A film of my youth. A melody that seemed fascinatingly beautiful, which we picked up who on the phono, who on the guitar. A beautiful boy with sad eyes. Starring: vaguely familiar but intuitively beloved artists. And... the situation is absolutely wild for a Soviet teenager: for help in search of her son, a very presentable Parisian admits that she met with three cavaliers at the same time. And, in fact, for her, the question is which of the three fathers of the boy.
The plot can hardly be called purely comedic: there are so touching moments that are characteristic of melodrama. And a denouement that balances on the edge of drama.
Stunningly subtly shows the moral evolution of the four men, happening to them during the film. In general, there is only the mother in draconian easily popped on the plot, All the candidates for fathers and the boy this situation was not easy. Spoiler is not good, I sincerely envy those who have not watched the film, and those who have high-quality sclerosis. A film for any mood: and look, and cry, and think. Or maybe grab the phone and make a call. . .
My favorite childhood classic. Part 12. When is Father's Day?
Another category of my favorite film of my childhood and youth was French comedies with Pierre Richard. One of them was Dad's movie. When I watched it for the first time, I just laughed at jokes and hilarious situations, but after reviewing it at an older age and periodically thinking about the plot, you realize that it is also a relevant (even today) social drama that masquerades as comedy. Well, let's start with nostalgia.
After a quarrel with his parents, Tristan runs away from home and becomes a member of a bad company, which also includes his girlfriend. After contacting the police, his mother Christine realizes that her boy will not be found quickly. So she turns to her longtime lovers - successful journalist Jean Luc and depressed teacher François Pignon. To interest them in finding Tristan, she tells everyone that he is the boy's real father. Jean and François go on a quest, but their paths cross, and now they begin a joint search. The case is also complicated by one serious article on which Luke is working, because of which a pair of bandits are pursuing the newly-minted “dads”.
The main theme of “Daddy” is quite universal – the conflict of generations, misunderstanding and quarrels of fathers and children, when the latter run away from home and get into bad company. But here the situation develops in a very unusual way - the longtime lovers of his mother go in search of the boy, and each is separately informed that he is the real father of the boy. The situation is incredible and just hilarious! Many fun moments are built on these incredible events - when two dads "accidentally" intersect, not knowing at first that they are looking for the same boy, and even when they find out the truth, the search does not stop, involuntarily become allies, and then get into even greater trouble associated with criminal authorities. This is certainly a very interesting subplot - as a child, you do not understand what a difficult and dangerous investigation Luke is conducting, which puts both the search and the safety of his companions at risk. But there’s always a parenting theme, because it’s a catalyst for action, and it changes almost all the protagonists. . .
Two central actors for a long time became symbols of French comedy for me - this is Gerard Depardieu and Pierre Richard. They played the roles of the two main characters Jean Luc and Francois Pignon. The characters are completely different: Luca is a successful journalist who prefers to do dangerous things like mafia fights, has no attachments like family or children, while Pignon is a depressed teacher, often thinking and planning suicide, and who perceives news about Tristan as the greatest joy in life. And by a strange coincidence, the two begin to work together – and their duet is gorgeous! Watching scenes together is a pleasure - how Luke teaches Pignon to hit his head correctly, or how Pignon helps search for missing evidence. And let them still argue who the real father of the boy is, swear, fight, and then begin each in their own way to educate him – amazing work, just amazing!
Perfectly played and actor Stefan Bjerry, who played the role of Tristan. He is the most common teenager in adolescence, who quarreled with his parents over a girl and ran away from home. And like any teenager during this period, he is eager to prove himself, prove to the gang and the girl that he is worth something, makes many mistakes and is also stunned by the sudden appearance of two more dads in his life. His character develops very well - shown at the beginning as a teenager, caught in bad company, he grows up before our eyes, realizes many life truths and understands parents better.
Daddy is one of the brightest films of my childhood. I didn’t know everything, but I laughed every time. And now as I grow up, I realize that the film is not just a comedy, but also important social themes. You don’t just think about the characters in the film, you think about your father, how much he did for you, what he sacrificed, how he worries, worries, is happy for you and is proud of you. How much he loves you. And now the music of Vladimir Kosma - Comperes, known to everyone, I always associate with my dad. The film is the highest score.
10 out of 10
Dedicated to my father and all fathers in the world!
Nice viewing!
The heroes of the magnificent acting duo Depardieu-Richard are forced to look for their sons, or rather their son.
It so happened that the sixteen-year-old son of a bad mother left home. Her lack of faith in law enforcement forces her to seek help from two men in her youth whom she has not seen for 17 years. One (Depardieu) is a successful and fearless journalist investigating the government’s connection to crime, and the other (Richard) is a suicidal loser living with his mother. Both newly-minted comrades think that the boy-fugitive is his offspring (mommy well motivated potential fathers). Both men wake up warm feelings for the boy and they go in search of him.
The situation is complicated by the fact that on the heels of the father follows the mafia, which at all costs wants to force the journalist to stop his investigation. In addition, the young man has a real father, he is the husband of an enterprising mother, who amazes with his inaction and complete faith in his fatherhood (after all, obviously, a girl who met three men at the same time could give a future son to any of the fathers).
This picture is the second in a kind of trilogy of creative trio director and screenwriter Francis Weber, actors Pierre Richard and Gerard Depardieu. And as usual, the author-director created a stunning plot, which was energetically animated by the amazing comedians of his time, each of whom played his part at the highest humorous level.
All that remains is to wish all people: be careful and cautious in your turbulent young years! Otherwise, you will have to travel around the country in search of your unexpected children!
It is so determined that two people participate in the creation of a new person - a man and a woman, but the privilege of bearing and giving birth to a child belongs exclusively to the weaker sex. If a woman is dating one young (or not very young) person, then everything is clear - her chosen one is the father. But if a woman does not have high moral foundations and rests with representatives of the stronger sex throughout Ivanovo, then in this case only a woman can know exactly (on an intuitive and physiological level) from whom she actually acquired her child.
In the amusing film “Daddy”, the above statement, although presented in a comic form, is still revealed quite truthfully.
When loving and frivolous Christina Martin gave birth to a child and raised him, she finally settled down. My son, as a teenager, became very capricious and quick-tempered. When he got really sick, he just ran away from home. Of the former young men of Christina in pursuit of the deceased young man rushed only two – teacher Francois Pignon and journalist Jean Luca. Each of them is the true father of this child. . .
The moral of this fable is this: Mademoiselles, prone to frequent and disorderly romances, should be kept at a decent distance, so that in adulthood do not bleed the consequences of youthful missteps.
Gerard Depardieu and Pierre Richard are completely different actors. The first is a diverse artist and contains rigor, courage and masculinity, and the second is an inveterate comedian, who is characterized by absent-mindedness, shyness and infantility in the cinema. All this means that their duet was successful.
The film itself is an impressive episode in the work of these actors, and for the audience is not tiresome. In American cinema, if I am not mistaken, there is a similar picture. Which one is better, who knows... There are no friends in taste or colour. But when comparing two almost identical tapes, the advantage should still lie on the side of the original.
This tape is the second in a row in the list of classic French comedies with the duet Richard – Depardieu. It is not a sequel to the film 'Unlucky' but its ease and character types are somewhat similar to its 'brother'. Interestingly, the director tells a completely new story, and the names of the characters remain the same. Only the names were changed.
Plot. Teenager Tristan, having quarreled with his parents, runs away from home. Police can't find the boy. The mother decides to turn to old acquaintances with whom she once met in her youth. To each of them, she informs that he is the father of the guy, and asks him to return his son home as soon as possible. . .
The intriguing plot smoothly reveals to the viewer an interesting story, which he will follow with great curiosity. With the help of excellent dialogues, you will show the relationships of the characters, their characters and motives. There will even be unexpected moments that can greatly surprise an unprepared person. The ending begins to be guessed shortly before the final, but it is cute.
Atmosphere. The wonderful acting of the comedy duo is the best bid for success. The main characters constantly get into ridiculous situations and quite deftly get out of them. Every once in a while, everyone beats each other about and without, and that’s fine. Good camera work provides the necessary angles and beautiful views of the city.
Humor. Comic situations can cause a smile and cheerful, but lack a variety of themes in humor and the jokes themselves. The film is funny and we can’t forget that it could be much funnier.
Music. The picture became famous, including due to the easy to remember main composition. Other melodies are also pleasant to hear, but still are in the shadow of the central theme.
Total. An easy movie for the evening, able to cheer up. If for some reason you haven’t seen it yet, I advise you to check it out.
Gold Fund of the Soviet and post-Soviet audience, the gold fund of French cinema and comedy in particular!
One of the unofficial trilogy of comedy starring Richard and Depardieu!
One of the most beloved and familiar films since childhood!
The French, shooting a comedy, if along the way do not crash cars and do not add exquisite adventures, certainly add lyrics. That's what they are, the French. And all three films ( "Unlucky", "Daddy", "Runaways"), where Richard and Depardieu are simultaneously soloed, are nothing but lyrical comedies, where under the touching and soulful music of Francis Weber there will certainly be a place for tears from the heart ... And it looks so sentimental really sincere... The French in this, as well as in many ways, are certainly good.
Already pretty was at the peak of the screenwriter, actor and director Pierre Richard together with gaining at that time a good move Depardieu create together a unique duet that will remain in memory until now. In general, the French, by the way, are famous for duets, if you like - this is their specialty. It's comedic. Do not go far: in addition to Richard and Depardieu, Renault and Clavier, Renault and Depardieu, De Funes and Bourville, Marais and De Funes, Clavier and Depardieu, etc. These duets are something incredible, which even the French themselves are still unable to answer!!
And the story, which was told to us by a friend no less than Richard and Depardieu, Francis Weber, as always, is unusual and clumsy in nature, but it does not cease to be cute, interesting and funny.
Well, tell me who, except for the French, could think of finding one missing young man two completely different people, “dad”, while leaving the “dad” of the third in reserve in Paris! Of course, only the French! And of course, these two proverbial dads are completely different from each other, who, as a white and black, as two opposites, are destined to become not just one team, but complementary elements of the mechanism to search for the missing “son”. And, as it often happens in life, accidentally met people without any plan and ideas achieve their goal.
And humor ... For which he is responsible, not as sweeping as usual in his solo films, Pierre Richard is very sweet and sincere humor. Unobtrusive, but soulful and truly Charmist-French!
Brilliant comedy "Daddy" is not an example of a tireless carousel of humor, but a very warm and beloved lyrical adventure comedy film, which even with a not the most fun ending in fact ends as we all need to live.
... Optimism!
For my happy and kind childhood and eternal cinema!
9 out of 10
P.S. It is interesting what memory the French themselves relate to their magnificent past comedies.
“Daddy” is the second film with the joint participation of Gerard Depardieu and Pierre Richard.
Sixteen-year-old Tristan leaves the family to be with his beloved. Realizing that no one can help her, his mother Christina turns to two former lovers of her distant youth, telling each of them separately that Tristan is his son. Moral, moral appearance of Christina - without comment.
What are the two of them?
Jean Lucas (J. Depardieu) is a successful journalist who has just received an unsafe job assignment. He is bold, courageous, courageous, fearless. It's like he doesn't care.
The other is François Pignon (Pierre Richard), a timid, uncharacteristic teacher by profession whom the pupils, he said, called a sparrow. In his profession with such character, or rather lack of character, is not easy. It remains to think that in his profession he is not honey. He lives with his mother in his years, so dissatisfied with life that Christina informed him that he had a child at the moment when he wrote a suicide note, wanted to shoot himself. She literally saved him from doing that. He is the possessor of a tender, vulnerable soul, capable of humanity, kindness, humanism, compassion, but before life he is helpless, not adapted to its severity, from his suffering. He cannot control his emotions: when it was necessary to weep, he began to laugh, unexpectedly for himself.
François Perrin and Jean Lucas are so different from each other, perhaps completely opposite to each other, but this is what will unite them in their business, even when they learn that they are looking for the same person.
There are elements of criminality in the film, as stated above, Luke's mission is unsafe. But according to the law of bad luck, to cut the jacket representatives of crime will be on a person who, as if by fate itself, is doomed to chronic failure, slaughter, bad luck.
The film raises the lives of people of different ages.
And average (images of Christina and her husband, Luke and Perrin), people of different characters, worldview, understanding of life. Who, despite the different characteristics of their character, no matter how their life developed, still need everyone in this life. When a call from a person who, albeit once, would still be loved, and therefore the echoes of this feeling will remain now, they will push for new “strange feats” for the sake of this person.
The problem of youth is also raised.
Tristan, his lover, her lover is a brutal guy, the leader of a pack, you can even say a gang. It has a lot of coolness, cruelty, pontiffs. He is attractive for his looseness, rudeness. The girl has to choose between two boys. But what good did her tough tough guy do? What is his ostentatious coolness, which he brazenly flaunts: that he can humiliate an adult in the company of his “pack” by forcing him to eat a sandwich with a tie? Is this how a man should behave, who, on the contrary, should, to the extent of his strength and opportunity, be the defender of the weaker, defenseless? Or in his ability to smash someone else's car with a crowbar coolness? That it will cause its owner irreparable damage and material and even more terrible moral. When is he capable of building such a machine by working in factories, by expending his energy on creation rather than destruction, for good rather than evil? And these misconceptions about false coolness, alas, are present, not only among young people, not only at that time.
Who has more dignity in Tristan or in him, who has more goodness, humanism. Everything is subjective.
In this film, the eternal problem of fathers and children, the connection of generations. Every age has its own difficulties. When middle-aged people look back at their youth, they sadly remember themselves twenty years ago: the same problems, feelings, suffering. It's cyclical.
But the important detail is that in translation this film can be translated not only as “dads”, but also as “gods”. That is exactly such, mature mentors were for Tristan in his difficult youthful age two opposite people.
10 out of 10
A French comedy about fathers and children. Unobtrusive plot, light humor, a little lyrics, a little sad life sentences.
An ordinary French boy, Tristan Martin ran away from home, / transitional age, youthful maximalism, first love /. His mother, Christina Martin, after going to the police, turns to the hypothetical fathers of his son for help. To the impulsive journalist Jean Lucas, Gerard Depardieu, and the depressed teacher François Pignon, Pierre Richard. Both new fathers have no sympathy for each other, but they will have to overcome their differences and doubts. They also need to rethink their value system. Here is a plot in short, say not funny, /a comedy / how to say ...
“I am beginning to believe more and more that the motor of the comic effect is the impulses of the heart.” – Francis Weber
He is such a humor of this film, it comes from the heart, not so much funny as kind, sometimes pinchy-sad. But still, he's real, human, human. That is why we love French comedies, for these most heartfelt impulses, for the human soul, for laughter, take tears, / not without reason /.
Be sure you're not just laughing and sad looking at the screen. You'll try on what you saw. It is not necessary to be such a life situation that one day your familiar world turned upside down, there was a catharsis, in your life there was a new meaning, you suddenly became happy, / and in spite of everything /. The impetus to this can be any life situation, with the emphasis on life.
You can always look at your past with humor, even need to, because what was done was not done out of evil. Of course, in fact, we spend our lives revising this very life system, but we stubbornly try to follow our established life habits. We try to fit everything and everyone to ourselves, albeit unconsciously, but unless that changes. Especially for the better. As for your child, you want to see him as your best friend, who has not made all your mistakes, and who has achieved everything you aspired to. You want to see your child as a continuation, if not a profession, a follower of what you consider important, necessary, what is your meaning of life. In this world. I want to be proud of my child.
Or maybe before the above, there is something equally important. There are no moral or physical demands to be made. The closest person, a personal example, to show how to live in this world, to support when necessary, to regret when necessary, just to be near. Because it's very serious, life. In life, you need to reach everything yourself, fill your cones, conquer your peaks. Nothing new, yeah. It's always been like that. Truths that have been tested for centuries, and truths that are repeated thousands of times, eternal truths, you will never understand them until you reach them yourself. Until a hundred sweats come down, a hundred times you will disbelieve everything until you pass through your brain, through your livers, until you can answer yourself a simple question, what is really important and necessary for you in life.
Luca and Pignon look for their traits in Tristan, not realizing that things are different. They look for its features in themselves, they already live by its interests, they begin to see life through its eyes, to understand life as love, which is sacrificed, in fact, and at the same time the only right, the only right. And everything else is nothing more than a beautiful picture, scenery, against the background of which not that tragedy of life, not that comedy unfolds, in which we play, albeit not the main, but still a very important role.
In 1983 on the screens of the whole world came another ingenious creation of French cinema - the comedy "Daddy", all with the same unchangedQuartet: Pierre Richard and Gerard Depardieu in the lead roles, director Francis Weber, composer Vladimir Cosma.
We can call this story an unofficial continuation of the French comedy “Unlucky” (1981), but not in terms of plot, but in terms of characters, comedic play-offs of certain situations.
Pierre Richard appears before us in the image of a melancholy, very vulnerable, touching, emotional, very delicate person who does not have everything well in his personal life, he periodically cries for no reason, and sometimes laughs. But all this happens not by order, but under the influx of feelings.
On the contrary, Gerard Depardieu is opposed to him: he is a strong-willed person, strong, with a core in character, can strike and rude depending on the circumstances. But even he sometimes succumbs to the impulses of fatherly love and affection, and all his external brutality goes to the secondary plane.
I do not see the meaning of telling the plot of the picture, otherwise it will be a retelling of the picture, it is better to see it yourself once.
A huge portion of healthy, everyday laughter and even a little melancholy You are guaranteed.
Different approaches to the upbringing of their common teenage child, the relationship between fathers - all this is very, very funny.
To anyone who loves the old movies.
Sixteen-year-old Tristan (Stefan Bjerry) runs away from home. Tristan's mother (Annie Dupert) decides to seek help from her two former lovers, teacher François Pignon (Pierre Richard) and journalist Jean Luc (Gerard Depardieu). And to give them a charge of inexhaustible motivation, informs each of them that they are the fathers of the object of search. Two new dads rush to find their son. Two completely different people. One prefers to solve problems mainly with the help of assault, the other is ready to cry for any reason.
I'll help you find our son!
- Are you sure you can?
- I am absolutely healthy.
Maybe I should go to Nice, can you?
- Of course, I was just very lucky. My wife is divorced, there is no work, I live in a cramped place with my sick mother, she nags me mercilessly every day. I see no way out, no hope, amazing!
At the beginning of the viewing, it seems that the whole film will be devoted to the search for grief son, but no, by the middle of the film, dads find their child and it goes to this picture only in the plus. After all, watching the duet of Pierre Richard and Gerard Depardieu on the screen is a pleasure, and when Stefan Bjerry joins them, the pleasure accordingly increases significantly.
The funniest thing in this film is, of course, the skirmishes of the main characters in which they give arguments one another is funnier just to prove their fatherhood. Different characters, different views on parenting, and, of course, different views on how to find a child.
Could you please cry?
- What, you?
- Let her cry, she may break.
- Just to cry like that?
- Yeah, yeah.
- I can't do that.
- Well, you cried when you ran out of gas!
- I always cry, but not by order!
The only thing upsetting is Tristan's mother, who appears in the film only to give Pignon and Luke a boost of motivation, making her feel like her son isn't as important to her as her fathers. But it's all nitpicking.
Francis Weber, who directed such famous films as “Toy” and “Unlucky” gave the same in “Daddy” as in the above films, i.e. a soulful family movie with a bright and positive ending.
And finally, it is worth mentioning, of course, the composer Vladimir Kosma, without whom “Daddy” would clearly not have turned out to be such a good film. To imagine the film after watching without a wonderful soundtrack from this composer is simply impossible.
In general, “Daddy” is a wonderful movie for home viewing, as well as the rest of the films from the three classic comedies with the comic duet Richard – Depardieu.
9 out of 10
The main advantage of comedy is the desire to review it again. I’ve watched Daddy many times and I watch it periodically because I know it’s going to be fun.
The most excellent comedy duo, consisting of Pierre Richard and Gerard Depardieu, simply cannot but like! Francis Weber, who acted as a screenwriter and director, created such a brilliant creation that the face is blurred in a smile not only because of funny jokes, but also simply from the facial expressions and gestures of the main characters. The film will be interesting to see both very young children and the elderly.
"Daddy" begins with the escape of Tristan, the son of one of the heroines, with his girlfriend from his parents' home. An inconsolable mother, not much hoping that the police and her current husband will find the boy, decides to turn to the longtime boyfriend, leading them to believe that Tristan is their son. More precisely, she was addressed first to one father, brutal, sharp and decisive Luke, who, however, did not want to go in search. Then the woman decides to come to the harmless, vulnerable and cute (as she calls him) Pignon, who, learning that he is a “father”, with joy and tears in his eyes accepts the proposal of the former girlfriend. Luke is engaged in the usual activities, but the thoughts of his son do not leave him. In the end, he decides to try to find the wanderer. The funniest and most interesting thing will happen when dads meet.
At the beginning of the film sounds a very touching and beautiful melody of the composer Vladimir Cosma, who wrote wonderful music also for the equally interesting "Runaways" and "Unlucky", where the duo of Pierre Richard and Gerard Depardieu also perfectly performed their roles. In addition to the abundance of jokes, there is also a dramatic note in the picture, largely thanks to the talented composer.
At the end of the picture, Tristan, completely changed and aware of many things, ingeniously informs each of the fathers of his “truth”, from which they come to unprecedented joy, trying to share it with each other.
10 out of 10
One of those films for which definitions such as “wonderful film”, “delightful comedy” sound like ridicule simply because in their banality and standardity they are not able to express even a small fraction of the feelings and impressions of the viewer. “Daddy” by the brilliant director Francis Weber and no less brilliant actor tandem Pierre Richard and Gerard Depardieu is certainly and hopelessly a classic of comedy cinema on a global scale. It's even funny to recall Hollywood attempts to remake this film.
I am not familiar with the history of the emergence of this wonderful acting couple, but whoever invented it should have given an Oscar for his contribution to the development of world cinema. Two completely different actors, two poles, two views of everything around - and the films with their participation look choppy, with such genuine interest and inspiration that you are amazed. Here and "Daddy" capture from the beginning and do not let go until the end. This happens every time you watch them. You can watch them all you want. An unusual story with an ordinary boy and family, melodrama and comedy, combined into one whole and a very peculiar solution to the eternal problem of “fathers and children”, the funnyness and uncomfortability of Pignon (Richard) and the seriousness and rigidity of Luke will not leave you indifferent. Here I would also especially note the unsurpassed work of Vladimir Kosm, who contributed to the fact that the musical design of the picture did not lag behind the acting and the work of the screenwriters. Play actors, of course, matchless, by the way, Tristan (Stefan Bjerry) – the son of fathers – played in fact the role of his life.
“Daddy” is one of those films that create a great mood, cause endless laughter, but at the same time, the viewer does not forget about the serious problem that is the basis of the film. Transitional age, the education of young people, the problem of “fathers and children” are so skillfully hidden behind comedy that “Daddy” will always be, first of all, a funny and funny film. What else do we need?
I may not say anything new, but French comedies have a special charm. This is a separate theme of cinema. I've seen the movie "Daddy" many times. And, surprisingly, it never gets bored.
In the center of the picture are two men. They are completely different, but with the same zeal rush to search for their supposed son. Everything is funny here - and each of them separately, and their relationship, and the process of their pursuit of a fugitive son. Richard and Depardieu are great actors, charismatic, they fit perfectly into the comedy genre and work well in the duet. Therefore, their on-screen “dads” look hilarious, cute and very believable.
My special attention is directed to the “prodigal son.” Tristana. A boy from a good family, intelligent, well-bred, but caught in bad company, fell in love with ears, wanting to show his rebellious spirit. Because I didn’t find understanding in my family. The problem of fathers and children has always been, is and will be, and in this film it is shown correctly and correctly.
In addition, the movie is diluted with a gangster line: a little crime, a little chase, a little threats. But there is no cruelty in this, just as there is no stupid parody. It's just flavored with subtle, kind humor.
The modern viewer saw dozens or even hundreds of comedies, comedies vulgar, flat, in their own way “rusty” (as it is now fashionable to say) and similar to each other. So "Daddy" is another story. Not an ounce of vulgarity. Filmed 30 years ago (it is even scary to think how much time has passed), it does not lose its relevance. You want to laugh at him.
"Daddy" is great for family viewing. When you want a little kindness and smiles, you can climb in the evening under the blanket and watch this cozy, interesting, and most importantly, funny film. Once again, the credits are coming, and I’m sitting with a smile on my face. Bravo, Francis Weber.
It just so happens that two people participate in the creation of a new person - a man and a woman, but the privilege of bearing and giving birth to a child, fortunately, belongs exclusively to the weaker sex. If a woman is dating one young (or not very young) person, then everything is clear - her chosen one is the father. But if a woman is not distinguished by high moral foundations and has fun with the stronger sex throughout Ivanovo, then in this case only a woman can know exactly (on an intuitive and physiological level) from whom she actually acquired her child. In the amusing film “Daddy”, the above statement, although presented in a comic form, is still revealed quite truthfully.
So, loving and frivolous Christina Martin has spent her life in bed with many men. Gained experience, gave birth to a child, raised him and settled down. My son, as a teenager, became very capricious and quick-tempered. When he got really sick, he just ran away from home. Of the former lovers of Christina in pursuit of the deceased young man rushed only two – teacher Francois Pignon and journalist Jean Luca. Each of them considers himself the true father of the young man. In the end, after a dizzying adventure, Tristan was, of course, returned to his cunning mother. But if Pignon and Luke knew from the beginning who his dad really is, they wouldn’t have moved for someone else’s child.
The moral of this fable is as follows: Mademoiselles, prone to frequent changes of sexual partners, should be kept at a decent distance so that in adulthood the consequences of youthful sins are not dispelled.
Gerard Depardieu and Pierre Richard are completely different actors. The first is a diverse artist and contains rigor, courage and masculinity, and the second is an inveterate comedian who is characterized by absent-mindedness, shyness and infantility. All this means that their duet was successful. The film itself is an impressive episode in the work of these actors, and for the audience is not tiresome. In American cinema, if I am not mistaken, there is a similar picture. Which one is better, I don't know. There are no friends in taste or colour. But I think that when comparing two identical tapes, the advantage should still lie on the side of the original.
8 out of 10