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Aleksandr Borisovich Rezalin
Александр Разаренов
Birth at
22 September 1958
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Born September 22, 1958 in Moscow in a family of engineers. He studied at an English school, later moved to a mathematics class. Enrolling in MIIT, Alexander from the second year began to look for some of his theatrical applications - went to the national theater of the reader, tried to enter theater schools and three years later passed the competition immediately in the Moscow Art Theater and GITIS. After working a year as an engineer after graduating from MIIT, he entered the Moscow Art Theater
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Born September 22, 1958 in Moscow in a family of engineers.
He studied at an English school, later moved to a mathematics class.
Enrolling in MIIT, Alexander from the second year began to look for some of his theatrical applications - went to the national theater of the reader, tried to enter theater schools and three years later passed the competition immediately in the Moscow Art Theater and GITIS. After working a year as an engineer after graduating from MIIT, he entered the Moscow Art Theater School for the course of A. Popov.
After graduating in 1985, the Moscow Art Theatre School-Studio Alexander Rezalin, along with three classmates, was invited by Konstantin Raikin to the Satyricon Theatre. Having worked for K. Raikin for 4 years, Rezalin, at the invitation of Grigory Gurvich, moved to the theater-cabaret “Bat”. There Alexander began to sing for the first time - to the orchestra, with a microphone. There were also many dance numbers.
For the last 3 years, Alexander combined his work there with work in the Theater of the Moon, where he finally moved in 1995.
Currently, Alexander can be seen in such performances as “Paris Prostonya” (La’theater), “Memorial Prayer, or Violinist on the Roof” (Museum Theater p/r V. Nazarov), in the new musical play “Merry Guys”, etc.
Alexander Rezalin: Is it easy to be an artist? It's like asking if it's easy to live in this world. I can't answer that either. Sometimes easy and pleasant, sometimes not. But I wasn’t anything else except one year as an engineer, so there’s nothing to compare. But I don’t really feel like an artist. I don’t like artists being artists, I think it’s a bad tone. I was raised by such teachers as, for example, A.A. Popov, who in life was a very discreet person, and my ideal is an artist who after the performance is not noticeable in the crowd. . . ?