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The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power more
The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power with pain and anger, the author tries to uncover the reason of the country’s and nation’s tragedy. close
The author's view of the events of the history and modernity of Russia is a continuation of the journalistic cycle, which began with the film "You can't live like that".
The author's view of the events of the history and modernity of Russia is a continuation of the journalistic cycle, which began with the film "You can't live like that". close
The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany more
The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany during the Second World War. The unique newsreel footage of these years, shot by operators of different warring countries, is connected with today's thoughts of the author about the fate of the post-war world, about the humanitarian losses of both sides and about gaining unstable hopes for the unity of the world in countering evil. close
Roman Viktyuk either hate or adore. But the eccentricity, the dissimilarity to everything of his work is recognized by everyone. The film by Alexei Uchitel more
Roman Viktyuk either hate or adore. But the eccentricity, the dissimilarity to everything of his work is recognized by everyone. The film by Alexei Uchitel - illustration for the life of the scandalous maestro. Unique shots from rehearsals, a trip to Lviv and New York, young actors, now stars - once opened by Viktyuk, scenes from the director's most striking and challenging performances. And Roman Viktyuk himself, ironic, funny, sincere . close
These images and sounds are poetic metaphors that transform “Elegy from Russia” into a document that provides a emotional–historical “memory bank” for all.
These images and sounds are poetic metaphors that transform “Elegy from Russia” into a document that provides a emotional–historical “memory bank” for all. close
A free film adaptation of the director's memoirs. In form, this is the "stream of consciousness" that attracted Sergei Eisenstein after getting acquainted more
A free film adaptation of the director's memoirs. In form, this is the "stream of consciousness" that attracted Sergei Eisenstein after getting acquainted with the experiments of James Joyce. The outer outline of the film is a long foreign trip of the director, which began in 1929, during which he recalls his past life and considers creative ideas. The film is constructed as a free alternation of reality, dreams, and fantasies. The material for it is fragments from the films of Sergei Eisenstein and his fellow contemporaries, documentary footage depicting the director and his time. The wide coverage of the faces and events reflected in the film shows the special role of Sergei Eisenstein in the culture of the twentieth century… close
In the spring of 1992, the director Stanislav Govorukhin came to Vermont, where for several days he communicated with the famous writer Alexander Solzhenitsyn and members of his family.
In the spring of 1992, the director Stanislav Govorukhin came to Vermont, where for several days he communicated with the famous writer Alexander Solzhenitsyn and members of his family. close
The reburial of great Russian singer Feodor Chaliapin from Les Batignolles cemetery in Paris to Novo–Devitchye cemetery in Moscow. The daughters from more
The reburial of great Russian singer Feodor Chaliapin from Les Batignolles cemetery in Paris to Novo–Devitchye cemetery in Moscow. The daughters from Chaliapin’s second marriage travel to the Soviet Union for the ceremony. close
The second film by Sokurov featuring Boris Yeltsin as the principal character. Now he is the President of Russia, invested with power, bearing the full more
The second film by Sokurov featuring Boris Yeltsin as the principal character. Now he is the President of Russia, invested with power, bearing the full responsibility for the destinies of his distant compatriots as well as his closest kin and friends. close
These people survived the Great Patriotic War and immediately ended up in the "death camps" on Kolyma. At least two million people were captured in Germany. more
These people survived the Great Patriotic War and immediately ended up in the "death camps" on Kolyma. At least two million people were captured in Germany. This was considered a betrayal of the Motherland, Article 58. The death camps, an innovation of the NKVD, worked flawlessly. It was designed to destroy the “enemies of the people.” No, they didn’t kill, people just couldn’t stand it themselves, beasts and destroyed each other, someone died of disease, cold and hunger. In the film, several rehabilitated prisoners talk about their cruel fate, about what few people know, about what was kept in strict secrecy for many years. These are the nuances of the “Zack” life, wild and cruel. Film 1 – The Story of a Trust Semi-destroyed wooden buildings, empty eye sockets of windows, barracks, stars on towers, a rickety palisade, a wooden bridge - whether to freedom or in conclusion - this is all that remains of one of the countless Stalinist camps. “The stone promised to keep the secret” now protects only the countless bodies of the regime’s victims buried here. It all started in the '30s. Movie 2 - "Face to Face" Freelance workers, former prisoners and children born in the camps continue to testify. The late 30s and early 40s were full of important events for prisoners. At first, changes were expected in connection with the removal of Yezhov and the appointment of Beria. But instead of changes, there were mass shootings. Movie 3 – “The War After the War” From the mountain, on which lies the old cracked “cup” of the high-voltage transmission line, the remains of the camp are visible. Chronicle - soldiers of the Great Patriotic War are met with Victory and flowers. In parallel with these trains there were other trains that did not meet with flowers. Those who traveled in them - prisoners of war, repatriates - from German captivity were sent to Soviet captivity, to camps. They wanted to return to their homeland, but instead received a tribunal and a prison. Denunciations began again, the regime was tightened, handcuffs and numbers were introduced, which now replaced names. Underground organizations were created among prisoners, people went on the run. They were shot, the corpses of the murdered fugitives lay unburied for weeks to intimidate, but they still ran away - chased the excitement of freedom, human dignity. Death was a common occurrence... The authors dedicated this film without guilt to the murdered, our brothers and sisters, who rested anonymously on the cold Kolyma land. close
Set to readings of Thomas Mann's 'The Magic Mountain', a collage of medical, art and found footage, exploring various medical cases, including reconstructing more
Set to readings of Thomas Mann's 'The Magic Mountain', a collage of medical, art and found footage, exploring various medical cases, including reconstructing the damaged human body, the separation of Siamese twins, and Cold War era attempts to create superhumans. close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
The documentary film "Two hours with bards" by Alexander Stefanovich will be a real find for those who love the author's song and want to get in touch more
The documentary film "Two hours with bards" by Alexander Stefanovich will be a real find for those who love the author's song and want to get in touch with the work of Bulat Okudzhava, Vladimir Vysotsky, Oleg Mityaev, Andrei Makarevich and other representatives of this creative direction. Many of them, alas, are no longer with us, but their songs, filled with exciting energy, continue to find fans.
The film tells about how it all began: how the author's song originated in our cultural space, what its roots and origins are, what is the secret of real success and enduring relevance. close
"Bards" is a film-the story of the origin of the author's song by Alexander Borisovich Stefanovich, telling the audience about the most colorful representatives more
"Bards" is a film-the story of the origin of the author's song by Alexander Borisovich Stefanovich, telling the audience about the most colorful representatives of this musical direction in Russia: Vladimir Vysotsky, Yuri Vizbor, Bulat Okudzhava, Andrei Makarevich, Alexander Dolsky, etc. The film also tells about the center of the author's song of that time - the Moscow Pedagogical Institute, where Yuri Vizbor studied, and among the students there were many bards of the "first wave", the founders of the genre. Commentators in the feature documentary are the bard Alexander Rosenbaum and the scientist-historian Nathan Eidelman. close
The manifestation and fireworks on the 1st of May, one of the ritual celebrations of Soviet times, as a gathering of tired participants of a mass scene more
The manifestation and fireworks on the 1st of May, one of the ritual celebrations of Soviet times, as a gathering of tired participants of a mass scene falling into pieces without the director's orders and without any aims. close
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes more
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes inherent in human life (work, marriage, military service, leisure) do not release him from an animal form. close
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date more
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes. close
Director Nikita Mikhalkov documents the history of Russia from 1980 to 1991 by annually asking his daughter Anna such questions as "What do you love the more
Director Nikita Mikhalkov documents the history of Russia from 1980 to 1991 by annually asking his daughter Anna such questions as "What do you love the most?", "What scares you the most?", "What do you want above anything" and "What do you hate the most?" close
A 1988 documentary film directed by Alexander Sokurov, about the later life and death of Soviet Russian filmmaker Andrei Tarkovsky. The film was originally more
A 1988 documentary film directed by Alexander Sokurov, about the later life and death of Soviet Russian filmmaker Andrei Tarkovsky. The film was originally intended to mark the 50th birthday of Tarkovsky in 1982, which would have been before his death. Controversy with Soviet authorities about the film's style and content led to significant delays in the production. close
Pskov-Pechersk Monastery is a documentary film created in 1986 by Archimandrite Tikhon (Shevkunov). The picture depicts the holy elders, Archimandrite more
Pskov-Pechersk Monastery is a documentary film created in 1986 by Archimandrite Tikhon (Shevkunov). The picture depicts the holy elders, Archimandrite Seraphim, Archimandrite Theophan, Schiarchimandrite Alexander, Archimandrite Nathanael, Schigumen Melchizedek, Archimandrite John.
All of them had something to remember and tell about the years of deprivation, defeat and persecution. The trials did not break the strength of the spirit in them and did not destroy mercy, the gift of God. close
"Solovky Power" is a documentary about the first Soviet labor camp created by Lenin in 1923. Solovky was established in a complex of ancient monasteries more
"Solovky Power" is a documentary about the first Soviet labor camp created by Lenin in 1923. Solovky was established in a complex of ancient monasteries on a cluster of islands off the remote White Sea coast. Though its name derives from the Russian word for nightingale, the title of the film echoes the term 'Soviet power', stressing the fact that from the very beginning the Soviet penal colonies were a world unto themselves. close
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is more
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is a cut-off of the era, watching our life, and those around us. Thinking about where the line between reality and insanity lies. close
The film contains unique documentary footage: - court hearing in the case of A.R. Chikatilo, the imposition of the death sentence;
- the last interview more
The film contains unique documentary footage:
- court hearing in the case of A.R. Chikatilo, the imposition of the death sentence;
- the last interview with Chikatilo, who is already on death row;
- Record from the investigation in the case of Boris Serebryakov and other documents;
- there is a fragment of the examination of the tortured girl, music videos.
The documentary is made in the style of post-Soviet art house. . .
Melancholy black and white avant-garde rarity, the USSR is felt. close
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