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The girl wanders through the forest, on the way stumbling upon a bush with interesting berries decides to try them, after which she picks up two dry branches and begins to portray a deer.
The girl wanders through the forest, on the way stumbling upon a bush with interesting berries decides to try them, after which she picks up two dry branches and begins to portray a deer. close
Home Is Where Your Heart Aches is the story of Kat, a beautiful, spirited New Yorker. Her only trouble is that she falls in love quickly - way too quickly. more
Home Is Where Your Heart Aches is the story of Kat, a beautiful, spirited New Yorker. Her only trouble is that she falls in love quickly - way too quickly. It's as if in matters of love, she never studied the boundaries, the games, the rules. Every encounter turns into a break-up scene. As her situation deteriorates, Kat recourses to extreme measures...
In a world that has almost killed it, love turns into an act of revolt. close
This is October 1955. The place is a village in Loire-Atlantique, La Chapelle-Basse-Mer, where an old clog-maker works and lives with his wife and their more
This is October 1955. The place is a village in Loire-Atlantique, La Chapelle-Basse-Mer, where an old clog-maker works and lives with his wife and their adopted son. The clog-maker's meticulous craft is described with love and close attention to detail. On the other hand, forthcoming death pervades the quiet everyday life of the elderly couple. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
Having just arrived in paradise, Jerome sets out to find his wife Maryline. In the course of his search, he sinks into a surreal and colorful world in which no one seems to be able to help him.
Having just arrived in paradise, Jerome sets out to find his wife Maryline. In the course of his search, he sinks into a surreal and colorful world in which no one seems to be able to help him. close
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …À Valparaiso, one of his most poetic films. Contrasting more
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …À Valparaiso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town. close
In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications more
In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.) close
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the more
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues. close
Two lovers talking on a beach in France. One hides the fact that he is in need of a heart transplant. He knows that someone has to die so that he may more
Two lovers talking on a beach in France. One hides the fact that he is in need of a heart transplant. He knows that someone has to die so that he may live. But to find out who it was that died so that he may live. close
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage more
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street. close
Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer more
Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer is taken on a journey through this city, as if experiencing it from the mind and through the eyes of Marker. His thoughts and observations about the traditions, history, and banalities of everyday life in Peking are woven together in elegant fashion. close
Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after more
Early new wave effort from Rohmer, which was the first of his six moral tales. It concerns a young man who approaches a girl in the street, but after several days without seeing her again, he becomes involved with the girl in the local bakery. Eventually, he has to choose between them when he arranges dates with them on the same day. close
Bout de Zan is a young boy by description and a petty thief by vocation. In this short, he does indeed steal an elephant from a circus, parading it around more
Bout de Zan is a young boy by description and a petty thief by vocation. In this short, he does indeed steal an elephant from a circus, parading it around town and using it to beg for money. Due to their rambunctiousness, Bout de Zan and the elephant (!) need saving from the authorities. close
A group of young boys have a collective crush on Bernadette. As a result of this, they have an unreasoning jealousy of Gérard, and do everything they more
A group of young boys have a collective crush on Bernadette. As a result of this, they have an unreasoning jealousy of Gérard, and do everything they can to disrupt their relationship. When Gérard catches one of the young boys spying on them, he thrashes him severely. In retaliation, the children try to inspire Bernadette to doubt Gérard’s love. close
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first more
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames. close
Alain Resnais & Robert Hessen use the famous Picasso mural "Guernica" in combination with newspaper headlines in an anti-war cry against the Spanish Civil more
Alain Resnais & Robert Hessen use the famous Picasso mural "Guernica" in combination with newspaper headlines in an anti-war cry against the Spanish Civil War. Narration by Jacques Pruvost highlights the Guernica atrocity of April 1937, followed by a poem by Paul Eluard read by María Casares to a discordant score by Guy Bernard. close
Alessandra is walking in the city when she is hailed by a man she doesn't recognize. even though he keeps telling her about important moments of her life, his face remains totally unknown to her.
Alessandra is walking in the city when she is hailed by a man she doesn't recognize. even though he keeps telling her about important moments of her life, his face remains totally unknown to her. close
How do you handle Valentine's Day when you're twenty years old, you're single, gay, and it's your name day? Everything seems hostile. Even the kind words more
How do you handle Valentine's Day when you're twenty years old, you're single, gay, and it's your name day? Everything seems hostile. Even the kind words of others towards you will not fill the void.
Faced with his own fears, the hero of the film Valentine’s Day (2011) (Saint Valentin) prefers to think about what there are other days in the world, not as difficult as this universal holiday of love. close
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers more
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design. close
A photo montage of Cubans filmed by Agnès Varda during her visit to Cuba in 1963, four years after Fidel Castro came to power. This black & white documentary more
A photo montage of Cubans filmed by Agnès Varda during her visit to Cuba in 1963, four years after Fidel Castro came to power. This black & white documentary explores their post-revolution culture and society while making use of 1500 pictures (out of 4000!) the filmmaker took while on the island. close
