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Eric Rohmer directs this short documentary that narrates the presence of women in French universities as of the time of its release -- 1966. During the more
Eric Rohmer directs this short documentary that narrates the presence of women in French universities as of the time of its release -- 1966. During the film's short run, the narrator continues to point out that during the advent of World War II, only 21,000 women attended college and made only a 30 % of the student body, a number that by the 1964-1965 school year had passed the 120,000 mark. Instead of opting to live according to what was expected of them, now they were joining the work force, trading in aprons for lab jackets and becoming professionals even after getting married. close
Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film more
Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film and recorded fourteen hours of audio. Over the next few years, Kubelka toiled in the editing bay, producing a work charged with intricate, ironic brutality. close
This film is a poetic endeavor about Life and Death. A brown hen was selected to convey motion. The soundtrack is a collage of approximately 200 beginnings more
This film is a poetic endeavor about Life and Death. A brown hen was selected to convey motion. The soundtrack is a collage of approximately 200 beginnings and endings of different musical pieces. close
The emotions, events, and bitterness of the 1968 Student Revolution have become more meaningful over time, and, like old wine, they have become enduring more
The emotions, events, and bitterness of the 1968 Student Revolution have become more meaningful over time, and, like old wine, they have become enduring and epic. It is no coincidence that the initial credits appear only in the middle of the film after an ever-accelerating stream of fragmented images and a ragged rhythm, as if dividing the narrative into two independent periods: “Before” and “After” the Fall, which becomes the true creative principle of being subordinated exclusively to the power of human love. close
A satire on war and on the stupid things war inspires people to do. Four young men enter an abandoned fortress. Inside, they find military uniforms, which more
A satire on war and on the stupid things war inspires people to do. Four young men enter an abandoned fortress. Inside, they find military uniforms, which they immediately resolve to use to stage a bizarre war game. Their actions appear all the more senseless in relation to the peaceful everyday reality of the workers in the surrounding countryside. close
Deval shot “Héraclite l’obscur” in Tunisia in 1967, with his then-girlfriend and editor Jackie Raynal, in 35 mm and in color. He was the first Zanzibar more
Deval shot “Héraclite l’obscur” in Tunisia in 1967, with his then-girlfriend and editor Jackie Raynal, in 35 mm and in color. He was the first Zanzibar member to shoot a film not only outside of Paris but also in an exotic location. “Héraclite l’obscur” is described by its author as a “philosophical peplum”. – spectacle theater close
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard more
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min close
A 1968 short documentary film by Pier Paolo Pasolini where he visits India in the search of a king who could give up his body to feed a starving tiger.
A 1968 short documentary film by Pier Paolo Pasolini where he visits India in the search of a king who could give up his body to feed a starving tiger. close
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as more
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt? close
He took up the camera as other people take the pencil and paper. In 1968 he presented his first film Lydia at the Solothurner Filmtage. His appearance more
He took up the camera as other people take the pencil and paper. In 1968 he presented his first film Lydia at the Solothurner Filmtage. His appearance as a Filmmaker was absolutely unexpected: the only lyric poet of the film, who succeeded virtually without effort in turning his inner life outwards, creating dreamlike images. With a juvenile absoluteness, innocently arrogant, the pale, gaunt man had put the following sentence in the festival paper: "Look, what kind of a film Reto Andrea Savoldelli has created for you with five thousand Swiss Francs." He pitched himself as "First exponent of the Swiss Immigrant's Cinema". (Martin Schaub) close
The film may be viewed as a study of the nature of the medium and more specifically of the phenomena of framing, movement, and synchronicity of sound and picture.
The film may be viewed as a study of the nature of the medium and more specifically of the phenomena of framing, movement, and synchronicity of sound and picture. close
An account of Italian film director Luchino Visconti's travels in search for a young actor to portray the role of Tadzio in his 1971 adaptation of Thomas Mann's novella Death in Venice (1912).
An account of Italian film director Luchino Visconti's travels in search for a young actor to portray the role of Tadzio in his 1971 adaptation of Thomas Mann's novella Death in Venice (1912). close
All the researchers of the IMPS laboratory are males - with one exception : Mademoiselle Clara, Antoine, the cleaner, desperately yearns for. Night after more
All the researchers of the IMPS laboratory are males - with one exception : Mademoiselle Clara, Antoine, the cleaner, desperately yearns for. Night after night, when Clara is alone, going on with her experiments, the young man awkwardly manoeuvres with a view to declaring his flame. But the cold scientist remains unconcerned. In his trouble, Antoine regularly drops and breaks phials and other test tubes full of dangerous chemical products. He doesn't care when his skin gets into contact with acid. His heart burns too much for him to be able to feel the burning of his skin. And if he can't GIVE his hand to Clara will he really mind to... LOSE it ? close
The capital of Yemen, the city of Sana'a, holds an important part of history within its walls filled with medieval architecture and culture. But that more
The capital of Yemen, the city of Sana'a, holds an important part of history within its walls filled with medieval architecture and culture. But that same culture was about to disappear with the country's modernization which came after the civil war in the 1960's. To impeach such modern invasion, director Pasolini pledges to UNESCO for the recognition of Sana'a as a World Heritage Site. close
A young girl shuts herself away in her apartment and goes about her business in a strange way, as she wastes the night in the kitchen – humming all along.
A young girl shuts herself away in her apartment and goes about her business in a strange way, as she wastes the night in the kitchen – humming all along. close
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism more
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism and the persecution of Jews, as well as with their historical continuities. close
Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his more
Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his life to the camera after having been excluded from his community to spend years of his life on the island with his fellow sufferers. Themes addressed include love, community, companionship and death and the importance of these values to all people whatever their state of health. close
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