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A nude couple pose in an art studio on a square rug, while the camera does a circular traveling around them; the woman has her right knee on the floor more
A nude couple pose in an art studio on a square rug, while the camera does a circular traveling around them; the woman has her right knee on the floor and her right arm raised in front of her face, holding the man's thighs with her right, while the man is bent forward, as if looking in the distance. close
Max and Mick, two brothers, have prepared for a merry spree and are actually stepping into their cab when it occurs to them they are penniless. Lots are more
Max and Mick, two brothers, have prepared for a merry spree and are actually stepping into their cab when it occurs to them they are penniless. Lots are drawn to see who shall beard stern father and make the necessary touch. The choice falls on Max who is far from successful in his mission, and he communicates the bad news to his brother Mick, who after thinking announces that he has an idea. close
This film was never released for the general public. It was hidden in Chaplin's private vaults for forty years until he included some parts of it in his compilation 'The Chaplin Revue' in 1959.
This film was never released for the general public. It was hidden in Chaplin's private vaults for forty years until he included some parts of it in his compilation 'The Chaplin Revue' in 1959. close
The Black Death is ravaging Spain. As Camille Saint-Saëns's "Danse Macabre" plays on the soundtrack, a mix of animation and acted scenes tells the story more
The Black Death is ravaging Spain. As Camille Saint-Saëns's "Danse Macabre" plays on the soundtrack, a mix of animation and acted scenes tells the story of Youth and Love meeting one night. They dance, embrace, and kiss. As the night wears on, exuberant Death, a skeletal figure with a violin, pursues the couple. They try to elude him. Eventually, Love swoons. Youth is powerless to protect her. Is she doomed? close
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters more
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters strange and nightmarish visions, but he is nevertheless on the verge of winning the bet when a phone-call brings startling news. close
The Hefbrug may not be a remarkably beautiful bridge, but through a mix of close-ups, long shots, bird’s eye views and low angles, Joris Ivens conveys more
The Hefbrug may not be a remarkably beautiful bridge, but through a mix of close-ups, long shots, bird’s eye views and low angles, Joris Ivens conveys a sense of the bridge’s structure, its intricate mechanisms and ways of operating, the way it fits into the overall transport infrastructure and therefore the immense importance of this bridge for the whole city of Rotterdam. close
A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, more
A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, the officer (Jean-Claude Pascal) is quartered by a dull bourgeois couple who treat him with a cold politeness bordering on indifference. close
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan.
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan. close
Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third more
Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration. close
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage more
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street. close
A man receives a breakup letter from his sweetheart, who sends him back his photo, in pieces. The pained lover decides to reply. Fountain pen, penholder, more
A man receives a breakup letter from his sweetheart, who sends him back his photo, in pieces. The pained lover decides to reply. Fountain pen, penholder, desk, stamps, paper and inkwell all contrive diabolically to thwart him. close
A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between more
A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between human and animal. Particularly the manner in which human and ape are confronted with each other, is significant. The images speak for themselves, human voices or commentary is absent. The ironic music of Pim Jacobs does add an extra dimension to the whole. With regards to human and animal Haanstra limits himself for the time being to this short film, recorded with a hidden camera. Later on, in several big films, he would return to this subject. close
Often called a “film poem” or a “film symphonie” Huszárik’s masterpiece consists of montages of horses from the dawn of time to the modern times from cave paintings to horse races. (MUBI)
Often called a “film poem” or a “film symphonie” Huszárik’s masterpiece consists of montages of horses from the dawn of time to the modern times from cave paintings to horse races. (MUBI) close
First the atomic war broke out, new machines were made, dead birds appeared. In 1999, a bacteriological warfare began, there were sandstorms and giant more
First the atomic war broke out, new machines were made, dead birds appeared. In 1999, a bacteriological warfare began, there were sandstorms and giant locust infestations; the human tissue was transformed and a new being, once legendary, now real, emerged: the vampire. Only Robert Neville, the last man on Earth, remains unpolluted, living in constant struggle with the new inhabitants of the planet. close
Ostensibly a non-narrative study of various aspects of a rural winter, this short film by one of modern Hungarian cinema’s greatest visual poets has all more
Ostensibly a non-narrative study of various aspects of a rural winter, this short film by one of modern Hungarian cinema’s greatest visual poets has all the spellbinding qualities of his better-known feature debut Sindbad (Szindbád, 1971), but here allied to a winning sense of humour that’s never quite allowed to detract from the haunting beauty of many of the images. The end of autumn is heralded by a few red leaves still clinging to a statue’s sculpted robes, while whip pans across the increasingly wintry landscape and close-ups of rippling water are given character by seemingly random freeze-frames and Zoltán Jeney’s electronic chirrups on the soundtrack. There are recurring shots of birds, migrating en masse, huddled by the icy water or lying individually dead, frozen stiff in the snow. So far Capriccio has been a reasonably generic mood piece, but then the snowmen arrive… close
A promotional short on the movie Dirty Harry (1971) , which compares it to such classics as 'G' Men (1935) or The Big Sleep (1946), focusing on the toughness of those movies' main characters.
A promotional short on the movie Dirty Harry (1971) , which compares it to such classics as 'G' Men (1935) or The Big Sleep (1946), focusing on the toughness of those movies' main characters. close
Eagle Rock are delighted to announce the release of two films by John and Yoko, Imagine and Gimme Some Truth. Both films, which focus on the Imagine era, more
Eagle Rock are delighted to announce the release of two films by John and Yoko, Imagine and Gimme Some Truth. Both films, which focus on the Imagine era, have been hand restored frame-by-frame from the original film reels into HD, and their soundtracks have been remixed in glorious 5.1 surround sound, and remastered. Includes exclusive, never-before-seen bonus content on DVD and blu-ray. This is the first time both films have been commercially available at the same time. IMAGINE 1. Imagine 2. Crippled Inside 3. Good Morning 4. Jealous Guy 5. Don't Count The Waves 6. It's So Hard 7. Mrs Lennon 8. In Bag 9. I Don't Wanna Be A Soldier Mama I Don't Wanna Die 10. Mind Train 11. Whisper Piece 12. What's That In The Sky? 13. Power To The People 14. Gimme Some Truth 15. Midsummer New York 16. Oh My Love 17. How Do You Sleep? 18. How? 19. Oh Yoko! 20. Beach / End Credits close
A darkly humorous short documentary about a preschool-age boy ostracised from interactions with his classmates until a girl who has become interested more
A darkly humorous short documentary about a preschool-age boy ostracised from interactions with his classmates until a girl who has become interested in his pet crow provides the link to social acceptance. close
Sredni Vashtar is a 1981 short film, written, produced and directed by Andrew Birkin, based on the short story of the same name written by Hector Hugh more
Sredni Vashtar is a 1981 short film, written, produced and directed by Andrew Birkin, based on the short story of the same name written by Hector Hugh Munro. The story concerns a slowly dying ten-year-old boy named Conradin, who lives with his strict cousin and guardian, Mrs. De Ropp. Conradin rebels against her and invents a new religion for himself, which centres on idolising a polecat-ferret he calls Sredni Vashtar; a vengeful, merciless god. The film won the BAFTA award for Best Short Film, and was nominated for an Academy Award for Best Live Action Short Film. close
As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots more
As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots of a tableau nature, each appearing to be a more or less random cross section of American reality, but which in total invoke a highly emblematic picture of the USA. close