Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.
Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years. close
A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, more
A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, including an insect banquet and a memorable look at a practicing South Pacific cargo cult. close
This is the final short film of Michelangelo Antonioni, starring as himself, as he seeks out the Italian Renaissance artist Michelangelo Buonarotti's statue of Moses at St Peter's Church in Rome.
This is the final short film of Michelangelo Antonioni, starring as himself, as he seeks out the Italian Renaissance artist Michelangelo Buonarotti's statue of Moses at St Peter's Church in Rome. close
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. more
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results. close
Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious more
Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance. close
Director Yuri Ancarani crosses the Persian Gulf to accompany a falconer to an important competition, entering the surreal world of wealthy Qatari sheikhs more
Director Yuri Ancarani crosses the Persian Gulf to accompany a falconer to an important competition, entering the surreal world of wealthy Qatari sheikhs with a passion for amateur falconry. The opulence of this Middle Eastern gas state is on full display as the men race SUVs up and down sand dunes, fly their prized falcons around on private jets, and take their pet cheetahs out for desert spins in their souped-up Ferraris. close
The Renaissance master Botticelli spent over a decade painting and drawing hell as the poet Dante described it. The film takes us on a journey through more
The Renaissance master Botticelli spent over a decade painting and drawing hell as the poet Dante described it. The film takes us on a journey through hell with fascinating and exciting insights into Botticelli's art and its hidden story. close
The unveiled treasures in the year of the Extraordinary Jubilee. The Papal Basilicas of Rome seen as never before: St. Peter's, St. John in the Lateran, more
The unveiled treasures in the year of the Extraordinary Jubilee. The Papal Basilicas of Rome seen as never before: St. Peter's, St. John in the Lateran, St Mary Major, St Paul Outside the Walls and the works of art enshrined within them. A film tour shot from previously unseen points of view with the latest-generation 3D and 4K technology. close
The new work of Canadian documentarians in full presents the history of Man from his first steps millions of years ago to the era of Homo sapiens. The more
The new work of Canadian documentarians in full presents the history of Man from his first steps millions of years ago to the era of Homo sapiens. The possibilities of modern computer graphics allowed the authors to show the life of our ancient ancestors in such a fantastic way that there is a feeling of complete reality of what is happening. This unique film, as a magical journey through time, step by step along the chain of events, will provide the viewer with a unique opportunity to see the process of formation of the intelligence of our civilization. close
A journey through the masterpieces and obsessions of the Genius of the Impressionism, down the River Seine, from Le Havre to Paris and then up the river more
A journey through the masterpieces and obsessions of the Genius of the Impressionism, down the River Seine, from Le Havre to Paris and then up the river towards Argenteuil, Poissy, Vétheuil, Giverny – ending in Paris. A tour of the Museums displaying Monet's masterpieces: the Orangerie Museum, the Marmottan Museum, the Orsay Museum, ending in Monet's house and gardens at Giverny. close
Mondovino (in Italian: World of Wine) is a 2004 documentary film on the impact of globalization on the world's different wine regions written and directed more
Mondovino (in Italian: World of Wine) is a 2004 documentary film on the impact of globalization on the world's different wine regions written and directed by American film maker Jonathan Nossiter. It was nominated for the Palme d'Or at the 2004 Cannes Film Festival and a César Award. The film explores the impact of globalization on the various wine-producing regions, and the influence of critics like Robert Parker and consultants like Michel Rolland in defining an international style. It pits the ambitions of large, multinational wine producers, in particular Robert Mondavi, against the small, single estate wineries who have traditionally boasted wines with individual character driven by their terroir. close
The Other Final is a 2003 documentary film, directed by Johan Kramer, about a football match between Bhutan and Montserrat, the then-lowest ranked teams in the FIFA World Rankings.
The Other Final is a 2003 documentary film, directed by Johan Kramer, about a football match between Bhutan and Montserrat, the then-lowest ranked teams in the FIFA World Rankings. close
Filmed over twenty years, Tibetan Buddhist Master Choogyal Namkhai Norbu watches as his western-born son, Yeshi, who was recognized at birth as the reincarnation more
Filmed over twenty years, Tibetan Buddhist Master Choogyal Namkhai Norbu watches as his western-born son, Yeshi, who was recognized at birth as the reincarnation of a famous spiritual master, considers departing from tradition to embrace the modern world. close
Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex, apparently their least favorite subject: he asks children if they know where more
Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex, apparently their least favorite subject: he asks children if they know where do babies come from, asks old and young women about gender equality, and asks both genders if a woman's virginity still matters, how do they view homosexuals, if sex and honor are related, if divorce should be legal, if they support the recent abolition of brothels, etc. He interviews workers, intellectuals, students, rural farmers, the bourgeoisie, and other different people, painting a vivid portrait of Italy in the years of the Economic Boom, suspended between modernity and tradition. close
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, more
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future. close
The two sides of Frida Kahlo's spirit: on one side the revolutionary, pioneering artist of contemporary feminism and on the other, the human being, victim more
The two sides of Frida Kahlo's spirit: on one side the revolutionary, pioneering artist of contemporary feminism and on the other, the human being, victim of her tortured body and a tormented relationship. close
In "Ciao, Italia! Live from Italy" Madonna visits the land of her noble heritage for this high-energy concert video filmed in 1987. It contained footage more
In "Ciao, Italia! Live from Italy" Madonna visits the land of her noble heritage for this high-energy concert video filmed in 1987. It contained footage from a previous TV special of the Who's That Girl World Tour, Madonna in Concerto, broadcast in Europe in 1987, filmed at the Stadio Comunale in Turin, Italy. The video release also contained footage from shows recorded in Florence, Italy and Tokyo, Japan. The tour supported her 1986 third studio album True Blue, as well as the 1987 soundtrack Who's That Girl. close
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, more
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity. close
In 1963, accompanied by a newsreel photographer and a Catholic priest, Piero Paolo Pasolini traveled to Palestine to investigate the possibility of filming more
In 1963, accompanied by a newsreel photographer and a Catholic priest, Piero Paolo Pasolini traveled to Palestine to investigate the possibility of filming his biblical epic The Gospel According to Matthew in its approximate historical locations. Edited by The Gospel‘s producer for potential funders and distributors, Seeking Locations in Palestine features semi-improvised commentary from Pasolini as its only soundtrack. As we travel from village to village, we listen to Pasolini’s idiosyncratic musings on the teachings of Christ and witness his increasing disappointment with the people and landscapes he sees before him. Israel, he laments, is much too modern. The Palestinians, much too wretched; it would be impossible to believe the teachings of Jesus had reached these faces. The Gospel According to Matthew was ultimately filmed in Southern Italy. Mel Gibson would use some of the same locations forty years later for The Passion of the Christ. close
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