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At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes more
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes inherent in human life (work, marriage, military service, leisure) do not release him from an animal form. close
All passengers take things on the road. So the hero of the cartoon "Suitcase" took with him on the train everything he considered necessary, packing the more
All passengers take things on the road. So the hero of the cartoon "Suitcase" took with him on the train everything he considered necessary, packing the property in a huge yellow suitcase. He is in such a hurry to the train that he knocks the rest of the passengers in his path. The bushman crushed someone's leg, left someone without pants, but does not pay attention to it.
Here, finally, is the Paradise Coupe. You can arrange a suitcase on the luggage shelf and relax. But, dozing off, this mustachioed gentleman has a nightmare: his suitcase opens, and in it instead of luggage - a mysterious city. Its inhabitants bake an unimaginable size cake.
This vision is so ridiculous that a man wakes up in horror. Around the road, there is nothing to worry about. He closes his eyes again, and again slides the snake of the suitcase, revealing the cityscape with strange inhabitants, only now he, its owner, becomes a prisoner of the suitcase.
The film is based on a poem by V. Linkova. close
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with more
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives. close
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and more
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and a non-human: a subhuman deprived of a divine spark. close
Based on the play by Alexander Vampilov "Twenty Minutes with an Angel". Two seconded men began their “labor” activities in a small town with the fact more
Based on the play by Alexander Vampilov "Twenty Minutes with an Angel". Two seconded men began their “labor” activities in a small town with the fact that they were drunk. When they woke up, they decided to get money, but the search for funds was not successful. Suddenly a stranger appeared and offered them a hundred rubles. "Heroes" and their hotel neighbors did not believe in the sincerity and unselfishness of the act. . . close
A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody more
A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole. close
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is more
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is a cut-off of the era, watching our life, and those around us. Thinking about where the line between reality and insanity lies. close
A young girl takes refuge in the woods to escape her mother's rages. Here she reenacts scenes of her physical and sexual abuse using stuffed dolls. It more
A young girl takes refuge in the woods to escape her mother's rages. Here she reenacts scenes of her physical and sexual abuse using stuffed dolls. It seems she wants her late father back, despite the sexual abuse, for at least he loved her. Now all she has left is her physically and mentally abusive mother. close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date more
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes. close
A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require more
A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require the death of each participant once his or her task is accomplished. After killing one of their colleagues and splitting into several groups, the alpinists continue their journey. But the human unconscious doesn’t follow military orders. Having once committed murder, the “knights” can’t control their desire to kill. They forgot their mission… and kill each other instead. —University of Pittsburgh close
A young guy gets caught on a currency transaction, changing rubles to dollars. But in his mind, he has long overcome not only state borders, but also the laws of gravity.
A young guy gets caught on a currency transaction, changing rubles to dollars. But in his mind, he has long overcome not only state borders, but also the laws of gravity. close
Course work of the student of the directorial department Ivan Okhlobystin.
Training film studio VGIK. Since early childhood, I have played different games. more
Course work of the student of the directorial department Ivan Okhlobystin.
Training film studio VGIK.
Since early childhood, I have played different games. And the older I get, the more dangerous it is for me to lose, and the scarier it is for others to win. Jesus! Leave me one game to hide and seek. That's the only thing I'm willing to play my whole life. close
The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by slightly more
The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by slightly accelerated excerpt from Brezhnev’s speeches, as well as by fragments of statements of the mentally ill person with the schizophasia symptom. close
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, more
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, who was the first in the world in 1731 to fly in a balloon. Was there really the balloonist Krikutny, or was this story invented by the provincial official Sulukadzev? Whom to believe? To the text of the charter for the first ballooning or to historians who refute the reality of this event? close
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. more
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. The cycle of present has opened. And in the ashes of the burnt lives a new fire flashed, and lit the way for those who went to the beginning of all beginnings. And I have witnessed it. close
Once in the apartment of the modest designer Peresukhin appears Unknown, who offers him to become the ruler of the planet Aldebaran. But in order to move more
Once in the apartment of the modest designer Peresukhin appears Unknown, who offers him to become the ruler of the planet Aldebaran. But in order to move to another spatial dimension, the hero of the film must part with his life, jumping from the third floor. close
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage more
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors. close
In "The Soviet Elegy" the long train of photos of the Soviet leaders, dead or alive, stops at the portrait of Yeltsin. At the time of shooting Yeltsin more
In "The Soviet Elegy" the long train of photos of the Soviet leaders, dead or alive, stops at the portrait of Yeltsin. At the time of shooting Yeltsin had fallen down from the assembly of the Communist Party deities, and participated in the earthly life through connections of different kinds. close
A short film based on the story of Leonid Andreev “The Abyss”. A student walks in the woods with his girlfriend. It slowly gets darker and it turns out more
A short film based on the story of Leonid Andreev “The Abyss”.
A student walks in the woods with his girlfriend. It slowly gets darker and it turns out that young people are lost. They have been wandering for a long time in search of the road. They meet strangers who attack the guy, the girl tries to hide in the woods. close
Silent serious people buy weapons. They are taking him by a caravan of trucks through Moscow. One of them changes into new clothes and leaves the others more
Silent serious people buy weapons. They are taking him by a caravan of trucks through Moscow. One of them changes into new clothes and leaves the others for his beloved girlfriend, who lives in the capital. close
The manifestation and fireworks on the 1st of May, one of the ritual celebrations of Soviet times, as a gathering of tired participants of a mass scene more
The manifestation and fireworks on the 1st of May, one of the ritual celebrations of Soviet times, as a gathering of tired participants of a mass scene falling into pieces without the director's orders and without any aims. close
Pavel Alekseevich, who is wanted by many people, persistently moving further and further into Siberia, tries to hide from everyone in the world, and especially more
Pavel Alekseevich, who is wanted by many people, persistently moving further and further into Siberia, tries to hide from everyone in the world, and especially from several wives with a large brood of children, whom he does not want to support and raise. He himself explains his malignant antisociality and penchant for anarchism by his desire to be free from everyday vanity and philistineism. And now this fallen misanthrope, unwilling to contribute to the construction of socialism, finds himself on the very edge of the Earth.
Short drama based on the novel by Vladimir Makanin “Citizen running away” with Vladimir Zamansky in the title role – the thesis of a wonderful actress and actress. director Elena Tsyplakova . close
About Sado-masochism, suicide and the irrational nature of the human spirit. The irrationality of the human psyche, sadomasochism and suicide are the more
About Sado-masochism, suicide and the irrational nature of the human spirit. The irrationality of the human psyche, sadomasochism and suicide are the leitmotifs of this film. The documentary footage of airplanes and pilots – symbols of courage and honour – become an unexpected counterpoint to the main structure of the film. The combination of documentary footage and poetic storytelling with the inclement northern setting reinforce the ascetic atmosphere of Suicide Monsters and give its self-destructive characters a heroic and noble appearance. —arsenals.lv close
A three-minute long insight into the life of completely unusual people – a group of pacifists forced into hiding in the cellar of a ruinous house to escape more
A three-minute long insight into the life of completely unusual people – a group of pacifists forced into hiding in the cellar of a ruinous house to escape a war tribunal. The difficulties of war are manly endured by the film’s characters. This film, like most of Yufit’s works, shows his love of 1920’s avant garde cinema, which was considered the highest pinnacle in cinematography. The director believes the art of moving pictures was more heartfelt before sound and colour. “The development of technologies is not a particularly positive thing for human existence,” says Yufit. —Arsenals Film Festival close
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