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Irina Igorevna Gubanova
Ирина Губанова
Life Time
3 March 1940 - 15 April 2000
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For many fans of classic Russian cinema, one of the best and bright images forever became Natasha Rostov from the film by Sergei Bondarchuk. "War and peace" . But there was another subtle and bright nature next to her, who, by the will of fate, did not have to give her tenderness to her beloved person and children – Sonya, Natasha’s friend, a beautiful flower with a broken stem. This heroine was heartfeltly played by Irina Gubanova - an actress with an exquisite, "noble" appearance, a native of
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For many fans of classic Russian cinema, one of the best and bright images forever became Natasha Rostov from the film by Sergei Bondarchuk.
"War and peace" . But there was another subtle and bright nature next to her, who, by the will of fate, did not have to give her tenderness to her beloved person and children – Sonya, Natasha’s friend, a beautiful flower with a broken stem. This heroine was heartfeltly played by Irina Gubanova - an actress with an exquisite, "noble" appearance, a native of St. Petersburg (at that time - the former).
Irina (Iraida) Igorevna Gubanova (married Gurzo) was born on the third of March 1940 in pre-war Leningrad. Eighteen-year-old girl graduated from the Leningrad Choreographic School named after A.Ya.Vaganova, but to become a ballerina Irina was not destined: she was beckoned by the film studio “Lenfilm”, Gubanova became a professional actress.
In the heyday of proletarian culture and cinema, Irina Igorevna was “not a format”: she rarely got roles understandable to ordinary people. In the film “713th asks for landing”, she played an American capitalist, in “The Snow Queen” – Princess Elsa, in “The Death of Pushkin” – Natalia Nikolaevna, who was then accused of the death of the poet.
In the late fifties, the family life of the actress began: Irina married Sergei Safonovich Gurzo, a popular actor, and gave birth to a daughter from him. But life did not work out: Gurzo, who left the first family, could not save the second. The couple broke up, and gradually Irina Igorevna began to feel not only loneliness, but also age: the roles of young captivating creatures and young beauties were replaced by age images – Mother Korolin from “Heavenly Swallows”, Countess Fosco (“Woman in White”), nun (“Beautiful Lady”, Poland).
The last ten years of her life, Irina Igorevna almost did not appear in films. She left, not having had time to grow old and not losing her aristocratic beauty, at the 61st year of life, April 15, 2000. /