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On May 8th, 1945, writer, director Norman Corwin broadcast ON A NOTE OF TRIUMPH, an unforgettable homage to the end of war in Europe. This film shines more
On May 8th, 1945, writer, director Norman Corwin broadcast ON A NOTE OF TRIUMPH, an unforgettable homage to the end of war in Europe. This film shines a light on a lost work of genius, and examines it's haunting resonance to today's current events. close
A documentary film about the life and early death of Russian singer and songwriter Aleksandr Bashlachev through the eyes of his friends, family members more
A documentary film about the life and early death of Russian singer and songwriter Aleksandr Bashlachev through the eyes of his friends, family members and other representatives of rock music scene. close
How did a college drop-out with a drug and alcohol problem use a home video camera to become an international icon of bad behavior? Don't Try This At more
How did a college drop-out with a drug and alcohol problem use a home video camera to become an international icon of bad behavior? Don't Try This At Home presents Steve-O: The Early Years, a documentary full of footage that censors would never allow on television. Follow Steve-O through his childhood skateboarding and drug-dealing days, first life-threatening stunts, time in the circus and, ultimately, international stardom. You will not believe what a buttnut this guy really is. close
On June 29, 1792, Neelkanth begins his journey of awakening. Having resolved to embrace the challenges of nature, he leaves his home in the city of Ayodhya. more
On June 29, 1792, Neelkanth begins his journey of awakening. Having resolved to embrace the challenges of nature, he leaves his home in the city of Ayodhya. Neelkanth walks alone into the cold stormy night, wearing nothing over his shoulders or under his feet, carrying nothing - no maps, no money, no food - except inner courage, confidence and a silent spiritual strength. At the Saryu River, he enters the cold, raging current. Neelkanth is swept away, leaving behind all that was familiar. close
The internal dialogue of two Frida Kahlo, a romantic passionate painting of nature and a lonely woman full of skepticism. The film is an attempt with more
The internal dialogue of two Frida Kahlo, a romantic passionate painting of nature and a lonely woman full of skepticism. The film is an attempt with individual strokes (in the spirit of Frida's own technique) to sketch on the screen a portrait of one of the most incredible personalities of the 20th century. close
The last piece of the trilogy, following 'Katatsumori' and 'See Heaven', filming her grandma and herself. Her gazes and insights are cast on the lovable beings in front of her eyes.
The last piece of the trilogy, following 'Katatsumori' and 'See Heaven', filming her grandma and herself. Her gazes and insights are cast on the lovable beings in front of her eyes. close
Spring comes every year and brings us hope for recovery and development. But time is inexorable and fleeting. Not for everyone will come next spring ...
Spring comes every year and brings us hope for recovery and development. But time is inexorable and fleeting. Not for everyone will come next spring ... close
Documentary on the making of "The Searchers" (1956), starring John Wayne and directed by John Ford, with outtakes, behind-the-scenes footage and interviews more
Documentary on the making of "The Searchers" (1956), starring John Wayne and directed by John Ford, with outtakes, behind-the-scenes footage and interviews with many of the surviving cast and crew. close
Remember that man in the rainbow-colored Afro wig who carried the "John 3:16" sign? During the 70s and 80s he seemed to be everywhere: at televised baseball more
Remember that man in the rainbow-colored Afro wig who carried the "John 3:16" sign? During the 70s and 80s he seemed to be everywhere: at televised baseball and football games, shuttle launches, and hundreds of other events. So who was he, and what ever happened to him? In Sam Green's award-winning new "slapstick tragedy," we find out. And the truth involving an unhappy childhood, a kidnapped hotel maid, and three life sentences in prison is stranger than fiction... close
Mother and son. Anna Akhmatova and Lev Gumilev. They had a very uneven relationship, which was dominated by misunderstanding, unforgiveness, alienation. more
Mother and son. Anna Akhmatova and Lev Gumilev. They had a very uneven relationship, which was dominated by misunderstanding, unforgiveness, alienation. The 3-part program “You are a son and my horror” is dedicated to the complex relationship between Anna Andreevna Akhmatova and her son Lev Nikolaevich Gumilev. The basis was letters, diary entries and memoirs of Anna Andreevna Akhmatova, Anna Ivanovna Gumileva — mothers of the poet Nikolai Gumilev, Natalia Varbanets, Lev Gumilev, Emma Gerstein, Pavel Luknitsky. The TV film presents the letters of Lev Gumilev, which he often complains about the lack of maternal attention, the inertia of Anna Andreevna in issues concerning his rehabilitation. The time of writing in the quality of the primary source makes it possible to judge about the change of his moods, o complicated and ambiguous attitude of his to the one who was just a mother for him, a for all the others the famous Anna Akhmatova.Once Lev Gumilev complained to his friend that he had been offended by such a gesture nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp; He replied, “You needed a thrash, and you can’t expect other gestures from your mother.” So thank you for giving and all. But the lion of Nikolayevich mother’s royal gestures were always angry, there were always some resentments. The creators of the program “You are my son and my horror” on the basis of letters, diaries and memoirs of people who knew Anna Andreevna and Lev Nikolayevich closely, give convincing facts that “Liva Nikolayevich,” knocked down by many years of isolation, created and “stubborn misunderstanding,” created and “nbsp” in the form of a mother who did not clap. The origins of the alienation of Anna Akhmatova and Lviv, according to the authors of the project, lie in the first original reference of Gumilev Jr. in Bezhetsk, where he lived away from his mother until 16 years old. When he was nine years old, fate dealt him a terrible blow. At first, they hid it from him, but from adult conversations, he realized that his father was killed. All his life he was confident in the innocence of his father, and everyone was sure of this, but they could not change anything. Anna Akhmatova came rarely and not for long. About This will be discussed in the first series of "Separation Roads". The second series “The Terrible Accusation” is built on the unique letters of Lev Gumilev to Natalia Varbanets, which he wrote from the Omsk camp. Anna Andreevna unjustly accused Natalia Varbanets of cooperation with the bodies of the MGB, her denunciations on Lviv Nikolaevich, which became a life tragedy of the relationship between Leo and Natalia. Today we know that this was not the case. The third part of “Without Guilt the Guilty” tells how the gap between the son and the mother is aggravated, misunderstanding grows. For Lev Gumilev, the problem was that he did not take notice of the real situation, in which he had to live and fight Anna Akhmatova for his release, nor the complete absence of her ability to tell him frankly about everything, clarify her arguments and arguments in censored letters. After all, every careless word under the vigilant eye of the KGB could only aggravate the position of a loved one who has already become a hostage of the authorities and paying for the fate of being the son of two major poets undesirable to the regime. close
A filmmaker makes a documentary about a photographer. David Edwards has been taking photographs of naked men for the past 11 years. But in this case, more
A filmmaker makes a documentary about a photographer. David Edwards has been taking photographs of naked men for the past 11 years. But in this case, who is the voyeur and who is the exhibitionist? An examination of the nature of looking. close
The film tells about a previously unknown episode of Paul Robeson’s biography — a secret conversation in 1949 in a room at the Moscow Hotel with the Jewish more
The film tells about a previously unknown episode of Paul Robeson’s biography — a secret conversation in 1949 in a room at the Moscow Hotel with the Jewish poet Itzik Feffer, who told Robeson the circumstances of Mikhoels' death. Paul Robeson Jr. shares his memories, having learned about this secret just before the death of his father, and it is the first time he tells the filmmakers about it. close
A tribute to Richard Lester, Philadelphia-born filmmaker who moved to England to direct the modern classics "A Hard Day's Night," "Petulia," and "Help!"
A tribute to Richard Lester, Philadelphia-born filmmaker who moved to England to direct the modern classics "A Hard Day's Night," "Petulia," and "Help!" close