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The documentary film "Two hours with bards" by Alexander Stefanovich will be a real find for those who love the author's song and want to get in touch more
The documentary film "Two hours with bards" by Alexander Stefanovich will be a real find for those who love the author's song and want to get in touch with the work of Bulat Okudzhava, Vladimir Vysotsky, Oleg Mityaev, Andrei Makarevich and other representatives of this creative direction. Many of them, alas, are no longer with us, but their songs, filled with exciting energy, continue to find fans.
The film tells about how it all began: how the author's song originated in our cultural space, what its roots and origins are, what is the secret of real success and enduring relevance. close
The reburial of great Russian singer Feodor Chaliapin from Les Batignolles cemetery in Paris to Novo–Devitchye cemetery in Moscow. The daughters from more
The reburial of great Russian singer Feodor Chaliapin from Les Batignolles cemetery in Paris to Novo–Devitchye cemetery in Moscow. The daughters from Chaliapin’s second marriage travel to the Soviet Union for the ceremony. close
These images and sounds are poetic metaphors that transform “Elegy from Russia” into a document that provides a emotional–historical “memory bank” for all.
These images and sounds are poetic metaphors that transform “Elegy from Russia” into a document that provides a emotional–historical “memory bank” for all. close
This controversial documentary created a storm in Russia by taking the cloak off a violent, repressive period of Soviet history. Filmmaker Semyon Aranovich more
This controversial documentary created a storm in Russia by taking the cloak off a violent, repressive period of Soviet history. Filmmaker Semyon Aranovich found the last surviving personal bodyguard of Joseph Stalin, Alexey Robin, who began working for the dictator in the 1930s. close
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes more
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes inherent in human life (work, marriage, military service, leisure) do not release him from an animal form. close
A free film adaptation of the director's memoirs. In form, this is the "stream of consciousness" that attracted Sergei Eisenstein after getting acquainted more
A free film adaptation of the director's memoirs. In form, this is the "stream of consciousness" that attracted Sergei Eisenstein after getting acquainted with the experiments of James Joyce. The outer outline of the film is a long foreign trip of the director, which began in 1929, during which he recalls his past life and considers creative ideas. The film is constructed as a free alternation of reality, dreams, and fantasies. The material for it is fragments from the films of Sergei Eisenstein and his fellow contemporaries, documentary footage depicting the director and his time. The wide coverage of the faces and events reflected in the film shows the special role of Sergei Eisenstein in the culture of the twentieth century… close
The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany more
The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany during the Second World War. The unique newsreel footage of these years, shot by operators of different warring countries, is connected with today's thoughts of the author about the fate of the post-war world, about the humanitarian losses of both sides and about gaining unstable hopes for the unity of the world in countering evil. close
These people survived the Great Patriotic War and immediately ended up in the "death camps" on Kolyma. At least two million people were captured in Germany. more
These people survived the Great Patriotic War and immediately ended up in the "death camps" on Kolyma. At least two million people were captured in Germany. This was considered a betrayal of the Motherland, Article 58. The death camps, an innovation of the NKVD, worked flawlessly. It was designed to destroy the “enemies of the people.” No, they didn’t kill, people just couldn’t stand it themselves, beasts and destroyed each other, someone died of disease, cold and hunger. In the film, several rehabilitated prisoners talk about their cruel fate, about what few people know, about what was kept in strict secrecy for many years. These are the nuances of the “Zack” life, wild and cruel. Film 1 – The Story of a Trust Semi-destroyed wooden buildings, empty eye sockets of windows, barracks, stars on towers, a rickety palisade, a wooden bridge - whether to freedom or in conclusion - this is all that remains of one of the countless Stalinist camps. “The stone promised to keep the secret” now protects only the countless bodies of the regime’s victims buried here. It all started in the '30s. Movie 2 - "Face to Face" Freelance workers, former prisoners and children born in the camps continue to testify. The late 30s and early 40s were full of important events for prisoners. At first, changes were expected in connection with the removal of Yezhov and the appointment of Beria. But instead of changes, there were mass shootings. Movie 3 – “The War After the War” From the mountain, on which lies the old cracked “cup” of the high-voltage transmission line, the remains of the camp are visible. Chronicle - soldiers of the Great Patriotic War are met with Victory and flowers. In parallel with these trains there were other trains that did not meet with flowers. Those who traveled in them - prisoners of war, repatriates - from German captivity were sent to Soviet captivity, to camps. They wanted to return to their homeland, but instead received a tribunal and a prison. Denunciations began again, the regime was tightened, handcuffs and numbers were introduced, which now replaced names. Underground organizations were created among prisoners, people went on the run. They were shot, the corpses of the murdered fugitives lay unburied for weeks to intimidate, but they still ran away - chased the excitement of freedom, human dignity. Death was a common occurrence... The authors dedicated this film without guilt to the murdered, our brothers and sisters, who rested anonymously on the cold Kolyma land. close
"Bards" is a film-the story of the origin of the author's song by Alexander Borisovich Stefanovich, telling the audience about the most colorful representatives more
"Bards" is a film-the story of the origin of the author's song by Alexander Borisovich Stefanovich, telling the audience about the most colorful representatives of this musical direction in Russia: Vladimir Vysotsky, Yuri Vizbor, Bulat Okudzhava, Andrei Makarevich, Alexander Dolsky, etc. The film also tells about the center of the author's song of that time - the Moscow Pedagogical Institute, where Yuri Vizbor studied, and among the students there were many bards of the "first wave", the founders of the genre. Commentators in the feature documentary are the bard Alexander Rosenbaum and the scientist-historian Nathan Eidelman. close
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and more
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and a non-human: a subhuman deprived of a divine spark. close
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. more
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. The cycle of present has opened. And in the ashes of the burnt lives a new fire flashed, and lit the way for those who went to the beginning of all beginnings. And I have witnessed it. close
An old man bases his livelihood on a very bizarre form of recyling, breeding maggots in his yard, which he uses to feed his animals. This model of self-subsistence more
An old man bases his livelihood on a very bizarre form of recyling, breeding maggots in his yard, which he uses to feed his animals. This model of self-subsistence serves as his vision of a perfect state. Experimental documentary made during the collapse of the Soviet Union. close
Nostalgic memories of post-war cinema. queues in cinemas, ice halls and the fascinating magic of the screen ... Boys and girls of the late 1940s, they more
Nostalgic memories of post-war cinema. queues in cinemas, ice halls and the fascinating magic of the screen ... Boys and girls of the late 1940s, they watched their favorite films many times, they collected photos of idols, so I wanted to look like my favorite heroes. close
About the coach of the Moscow football team "Spartak" Konstantin Ivanovich Beskov. The film shows the difficult path of the Spartak team to the title of USSR champion in football in 1987.
About the coach of the Moscow football team "Spartak" Konstantin Ivanovich Beskov. The film shows the difficult path of the Spartak team to the title of USSR champion in football in 1987. close
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with more
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives. close
It focuses on how youngsters in capitalist Russia turn to crime. Either they thrive at their game or they get locked up. In any case they're trapped. more
It focuses on how youngsters in capitalist Russia turn to crime. Either they thrive at their game or they get locked up. In any case they're trapped. The portrayed kids are old men, acting wise and tough while in fact they're victims. close
“Vladimir Vysotsky. Self-portrait is a kind of confession of a poet, artist, personality, created on the basis of his revelations alone with a movie camera. more
“Vladimir Vysotsky. Self-portrait is a kind of confession of a poet, artist, personality, created on the basis of his revelations alone with a movie camera. Vladimir Semenovich has repeatedly said that if you take his work in film, television, radio, theater and put on one bowl of imaginary scales, and on the other - the poems he creates, then the second will prevail.
Poetic creativity Vysotsky is a colossal work, by his own admission, but his compositions are perceived in one breath: perhaps, thanks to his mastery honed to perfection. Don’t talk about the poet, it’s better to hear him. close