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The way Saint Peter explains it to the Devil who's knocking on Heaven's door to collect his share of souls: there will be no more souls, as God has come more
The way Saint Peter explains it to the Devil who's knocking on Heaven's door to collect his share of souls: there will be no more souls, as God has come to doubt if humans are really meant to achieve salvation. If they aren't then how can they be punished posthumous and sent to Hell? There's only one way to make sure if sinning is the human nature, or is it that they simply don't want to better themselves - Devil himself must go down to Earth, in human form, and if he can achieve salvation then so can a human being... Based on A. H. Tammsaare's classic novel of the same name. close
The Confession (1990) survives in Parajanov: The Last Spring (1992) in its original camera negative. It remained unfinished due to the death of Sergei more
The Confession (1990) survives in Parajanov: The Last Spring (1992) in its original camera negative. It remained unfinished due to the death of Sergei Parajanov. The Confession (1990) was his favorite screenplay, which was written in the 1960s and was his film-memory of the childhood, student years, marriage, imprisonment and more as the fantasist Parajanov perceived it. Parajanov gifted the screenplay to Mikhail Vartanov, made a drawing on the cover and wrote: "The Confession will only be made by a director born in 1924 in Tiflis, Georgia." He predicted that he would not finish it. close
An old man decides to find the body of his son, a Kazakh soldier who died fighting somewhere in Russia, to bury him in the land of his ancestors. Travelling more
An old man decides to find the body of his son, a Kazakh soldier who died fighting somewhere in Russia, to bury him in the land of his ancestors. Travelling across the land with his grandson, they discover the harsh reality of war. And when they finally find the coveted grave, they realise that many brothers-in-arms are buried with the soldier. Every inch of the great homeland becomes the land of our fathers, the land of the ancestors... close
When a partisan attack on a Nazi officer sets off a chain of brutal recriminations, the inhabitants of a German-occupied Ukrainian village are faced with more
When a partisan attack on a Nazi officer sets off a chain of brutal recriminations, the inhabitants of a German-occupied Ukrainian village are faced with a sickening dilemma lest they not disclose the whereabouts of the fugitives at large. close
A group of geologists discover oil under the fields where Sosana, the aged and anachronistic father, raises his herd with his unhappy wife, her friend more
A group of geologists discover oil under the fields where Sosana, the aged and anachronistic father, raises his herd with his unhappy wife, her friend and his growing boy with whom he displays a wonderful rapport. The land is invaded by big machinery that feels remarkably alien to the serene and natural aesthetic of the valley. The family all enjoys the pleasures and storytelling capacity a slide projector grants them, but it too feels distinctly out of place in a town with no plumbing. close
While detained in one of the Soviet Gulags (prison work camps), Maria fell in love with and had a child by one of the camp guards. However, in order to more
While detained in one of the Soviet Gulags (prison work camps), Maria fell in love with and had a child by one of the camp guards. However, in order to save her baby, she was manipulated into a situation where she had to betray her lover. The main attraction of this film is the clear depiction it gives of the harsh conditions of life in these infamous camps. close
The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: more
The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.--Oxymoron close
The action takes place in a nameless country occupied by the German army at the time of World War II. In a small village there's an asylum. A squad of more
The action takes place in a nameless country occupied by the German army at the time of World War II. In a small village there's an asylum. A squad of German soldiers arrives to take the insane people to a "walk in the forest". Just before they are ready to go to forest to kill the insane people, a Gestapo officer arrives and from his conversation with the doctor we can find out that there's an enemy agent hiding himself in the asylum. Officer Windisch must find the agent from 583 people and on his searches he is slowly starting to feel himself crazy too. close
About Trofimov, a well-known rider who goes on taking part in races in spite of the advanced age, until he realizes his time has gone and passes his experience on to his granddaughter’s fiance
About Trofimov, a well-known rider who goes on taking part in races in spite of the advanced age, until he realizes his time has gone and passes his experience on to his granddaughter’s fiance close
In "The Soviet Elegy" the long train of photos of the Soviet leaders, dead or alive, stops at the portrait of Yeltsin. At the time of shooting Yeltsin more
In "The Soviet Elegy" the long train of photos of the Soviet leaders, dead or alive, stops at the portrait of Yeltsin. At the time of shooting Yeltsin had fallen down from the assembly of the Communist Party deities, and participated in the earthly life through connections of different kinds. close
This ideologically charged film as a typical sample of Soviet version of history portrays the events in Ukraine in 1921 after the defeat of Ukrainian more
This ideologically charged film as a typical sample of Soviet version of history portrays the events in Ukraine in 1921 after the defeat of Ukrainian liberation struggle and the occupation of the country by invading Bolshevik hordes. The Bolsheviks are good guys and Ukrainian rebels refusing to submit to a new, this time Soviet, slavery are portrayed as bandits and brigands fighting against their own people. close
Several episodes, each focusing on a different figure. Towards the end they all come together to replicate the famous painting by Édouard Manet that provides the title.
Several episodes, each focusing on a different figure. Towards the end they all come together to replicate the famous painting by Édouard Manet that provides the title. close
Commissioned by the Moscow Soviet as a documentary and information film for the citizens of Moscow prior to municipal elections, film is a tableau of more
Commissioned by the Moscow Soviet as a documentary and information film for the citizens of Moscow prior to municipal elections, film is a tableau of Soviet life and achievements in the period of reconstruction following the Civil War of 1917-1921. close
Brecht's play Fear and Misery of the Third Reich consists of a series of playlets, portraying National Socialist Germany of the 1930s as a land of poverty, more
Brecht's play Fear and Misery of the Third Reich consists of a series of playlets, portraying National Socialist Germany of the 1930s as a land of poverty, violence, fear and pretence. Nazi antisemitism is depicted in several of the sketches, including "the Physicist", "Judicial Process", and "the Jewish Wife". close
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with more
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives. close
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is more
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is a cut-off of the era, watching our life, and those around us. Thinking about where the line between reality and insanity lies. close
Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity.
Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity. close
After leaving prison, 40 years old Lyashenko robbed a man at the station and, along with the money, stole a passport. Realizing that he had robbed his more
After leaving prison, 40 years old Lyashenko robbed a man at the station and, along with the money, stole a passport. Realizing that he had robbed his childhood friend, Lyashenko decided to return the stolen goods. A night conversation between the tramp Leonid Lyashenko and the successful official. close
A 1937 Soviet documentary film directed by Dziga Vertov. The film was shot to commemorate the 20th anniversary of the October Revolution. It focuses on more
A 1937 Soviet documentary film directed by Dziga Vertov. The film was shot to commemorate the 20th anniversary of the October Revolution. It focuses on the women and the role of motherhood, featuring images from across the Soviet Union, in particular the Far East. close
The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's more
The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice. close
In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 more
In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 appears. Shots of the awakening of the city, renewal of its life, echo with lyrical pictures of the revival of nature. Kaufman's attentive camera stops for a long time on the smiling faces of the children, painting a lyrical picture of a confession of love for Kyiv. close
A Russian village struggles through the German occupation during World War II in this tense drama from the Soviet Union. As the town doctor finds his more
A Russian village struggles through the German occupation during World War II in this tense drama from the Soviet Union. As the town doctor finds his home has been taken by German troops, his daughter becomes involved in the anti-Axis resistance, and his son -- confined to a mental hospital -- escapes to fight the invading armies. close
Violence in the snow! One of the most radical shorts ever made behind the iron curtain, a special document of the Necrorealists' art group, in the former more
Violence in the snow! One of the most radical shorts ever made behind the iron curtain, a special document of the Necrorealists' art group, in the former USSR. "Lesorub" (Lumberjack) is a reaction full of energy and morbid rage against the rigid rules of socialist realism - Claus Loeser, Gegenbilder close
Parajanov's collage of all the footage that remained from his film "Kyiv Frescoes," which was halted by the authorities who demanded that all the negatives be destroyed.
Parajanov's collage of all the footage that remained from his film "Kyiv Frescoes," which was halted by the authorities who demanded that all the negatives be destroyed. close
Fifty-year-old Vladimir Ivanovich Prokhorov, relieved of his worldly possessions, takes a journey back in time. Accompanied by a traveling companion barely more
Fifty-year-old Vladimir Ivanovich Prokhorov, relieved of his worldly possessions, takes a journey back in time. Accompanied by a traveling companion barely half his age, he revisits the people and places of his youth and witnesses the dark forces that shaped the 20th century. close
The protagonist, a lazy pen-pusher, gets the sack for his bureaucratic idleness, and learns that the way back into the job market depends on getting a more
The protagonist, a lazy pen-pusher, gets the sack for his bureaucratic idleness, and learns that the way back into the job market depends on getting a letter of recommendation from a "grandmother" close
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