given the local changes.
9 out of 10
The author of the review did not watch the original, only "Rebuild of Evangelion", only hardcore.
Prehistory
Evangelion was one of the first Japanese animation films I became interested in. This leaves an imprint in your head, because you like the deep surroundings and superiority of technology, cyberpunk is generally a separate topic. [I'm not a fan of anime in general]
The first acquaintance with the trilogy 1.11-3.33 turned out to be rather crumpled due to its earlier age, as well as the gaps between the release of the parts themselves. I don’t know why, but Evangelion was attracted to watch the sequel as the pilot of a humanoid robot-eve to sit in the control capsule from time to time, despite the gaps of several years.
I am writing a review now, after reviewing three parts in a volley, so this review can be attributed to all parts at once. Eh, we are waiting for what will be presented to us in the final, I hope they will not postpone the exit once again when the compliment of humanity begins?
Total
The first part caused a storm of positive emotions, even when viewed for the second time. The authors draw the unprepared viewer into the abyss of the increasing intensity of events from the first minutes. The second part was also pleased, but by the middle of the film, this sharpness becomes boring and you do not get your “portion of adrenaline” to the climax. In the end, the authors did their best, thank you, we will remember – so I consider both parts almost equal in a good way. You get everything plenty: good drawings of characters and attention to detail (sometimes a feeling of 3D effect was created in the monitor, how well scenes with moving various techniques were drawn), unforgettable and incomparable atmosphere, good musical accompaniment. Even fit comic moments, seasoned with sexual overtones.
Devoting himself only to these films, of course, certain gaps in understanding what is happening, for example, how Cindy’s father, turning his attention to a man on the surface of the moon without a spacesuit, does not ask unnecessary questions. But all this creates an extra background for entourage.
After reviewing the third part, I, like many people think, disappointed in the development of the main character as an independent and developed personality, and the Rebirth of Evangelion as a whole. We are forced to look at the interaction of the two main characters with subtle hints of an unconventional friendship, leaving Ray behind. From the mentioned “portion of adrenaline” there is absolutely nothing left, it seems that the authors were motivated by the idea of making the audience unleash this emotional thread of connection with the main character, which was pulled all the time before. We are confronted with the fact that 14 years have passed, and only a ghost remains from those relationships and the promised land - accept or turn off the screen. What we have, the secret leadership in the end must win or has already won and their goal will be achieved.
Since I started with a review of all three parts, the review remains positive.
Each film from this trilogy, whose fans have long wanted to see it as a tetralogy, clearly characterizes itself with its own title. However, in the case of this full-length anime, the addition to the main “Evangelion” is an extremely capacious and equally extremely accurate designation of the very essence of the entire tape, which this time is the author’s ideas that the creators displayed in the second part, but developed in a somewhat sophisticated way.
The plot of this product of Japanese animation is not based on the original concept of the 1995 series “New Generation Evangelist”. More precisely, not even so: the events that occurred and the results that they led to can not be what was presented in the series. However, having decided to leave some connecting threads, some similar moments with the original source, the authors on one of the visual narrative plans show the viewer the story of the relationship between Ikari Shinji and Nagisa Kaoru, which was present in Hideaki Annano’s now classic television work. But, I repeat, in the case of this film, everything was a little twisted and somewhat twisted, why to a person familiar with the progenitor, the deeds depicted in the tape will seem both integral parts of an independent work, and strained bridges with the 26th episodes released in the 20th century.
There is some sadness in this, because after the end of the second film, I wanted the authors to adhere to this percentage of independence, so to speak. I wanted to see the further development of the story of the relationship between the main characters, rather than watching the completely rebooted concept of one, a rudimentary second line, and as a fan service, which the authors constantly remind at the end of each film, hastily introduced the second line of fast-paced relationships. Which, by the way, in the series seemed something natural and did not make the viewer spit from their non-standardity. And the viewer, who is impressed by this, on the contrary, was forced to admire their peculiar depth and before their Platonic filling. Here again, everything was done somehow hyperbolized, too fleeting and unnatural, which, of course, neither the first nor the second side can arrange.
But the concept itself in some ways attracts: after a long time after the events of the second tape, the events of this picture only start. And it is interesting to observe the change in the world, the result of the fateful decisions made by the heroes. It is interesting to analyze the layer of information that the authors are able to give, and think about where things could have gone differently. But instead, the creator appeared here the most, at the moment, short in time and not saturated in action film from the line, at the same time not using the lion’s share of the potential that was in their hands. And that's a shame again.
But does that make the movie a failure and a bad one? Not exactly.
It is still enriched with excellent visual presentation. The drawing is done at the highest level. In half hints, the viewer can see the second bottom, which opens the curtain of mystery over the changed characters and indeed over the events that occurred for a fairly long hour after the end of the Gospel: You [will not] grow up. This makes you interested in what is hidden behind the screen, which is only partially lifted. And at all: the ending itself eloquently says that the story is not finished. And most importantly, I want to see the end of this story. It can be seen that not all the trump cards of this changed world are shown to the viewer, and some “aces” the authors have saved in order to be able to use them at the moment when the viewer demands to return the developing scenarios of past storylines.
At least for me, as a fan of the original and a person who was quite interested in the second film and held this product of media culture in some tension, I want to believe this. And whether it is true or not, only time will show, which for five years has not demonstrated the fourth and, according to many fans, the final part of this peculiar epic. In which the third part “merges” albeit with some costs and difficulties, but still, with a full examination of the so far revealed history, “sits” in its place as something that should be there by right. Therefore, I think it should be watched by those who want to know in what direction the story of Ikari Shinji was directed in the modern retelling of the cult anime series.
P.S. Thank you very much.
At the moment, the most unassigned part of the rebilt.
I think that the 3rd part of the rebild was intended to show, not to tell, but they still did not tell and did not show, there were many things that I did not understand, such as longini spears, or lilith, these things have an important role in the plot, but what is it to tell us and are not going to.
The strangest thing about Part 3 is the fact that 14 years have passed, you have to think a lot about what happened there during the 3rd stroke and after it, but I was more confused by the fact that some characters did not change their character at all, I will not find fault with regard to appearance, since they mentioned some curse Eve and for which pilots most likely do not age, or something like that.
So many of the characters that have changed, I didn't like, like Misata, because she's made a typical fighting woman, including her assistant, whose name I certainly don't remember. Shinji seems to have started to pull himself together, but still he is a stubborn idiot who almost finished the existence of mankind, to consider that he was directly told that he did not get these spears, so I think it is worth talking about Aska, OK, if she does not change on the outside, but she must be 28 years old, so why she behaves like a 14-year-old this is not known, I would not say anything about this if she did not call Sindzm, on account of the other 3 I have nothing to say, Rei doll, about Marie at all nothing was not said, just does something on the background, and Kaor can be described in two words, but it is quite a big place.
And even more questions are occupied by the new world itself, what is happening, how people live now, what they do, where the resources for all these technologies came from, how the bills appeared, or what is the right name for the organization, who is behind them, where those Freemasons who work on the project, but the biggest question is how the old employees of the nerve survived, they seem to have been in the epicenter of the 3rd stroke, so there were hopes for the 4th part, but in the 4th part will not be able to fit all this, because it was the case of the 3rd part.
Despite the above strange things from the 3rd part, I got pleasure, because this unnecessary psychology that was in the series is not, and Shinji reacts quite vividly to all this and more from him and was not necessary. I think I need to say a few words about the picture, so the red color of the world emphasized, they say, the old world scribe, so the fights became even cooler after the 2nd part, but there is one thing but, mediocre computer graphics at the beginning and God forbid if they will use it too much in the future.
So I washed away in the 3rd part there, she did not show anything, although I should have, did not tell, but still I enjoyed, despite the big problems, so the 3rd part of the rebil will pull on
Part three of the restart. In general, the new view of Evangelion is much more logical and sound. But there is no main thing - the cozy atmosphere that appealed to many viewers. The old atmosphere consisted of a sauce of philosophy, erotica, places of interesting fights, twisted narrative. And of course, played a role in the fact that for some time it was Evangelion that was freely available.
The restart won’t repeat that success, but is it necessary? Okay.
1/3 is teeming with a technical wave - a lot of footage and actions on a high-tech ship. It feels like we're in a physics seminar for a second. The main character woke up after a pause at the age of 14 and tries to figure out what to do. As it turns out, the third blow occurred and the Nerv organization is trying to destroy.
2/3 is based on Nerv. The main character meets Rey, his father, meets Kaoru. So I thought, are we going to be shown again the erotic misdirection between Kaoru and Shinji? But no – acquaintance, communication, friendship are logically and let’s say – culturally. I'm noticing this because it was very silly and illogical on the show. Here, Kaoru is shown as a good friend who supported, reassured the main character. Although its purpose is different... The main character tries to establish communication with Rey, learns about the consequences of the third blow and about his mother. After a series of breakdowns and attempts to figure out what to do next, he again has to sit in Eve.
3/3 is the heat. Kaoru and Shinji in the same Eve go for spears, which are the key to complementing humanity and as a result, the fourth blow almost happened. Closer to the final, we are struck by a huge amount of semantic load, events of the greatest scale, the confrontation of Ev. I will not go into depth, I must say only that the presentation of events makes the viewer think very, very much, and the scale of events is encouraged. What is important is that the script and its presentation are logical and we are more chewed up by the essence of what is happening, namely Shinji’s father, his plans in Nerv, the connection with Seele.
Overall, it was good. The graphics and musical accompaniment are pleasant. The characters are adequate. Of course, fighting in places violates the laws of physics, but in general it looks great. Fans of the old version probably won’t like the atmosphere. But a more accessible form of narrative does its job.
After watching the second part, I was in no hurry to watch the sequel. But after watching the third there was a very great interest - how the creators will present the final part and finish the restart.
7 out of 10
I have to say that Evangelion was the first series that I got acquainted with anime. Not Sailor Moon, not Macross, but Eva. And, for me, Eva is clearly divided in half - the first half caused delight, and the second was almost physically painful. So it is not surprising that this project of the New Evangelion aroused my interest.
The first film did not cause much emotion – which is not surprising, it almost one in one retells the first series of the original series, except that with some re-drawing and new angles. But the second one made me raise my eyebrow more than once. A lot has changed in the presentation of the characters – Aska, terribly infuriated me in the past, now did not cause rejection, Shinji began to look like a person, and in the events, in the main intrigue of the series there was a certain logic that was completely absent (or, in any case, not seen) in the old series.
And then there's 3.33. I have to say, I have a double feeling. On the one hand, everything is good – the fighting scenes are still dynamic, Shinji’s throwing is logically justified (a lonely child who has lost his last friends, who threaten death instead of greeting), WILLE’s emotions, in general, also – “we are actually saving the world from former colleagues here.” However, a failure at 14, a complete lack of understanding of what happened (well, except for the Third Strike, of course) – all this leaves a huge hole in the plot, and prevents you from seeing the whole picture. Thus, the film left a sense of a kind of interlude, the arrangement of figures before the endgame, in which, I hope, all the maps will be revealed and all the ambiguities of the plot clarified.
Shinji must rebuild himself first, as Kaoru told him. I think it’s worth looking at.
I put a six in the film - after all, it is more a success than a failure.
I have been thinking about life on earth for many years. I don't understand under the moon. I know I don't know anything, this is the last secret I've learned. (Omar Khayyam)
Before watching the third part, I decided to revisit the first two. Therefore, I have no complaints about screen time, if you watch all three parts in a volley, then the plot is quite unfolded and complementary, but the characters’ characters are radically changing in the third part, absolutely everything! Unless Commander Ikari hasn't changed, he's still short, dry, purposeful. Shinji seems to have fallen asleep after 14 years of sleep deprivation, and his brain leaked with LCL when he was taken out of Eve. He like a blind kitten rushed between two fires and believed everything at his word, then did not believe anyone, then again believed and to whom - it is not clear to some boy Kaor, who took off from where he did not need oxygen. How can you trust a person (or not?) whom you do not know? Aska’s behavior in principle fit into her proud character and the fact that she did not explain anything attacking Shinji seems to be normal behavior, but Misato’s behavior does not climb into any gate. Did a bullet punch her head and knock out all the human things she had? Why not explain everything in detail or at least in detail but clearly to Shinji? You put on your glasses and panama and you think you don't know who, and you just sit there and keep quiet. Of course he escaped - why is it so surprising?
Despite such mockery of the characters as a whole, I liked the atmosphere of this part even more than the second, this chaos and confusion is what I like in anime, when you can fantasize yourself and think that this is what just happened.
Also to the pluses include great music: playing the piano of Kaoru and Shinji and music from the credits; graphics and (thank God) the almost complete absence of idiotic twisted faces that were in the series during Shinji nonsense.
I'm betting 6/10 because it's above average, but it's far from the psychology and originality of the show that I put on 8/10.
You Can (Not) Redo is the case when the movie baffles you. On the one hand, it is the “evangelion,” in all its manifestations. On the other hand, this is a completely new story, from the category of “What if?”. It seems to be a continuation of 2.22, but there is such a big gap between them that the viewer will have to figure out what happened. All this is very interesting at first glance - the beginning is dynamic, constrains attention at once. But after half an hour you start to realize something is wrong! No battles between the Eves and the angels, nothing. The old plot is almost completely destroyed, as are the characters. Except Ashka and Shinji, of course. But even they changed a little, some for the better, some for the opposite.
Overall, the film balances dangerously between success and failure. The failure will be seen by those who initially watched the series. Those who began to get acquainted with “Eva”, with “rebild” will be happy to continue. And then there are people like me who will love both the show and the rebirth, even trying to understand its new look and content. Justifying this by the fact that this is a new story and comparing it with the original is no longer possible!
Traditionally, when discussing sequels of high numerical order, continuing the history that thundered in the distant past, real critics begin with a detailed and meticulous description of the development of the universe of this work. And, as a rule, this description is certainly useful and informative, but it brings mortal boredom to the neophyte, who does not yet understand the charm of the work, or even more boredom to the elderly veteran, who shed a lot of blood in cholivars, on fan resources, which specifically EVA has more than enough.
Being a non-real critic and a well-balanced fan in front of this movie, Gospel 3.33: You're not gonna fix it.
Watching this anime is strictly forbidden for those who are not familiar with the original source. Not very carefully dealt with the events of the last part, the authors from the first minutes throw the viewer into ... “whirlpool of events” here is not too appropriate metaphor (the waters in the film are not enough, the twisted dashing plot too).. rather “jet nozzle of events”. Footage and episodes rush furiously forward stepping on each other and with the straightness of the hammer hammer hammer hammer into the head of the viewer one ineffect after another, immersing in a state of trance and unconscious contemplation.
We are shown Mech elevated to the degree of itself and cyclopean military constructions against the background... hmm “scorched desert”???... let it be better against the background of the ruins of human civilization turned into a white marshmallow floating in a thick dark red mulled wine. The battle to save humanity and the planet has already been turned into a personal metaphysical crusade against obscure enemies and old friends.
The characters have not undergone significant changes either since the last meeting or during the development of the plot. Shinji is still riding a roller coaster between unfounded self-confidence and snotty despair. Aska is like God Ares spewing anger and hatred against everything that moves in the frame. Ray, due to special plot twists, suffers even more senselessly and indifferently regardless of who wins in the course of the play. Four-eyed Marie delights in how the planet is disassembled into atoms.
As we contemplate the surreal, lifeless landscapes floating far below, we sit on the shoulder of a giant robot wearing somewhere in the stratosphere and clearly feel like a flea on the butt of the white horse of the fourth rider of the apocalypse (his name is Death), who is bewildered about the planet and sadly realizes that he was late to the terrible trial that was committed by the writers over a once blossoming world, which he wanted to empathize and which was conceptually already destroyed in previous series.
Evangelion is dead!!!... and I really want to shout something more life-affirming, but stopping for a second, it is time to begin to suspect myself of necrophilia. Generated by the painful subconscious of the socially traumatized author, Eva remained his prisoner, forced from rebild to rebild to experience the same tragedy of complimenting humanity, simultaneously losing plot layers and charm. The fan begins to watch the next series to see again on the screen the implementation of the old, but no less beloved, concepts and craves immersion in the familiar universe. But instead, the authors of Eve 3.33 firmly grasping our consciousness for hope, without prelude and extra politeness pull somewhere into the depths of Dante’s creative hell, where, sliding down a spiral of disappointment, we are forced to recognize the familiar passages, mutilated by the hatred of the screenwriter, forced against common sense to milk the plot for one and tightly grated boob. The mystical allusion is almost forgotten, and entire plot designs are replaced either by hypnotic commands to activate superweapons, or by a friendly homosexual game (on the piano), leaving an alarming understatement and awkwardness from the fact that he accidentally saw other people’s very personal dreams.
3 out of 10
I am quite indifferent to anime. But thanks to a lieutenant in the service, I met Evangelion. After him, I tried to addict myself to other representatives of anime, but to no avail.
What not to take away from the Japanese in their cartoons or anime, is the ability to create a full-fledged character, with his story, character, emotions, look and the like. The series “Evangelion” conquered with its deep, exciting, philosophical and dramatic plot, diverse heroes and extraordinary atmosphere. This masterpiece conquered many people in all corners of the world and, of course, it was necessary to continue the story. A few years ago, the creators decided to rethink the series and release four full-fledged films with more modern graphics, with the same characters, but with a revised plot. The first film turned out to be almost a copy of the first series, but the second had an almost completely independent plot. Which, however, did not benefit the story. She became dry, without emotional tears, empty and unintrigued.
The third film continued an independent story. However, the film is made mainly of empty dialogue, action and does not want to glue into a single picture. The characters are flat, boring, gray. The plot is bad, scanty and annoying.
Therefore, I will not advise him, as it is better to watch the series and get the maximum pleasure!
3 out of 10
I watched the original Eve. I still remember it with warmth and love. You either understand this series or you don't. Someone will think that Eve is nothing and will be right in her own way.
From watching the remake did not expect anything new. The first part looked through the force, the second rewinded. And the third ...
Starting with the opening, you know it's going to be a bomb. The desire to reconsider is overwhelming. I write a review immediately after watching it, and I am surprised that no one has commented yet.
Remake better
Remember Eva's ending? Psychedelic, dark, incomprehensible, unconventional? Evangelion 3.0 is the same in the square. Add to this the stunning drawing, the design of the environment, the precisely selected color scheme, the finale, which after the children's first two parts just tears the template, epic music and - spoiler - rivers of blood, mountains of skulls ...
Forever
The director once again deceived fans by issuing a brain-bearing masterpiece. And despite the statements that there will be even more fan service, the latter is practically absent.
10 out of 10