The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the more
The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men. close
A young Lyova travels with the hope of ascent from Czarist Russia to New York. Disappointed, he returns to the young Soviet Union and is glad to have found a simple work.
A young Lyova travels with the hope of ascent from Czarist Russia to New York. Disappointed, he returns to the young Soviet Union and is glad to have found a simple work. close
Shame or Counterplan is a 1932 Soviet drama film directed by Sergei Yutkevich and Fridrikh Ermler. The film’s title-song called "The Song of the Counterplan", more
Shame or Counterplan is a 1932 Soviet drama film directed by Sergei Yutkevich and Fridrikh Ermler. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s. This film could be considered as a Stalin propaganda film. The plot involves an effort to catch "wreckers" at work in a Soviet factory. From Wikipedia, the free encyclopedia close
The first sound documentary, in which the effect of “direct cinema” was first used in the scene of the rally – the anthem of electrification, from the more
The first sound documentary, in which the effect of “direct cinema” was first used in the scene of the rally – the anthem of electrification, from the creation of electricity to numerous examples of its use, the anthem to the labor enthusiasm of the first five-year plans. close
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns more
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns itself with the natural rhythms of country life, disrupted by the beat of looming industrialisation. close
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this more
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities. close
A story about capitalistic corruption in a small village and the personal struggles of Anka (Vera Marinich) as she is pregnant and abandoned by her lover.
A story about capitalistic corruption in a small village and the personal struggles of Anka (Vera Marinich) as she is pregnant and abandoned by her lover. close
The first screen adaptation of an epic Russian novel about a village of Cossacks on the Don River, covering the last days of peace on the riverside before the beginning of the First World War.
The first screen adaptation of an epic Russian novel about a village of Cossacks on the Don River, covering the last days of peace on the riverside before the beginning of the First World War. close
«Goroda i gody» is a Drama film directed by Yevgeni Chervyakov, and written by Yevgeni Chervyakov, Konstantin Fedin, Dmitri Tolmachyov and Nathan Zarkhi, released in the USA on April 03 of 1931.
«Goroda i gody» is a Drama film directed by Yevgeni Chervyakov, and written by Yevgeni Chervyakov, Konstantin Fedin, Dmitri Tolmachyov and Nathan Zarkhi, released in the USA on April 03 of 1931. close
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair more
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m) close
The priests, stock market officials, and police conspire to squeeze income out of pilgrims come to see relics of a Christ like figure. A pair of con men try to pass of a resurrected saint.
The priests, stock market officials, and police conspire to squeeze income out of pilgrims come to see relics of a Christ like figure. A pair of con men try to pass of a resurrected saint. close
This documentary film is about one of Georgia's regions - Racha. The title of the film is taken from the name of one of Racha's high mountain villages. more
This documentary film is about one of Georgia's regions - Racha. The title of the film is taken from the name of one of Racha's high mountain villages. It tells about the poorest in society living in the mountains and the rise of the SSSR. The product of a remarkable collaboration between the first Georgian female filmmaker and the leading Georgian avant-garde artist David Kakabadze. close
Vasyl, a member of the Komsomol, with the help of a local party organization, gets a tractor and plows private boundaries "on kulak fields". However, this enthusiasm will cost him dearly.
Vasyl, a member of the Komsomol, with the help of a local party organization, gets a tractor and plows private boundaries "on kulak fields". However, this enthusiasm will cost him dearly. close
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel more
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties. close
Ukrainian agitprop film from 1929 that was banned and long forgotten until its rediscovery in the 1970s, imaginatively shot by the gifted cameraman Oleksii more
Ukrainian agitprop film from 1929 that was banned and long forgotten until its rediscovery in the 1970s, imaginatively shot by the gifted cameraman Oleksii Pankratiev, whose panoramic long shots feature dynamic compositions. The background, barren field and bare sky, raise the agricultural subject matter to the level of an epic poem. Using innovative editing, Shpykovskyi transformed an incredibly simple plot into an avant-garde work. Created the same year as Earth (Zemlya), the film forms a paradoxically conceptual, ideological, and aesthetic pair with Dovzhenko’s movie. close
A boy is sitting at a table, writing a letter for Boris Prutkov. The cartoon follows the journey of this letter from Rostov to Leningrad, where its addressee more
A boy is sitting at a table, writing a letter for Boris Prutkov. The cartoon follows the journey of this letter from Rostov to Leningrad, where its addressee Prutkov has just left for Berlin; when the letter arrives in Berlin, Prutkov has just departed for London; as the letter arrives in London, Prutkov is already on a steamboat to Brazil, and once the letters is delivered by postman Don Basilio, Prutkov is already on his way back to Leningrad– where the letter, having followed Prutkov around the world, finally reaches him. The film sings a song of praise to the global postal services and to the reliability of the postmen, but it also tells the story of a journey around the world, returning once more to the new Soviet capital: Leningrad. close
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade more
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution. close
From his early silent works, the great Russian film director, Herr Yakov Protazanov, made literary adaptations from equally great Russian writers, as more
From his early silent works, the great Russian film director, Herr Yakov Protazanov, made literary adaptations from equally great Russian writers, as is the case with "Chiny I Lyudi" ( Ranks And People ) (1929) in which three short stories by Chekhov, "Anna On The Neck", "Death Of A Petty Official" and "Chameleon" were assembled for the silent screen. close
Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial more
Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial culture in an epic ode to farm-collectivization progress. close
A travelling circus troupe during the Civil War. A kommissar tries to transfer the wagon into an agit-prop van. The Whites conquer the town. The kommissar hides among the artists.
A travelling circus troupe during the Civil War. A kommissar tries to transfer the wagon into an agit-prop van. The Whites conquer the town. The kommissar hides among the artists. close
Set in Odesa at the end of the Civil War when the town is occupied by the Whites. The night coachman, fifty-year-old Hordiy Yaroshchuk, lives with his more
Set in Odesa at the end of the Civil War when the town is occupied by the Whites. The night coachman, fifty-year-old Hordiy Yaroshchuk, lives with his daughter Katya who gets involved with a Bolshevik and revolutionary. close
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