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Mondovino (in Italian: World of Wine) is a 2004 documentary film on the impact of globalization on the world's different wine regions written and directed more
Mondovino (in Italian: World of Wine) is a 2004 documentary film on the impact of globalization on the world's different wine regions written and directed by American film maker Jonathan Nossiter. It was nominated for the Palme d'Or at the 2004 Cannes Film Festival and a César Award. The film explores the impact of globalization on the various wine-producing regions, and the influence of critics like Robert Parker and consultants like Michel Rolland in defining an international style. It pits the ambitions of large, multinational wine producers, in particular Robert Mondavi, against the small, single estate wineries who have traditionally boasted wines with individual character driven by their terroir. close
The Other Final is a 2003 documentary film, directed by Johan Kramer, about a football match between Bhutan and Montserrat, the then-lowest ranked teams in the FIFA World Rankings.
The Other Final is a 2003 documentary film, directed by Johan Kramer, about a football match between Bhutan and Montserrat, the then-lowest ranked teams in the FIFA World Rankings. close
The new work of Canadian documentarians in full presents the history of Man from his first steps millions of years ago to the era of Homo sapiens. The more
The new work of Canadian documentarians in full presents the history of Man from his first steps millions of years ago to the era of Homo sapiens. The possibilities of modern computer graphics allowed the authors to show the life of our ancient ancestors in such a fantastic way that there is a feeling of complete reality of what is happening. This unique film, as a magical journey through time, step by step along the chain of events, will provide the viewer with a unique opportunity to see the process of formation of the intelligence of our civilization. close
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. more
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results. close
This documentary follows various migratory bird species on their long journeys from their summer homes to the equator and back, covering thousands of more
This documentary follows various migratory bird species on their long journeys from their summer homes to the equator and back, covering thousands of miles and navigating by the stars. These arduous treks are crucial for survival, seeking hospitable climates and food sources. Birds face numerous challenges, including crossing oceans and evading predators, illness, and injury. Although migrations are undertaken as a community, birds disperse into family units once they reach their destinations, and every continent is affected by these migrations, hosting migratory bird species at least part of the year. close
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, more
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity. close
In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of more
In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze. close
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, more
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching. close
The films and methods of Nicolas Philibert, maker of Etre et avoir, have shown him to be one of contemporary cinema’s most acclaimed documentarists. In more
The films and methods of Nicolas Philibert, maker of Etre et avoir, have shown him to be one of contemporary cinema’s most acclaimed documentarists. In The Land of the Deaf is an elegantly spare and thoughtful portrait of the rich, diverse, but often isolated culture of the deaf community. The film has tremendous power and value: it educates and transports us to another way of occupying this world, and it does so in a pleasurable, unrushed and intelligent fashion. close
Image and music are intertwined in this third collaboration between director Godfrey Reggio and composer Philip Glass. The film was produced to celebrate more
Image and music are intertwined in this third collaboration between director Godfrey Reggio and composer Philip Glass. The film was produced to celebrate the World Wildlife Fund's Biological Diversity Campaign. The film combines images of nature with pulsing rhythms in a Microcosmos (1997) meets Koyaanisqatsi (1983) spectacle. close
In "Ciao, Italia! Live from Italy" Madonna visits the land of her noble heritage for this high-energy concert video filmed in 1987. It contained footage more
In "Ciao, Italia! Live from Italy" Madonna visits the land of her noble heritage for this high-energy concert video filmed in 1987. It contained footage from a previous TV special of the Who's That Girl World Tour, Madonna in Concerto, broadcast in Europe in 1987, filmed at the Stadio Comunale in Turin, Italy. The video release also contained footage from shows recorded in Florence, Italy and Tokyo, Japan. The tour supported her 1986 third studio album True Blue, as well as the 1987 soundtrack Who's That Girl. close
In his film “Calypso” is looking for Atlantis, the famous explorer of marine nature Jacques-Yves Cousteau lifts the veil over the mystery that worries more
In his film “Calypso” is looking for Atlantis, the famous explorer of marine nature Jacques-Yves Cousteau lifts the veil over the mystery that worries scientists for more than the first millennium – the mystery of the sunken Atlantis.
While Philippe Cousteau explores the waters of the Bahamas and Azores, where, according to various versions, the sunken continent was located, Jacques Cousteau seeks an answer in the Aegean Sea. He surveys the northern coast of Crete, and then goes to the deserted island of Santorini, trying to connect the ancient legend of Atlantis with the once-major volcanic eruption. close
A documentary on China, concentrating mainly on the faces of the people, filmed in the areas they were allowed to visit. The 220 minute version consists more
A documentary on China, concentrating mainly on the faces of the people, filmed in the areas they were allowed to visit. The 220 minute version consists of three parts. The first part, taken around Beijing, includes a cotton factory, older sections of the city, and a clinic where a Cesarean operation is performed, using acupuncture. The middle part visits the Red Flag canal and a collective farm in Henan, as well as the old city of Suzhou. The final part shows the port and industries of Shanghai, and ends with a stage presentation by Chinese acrobats. close
Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this more
Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help. close
In 1963, accompanied by a newsreel photographer and a Catholic priest, Piero Paolo Pasolini traveled to Palestine to investigate the possibility of filming more
In 1963, accompanied by a newsreel photographer and a Catholic priest, Piero Paolo Pasolini traveled to Palestine to investigate the possibility of filming his biblical epic The Gospel According to Matthew in its approximate historical locations. Edited by The Gospel‘s producer for potential funders and distributors, Seeking Locations in Palestine features semi-improvised commentary from Pasolini as its only soundtrack. As we travel from village to village, we listen to Pasolini’s idiosyncratic musings on the teachings of Christ and witness his increasing disappointment with the people and landscapes he sees before him. Israel, he laments, is much too modern. The Palestinians, much too wretched; it would be impossible to believe the teachings of Jesus had reached these faces. The Gospel According to Matthew was ultimately filmed in Southern Italy. Mel Gibson would use some of the same locations forty years later for The Passion of the Christ. close
Fascinating underwater documentary filmed with hand-held cameras by frogmen and mostly filmed in deep-water seas from within a special designed batiscaff, by the Cousteau family of sea explorers.
Fascinating underwater documentary filmed with hand-held cameras by frogmen and mostly filmed in deep-water seas from within a special designed batiscaff, by the Cousteau family of sea explorers. close
Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex, apparently their least favorite subject: he asks children if they know where more
Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex, apparently their least favorite subject: he asks children if they know where do babies come from, asks old and young women about gender equality, and asks both genders if a woman's virginity still matters, how do they view homosexuals, if sex and honor are related, if divorce should be legal, if they support the recent abolition of brothels, etc. He interviews workers, intellectuals, students, rural farmers, the bourgeoisie, and other different people, painting a vivid portrait of Italy in the years of the Economic Boom, suspended between modernity and tradition. close
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, more
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future. close
A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, more
A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, including an insect banquet and a memorable look at a practicing South Pacific cargo cult. close
