Born July 25, 1893. In 1912, from Poltava, a seventeen-year-old young man Vladimir Gaidarov came to Moscow to study, was accepted to the philosophical department of the historical and philological faculty of the University. Without quitting his studies at the University, Gaidarov in 1914 held an exam in the studio of the Moscow Art Theater and was accepted. Since 1916, Gaidarov has already starred in the main roles: pianist Strizheekni (Panna Mary), Prince Hippolyte Zlatogorsky (On the Wings of
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Born July 25, 1893.
In 1912, from Poltava, a seventeen-year-old young man Vladimir Gaidarov came to Moscow to study, was accepted to the philosophical department of the historical and philological faculty of the University. Without quitting his studies at the University, Gaidarov in 1914 held an exam in the studio of the Moscow Art Theater and was accepted.
Since 1916, Gaidarov has already starred in the main roles: pianist Strizheekni (Panna Mary), Prince Hippolyte Zlatogorsky (On the Wings of Death), Vladimir (Squall), billionaire Stark and Prince K. (You will not come back to me). He soon comprehended the simple then specifics of cinema, and his track record grew rapidly. His partners were then stars - Vera Orlova, Natalia Lisenko, ballerina Maria Reisen and, of course, Olga Gzovskaya. Gaidarov’s popularity was so great that when he left Yermolyev, he continued to issue posters with his name, changing, however, initials.
At the end of 1920, Gzovskaya and Gaidarov went on tour abroad. In Riga, during their performances in cinemas, films with their participation were rolled. The actors were interested in German film studios, whose representatives were in Riga.
In 1932 they returned to Russia. At the Kiev film studio starred in the film "Steppe songs" In the thirty-fourth moved to Leningrad.
For a long time, except for reading concerts and lectures, there was no work. Only in 1938 Vladimir Georgievich was enrolled in the troupe of the Pushkin Drama Theater.
He died on December 17, 1976.
Perhaps he would have lived for a long time if their house on the Moika had not gone for overhaul. He needed to stay in the center and save the footage, because he would not have climbed into a smaller apartment with his huge archive. Negotiations with the authorities on housing were painful and long.
Vladimir Georgievich was put in the Kuibyshev hospital, and the move was made without him. He lived another two months, but did not set foot in a new home. . .
Evgeny Binevich, "Distant Stars", magazine "Neva" 2004, No. 8