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Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' more
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution. close
The momentous film stars Mykola Nademskyi as the grandfather of Tymish (Semen Svashenko), whom he alerts to secret treasure buried in the mountains of more
The momentous film stars Mykola Nademskyi as the grandfather of Tymish (Semen Svashenko), whom he alerts to secret treasure buried in the mountains of Zvenygora – Treasure that rightfully belongs to his homeland. The film wonderfully blends both lyricism and politics and uses its central construct to build a montage praising Ukrainian industrialization, attacking the bourgeoisie, celebrating the beauty of the Ukrainian steppe and retelling ancient folklore. Said Sergei Eisenstein of the film, "As the lights went on, we felt that we had just witnessed a memorable event in the development of the cinema". close
Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid more
Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid in the overcrowded, overworked, and underpaid world in the big city. close
Georgia, 1864. The Tsarist regime is using Cossacks to forcibly resettle Muslim Georgians to Turkey in order to steal their land. Meanwhile a Muslim girl more
Georgia, 1864. The Tsarist regime is using Cossacks to forcibly resettle Muslim Georgians to Turkey in order to steal their land. Meanwhile a Muslim girl falls in love with a Christian from the next village. close
In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading more
In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury. close
The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional more
The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional Victor Karenin, a rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he first falls in with Gypsies, and into a sexual relationship with a Gypsy singer, Masha. close
In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 more
In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 appears. Shots of the awakening of the city, renewal of its life, echo with lyrical pictures of the revival of nature. Kaufman's attentive camera stops for a long time on the smiling faces of the children, painting a lyrical picture of a confession of love for Kyiv. close
In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, more
In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test. close
Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial more
Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial culture in an epic ode to farm-collectivization progress. close
The protagonist, a lazy pen-pusher, gets the sack for his bureaucratic idleness, and learns that the way back into the job market depends on getting a more
The protagonist, a lazy pen-pusher, gets the sack for his bureaucratic idleness, and learns that the way back into the job market depends on getting a letter of recommendation from a "grandmother" close
Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity.
Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity. close
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade more
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution. close
A boy is sitting at a table, writing a letter for Boris Prutkov. The cartoon follows the journey of this letter from Rostov to Leningrad, where its addressee more
A boy is sitting at a table, writing a letter for Boris Prutkov. The cartoon follows the journey of this letter from Rostov to Leningrad, where its addressee Prutkov has just left for Berlin; when the letter arrives in Berlin, Prutkov has just departed for London; as the letter arrives in London, Prutkov is already on a steamboat to Brazil, and once the letters is delivered by postman Don Basilio, Prutkov is already on his way back to Leningrad– where the letter, having followed Prutkov around the world, finally reaches him. The film sings a song of praise to the global postal services and to the reliability of the postmen, but it also tells the story of a journey around the world, returning once more to the new Soviet capital: Leningrad. close
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel more
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties. close
Vasyl, a member of the Komsomol, with the help of a local party organization, gets a tractor and plows private boundaries "on kulak fields". However, this enthusiasm will cost him dearly.
Vasyl, a member of the Komsomol, with the help of a local party organization, gets a tractor and plows private boundaries "on kulak fields". However, this enthusiasm will cost him dearly. close
The film is a visual accompaniment to Honegger's music representing the progress of a transcontinental locomotive. The superimposed orchestra rhythmically reinforces the music.
The film is a visual accompaniment to Honegger's music representing the progress of a transcontinental locomotive. The superimposed orchestra rhythmically reinforces the music. close
Young hobos are taken to a new camp to become good Soviet citizens. This camp works without any guards, and it works well. But crooks kill one of the more
Young hobos are taken to a new camp to become good Soviet citizens. This camp works without any guards, and it works well. But crooks kill one of the young people when they try to damage the newly built railroad to the camp. close
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this more
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities. close
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns more
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns itself with the natural rhythms of country life, disrupted by the beat of looming industrialisation. close
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