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Natalya Leonidovna Krachkovskaya
Наталья Крачковская
Life Time
24 November 1938 - 3 March 2016
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Natalia Leonidovna Krachkovskaya (before marriage - Belogortseva) was born on November 24, 1938 in Moscow. She did not receive professional acting education. Passing exams at the Historical and Archival Institute, she at the same time decided to enter the VGIK, in the workshop of Vladimir Belokurov, everything went successfully, but soon she was hit by a car, was in critical condition, and doctors generally banned for a while to study. In 1961-1967 she worked as a laboratory assistant at the Institute
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Natalia Leonidovna Krachkovskaya (before marriage - Belogortseva) was born on November 24, 1938 in Moscow. She did not receive professional acting education. Passing exams at the Historical and Archival Institute, she at the same time decided to enter the VGIK, in the workshop of Vladimir Belokurov, everything went successfully, but soon she was hit by a car, was in critical condition, and doctors generally banned for a while to study. In 1961-1967 she worked as a laboratory assistant at the Institute of Metallurgy of the USSR, then at the Department of Geology of Moscow State University. Nevertheless, Natalia Krachkovskaya began acting in films: first in extras, then in episodes, debuting a small role in the film Everything Begins From the Road (1959). Having married the sound operator V. Krachkovsky, through him she met Leonid Gaidai, who invited a non-professional actress to play Madame Gritsatsueva in Twelve Chairs (1971). After her bright artistic debut, a new type appeared on the screen, and Krachkovskaya began to be invited to act and soon she became a very popular and popular comedy actress. In 1974, Krachkovskaya became an artist of the Ivanovo Philharmonic, since 1975 she worked in the Moscow Concert. Among the most successful works of the actress - comedy "It can't be!" (1975), "Ivan Vasilyevich changes profession" (1973), "This cheerful planet" (1973), "The vanity of vanity" (1978). Of the latest films with the participation of Natalia Krachkovskaya, one can name the paintings staged by Mikhail Kokshenov: "Melomet's Smile" (2002), "Anniversary of the Prosecutor" (2003).