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According to the story of K. Bulychev “Jubilee-200” about the humanization of chimpanzees.
Diploma work of the student of the directorial department of more
According to the story of K. Bulychev “Jubilee-200” about the humanization of chimpanzees.
Diploma work of the student of the directorial department of VGIK Yuri Moroz (workshop of S.A. Gerasimov and T.F. Makarova) close
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter.
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter. close
Late one evening in Moscow in 1937, Defence Counsel Sedov hears a knock at the door. Three women whose agronomist husbands have been sentenced to death more
Late one evening in Moscow in 1937, Defence Counsel Sedov hears a knock at the door. Three women whose agronomist husbands have been sentenced to death for alleged sabotage beg him to take on the seemingly hopeless task of saving them. Sedov embarks upon a succession of encounters with increasingly powerful officials, gradually persuading them to look at the case anew. But the highest authorities are not so easily outmanoeuvered, and Sedov becomes canonised as a Stalinist zealot, with the film building inexorably to its chilling triple climax. close
Fourteen-year-old Mick for hooliganism gets into the police station. Here he writes to himself that he is engaged in acrobatics with coach Krylov. The more
Fourteen-year-old Mick for hooliganism gets into the police station. Here he writes to himself that he is engaged in acrobatics with coach Krylov. The police are now called Krylov. But a strange thing, Krylov confirms the testimony of the teenager, gives him a guarantee and enrolls the boy in his group. close
Once in the apartment of the modest designer Peresukhin appears Unknown, who offers him to become the ruler of the planet Aldebaran. But in order to move more
Once in the apartment of the modest designer Peresukhin appears Unknown, who offers him to become the ruler of the planet Aldebaran. But in order to move to another spatial dimension, the hero of the film must part with his life, jumping from the third floor. close
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date more
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes. close
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. more
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. The cycle of present has opened. And in the ashes of the burnt lives a new fire flashed, and lit the way for those who went to the beginning of all beginnings. And I have witnessed it. close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
Based on the play by Alexander Vampilov "Twenty Minutes with an Angel". Two seconded men began their “labor” activities in a small town with the fact more
Based on the play by Alexander Vampilov "Twenty Minutes with an Angel". Two seconded men began their “labor” activities in a small town with the fact that they were drunk. When they woke up, they decided to get money, but the search for funds was not successful. Suddenly a stranger appeared and offered them a hundred rubles. "Heroes" and their hotel neighbors did not believe in the sincerity and unselfishness of the act. . . close
Made up of footage of a protest manifestation of mothers whose children had been summoned to serve in Soviet military forces and sent to the zones of Transcaucasian conflicts.
Made up of footage of a protest manifestation of mothers whose children had been summoned to serve in Soviet military forces and sent to the zones of Transcaucasian conflicts. close
A young girl takes refuge in the woods to escape her mother's rages. Here she reenacts scenes of her physical and sexual abuse using stuffed dolls. It more
A young girl takes refuge in the woods to escape her mother's rages. Here she reenacts scenes of her physical and sexual abuse using stuffed dolls. It seems she wants her late father back, despite the sexual abuse, for at least he loved her. Now all she has left is her physically and mentally abusive mother. close
Keshka loves Grandma very much. One day, during a session of television magic, Keshka asked the magician to return his grandmother to youth. It seems more
Keshka loves Grandma very much. One day, during a session of television magic, Keshka asked the magician to return his grandmother to youth. It seems that the magician has doubled the "magic" power and the effect of rejuvenation was unpredictable. close
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era more
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era fishing village. Guided by a series of faintly illuminated rooms, the wandering spirit comes upon ancient souls who take on physical forms as they recount their personal stories of daily existence, loss, and tragedy in the peasant community. Intrigued by his initial visit to a curiously distracted elderly woman, the spirit returns to her home in order to ask a fundamental question - "What is happiness?" - an existential query that is innocently answered with innate humility and accepted unknowingness. close
Aleksander Sokurov brings the treasures of the Hermitage back into the light by making films about artists and their paintings. He has chosen the painter more
Aleksander Sokurov brings the treasures of the Hermitage back into the light by making films about artists and their paintings. He has chosen the painter Hubert Robert, who spent a long time in Italy, and whose preference was for creating ancient ruined landscapes and naturalistic portrayals of times past. He was successful with the wealthy, who bought his works from him. The camera pans across the paintings while Sokurov speaks of a happy era, when the artist was at one with the spirit of the times, and agreed with the taste of his clients. Just how far removed from us this is, is shown by pictures of a "Nô" performance which are inter-cut on the screen. No words are necessary to describe what everybody knows today. close
Nikita Dmitrievich Golovlev, a successful businessman, receives a strange telegram during her granddaughter’s birthday celebration: “I’m coming with my more
Nikita Dmitrievich Golovlev, a successful businessman, receives a strange telegram during her granddaughter’s birthday celebration: “I’m coming with my daughter Victoria.” Your greatest love. A stormy clarification of the relationship between Nikita Dmitrievich and his wife begins. Then the son quarrels with his daughter-in-law, and as a result, the granddaughter, about whom everyone has forgotten, leaves the house where his eyes look. Never before had she wanted to die so much... She is saved by a friend who explains what the gift of God is. close
“Like the right and left hand Your soul is close to my soul We are sealed shut, blissfully and warmly, Like the right and left wing…” The life and art more
“Like the right and left hand Your soul is close to my soul We are sealed shut, blissfully and warmly, Like the right and left wing…” The life and art of Pavel Kogan and Lyudmila Stanukinas, two famous Leningrad documentary filmmakers, can best be expressed by the Tsvetaeva stanza cited above. They are the main characters of this film, which their student Viktor Kossakovsky shot during Pavel Kogan’s final months. For Lyudmila Stanukinas, Lyalya, as those close to her called her, her husband was her only reason for existence. She was with him until the end and held onto his extinguishing life as much as she could. close
Sisin, a forty-year-old writer, gets on the train and goes out of town. In the car, he is surrounded by strange passengers, some of whom resemble famous more
Sisin, a forty-year-old writer, gets on the train and goes out of town. In the car, he is surrounded by strange passengers, some of whom resemble famous Russian writers: Chekhov, Tolstoy, Dostoevsky, Kuprin... Surreal visions, hidden desires, fears, and anxieties arise in Sisin's imagination. Love, career, and life itself seem stupid and meaningless to him. close
