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The reburial of great Russian singer Feodor Chaliapin from Les Batignolles cemetery in Paris to Novo–Devitchye cemetery in Moscow. The daughters from more
The reburial of great Russian singer Feodor Chaliapin from Les Batignolles cemetery in Paris to Novo–Devitchye cemetery in Moscow. The daughters from Chaliapin’s second marriage travel to the Soviet Union for the ceremony. close
The piece presents a series of bizarre tableaux, many involving cinematic voyeurism, blurring of the living-dead borderline and a healthy amount of stabbing, more
The piece presents a series of bizarre tableaux, many involving cinematic voyeurism, blurring of the living-dead borderline and a healthy amount of stabbing, of oneself and of others. A catatonic fellow gets costumed as a ghoul; a literal tree-hugger, ecstatic in his arboreal embrace, gets stabbed; a bespectacled fellow with a Bolex-y camera goes around documenting it all. (Written by Colin Marshall) close
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes more
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes inherent in human life (work, marriage, military service, leisure) do not release him from an animal form. close
Once in the apartment of the modest designer Peresukhin appears Unknown, who offers him to become the ruler of the planet Aldebaran. But in order to move more
Once in the apartment of the modest designer Peresukhin appears Unknown, who offers him to become the ruler of the planet Aldebaran. But in order to move to another spatial dimension, the hero of the film must part with his life, jumping from the third floor. close
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and more
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and a non-human: a subhuman deprived of a divine spark. close
“The trouble happened at six o’clock in the evening, but at first no one realized what had happened. The alien ship in the rays of the evening sun seemed more
“The trouble happened at six o’clock in the evening, but at first no one realized what had happened. The alien ship in the rays of the evening sun seemed to be a cloud, devoid of clear forms, iridescent and completely safe. At that time in the house were Marya Stepanovna, her daughter Leokadia and granddaughter Sashenka, who was sick with angina and capricious. Semensky, Leokadia's husband, has not yet returned from work. Eyewitnesses said that the cloud, hanging for a few minutes over the house of the Semenskys, suddenly fell on him, enveloped the house like a fog, then rose again, gaining speed, until it mixed with other clouds and clouds. The house is gone. The front garden, overgrown with weeds, a booth with Trenoga and outbuildings also disappeared. There was a deserted place where no blade of grass grew, as well as a square pit from the foundation. close
Pavel Alekseevich, who is wanted by many people, persistently moving further and further into Siberia, tries to hide from everyone in the world, and especially more
Pavel Alekseevich, who is wanted by many people, persistently moving further and further into Siberia, tries to hide from everyone in the world, and especially from several wives with a large brood of children, whom he does not want to support and raise. He himself explains his malignant antisociality and penchant for anarchism by his desire to be free from everyday vanity and philistineism. And now this fallen misanthrope, unwilling to contribute to the construction of socialism, finds himself on the very edge of the Earth.
Short drama based on the novel by Vladimir Makanin “Citizen running away” with Vladimir Zamansky in the title role – the thesis of a wonderful actress and actress. director Elena Tsyplakova . close
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. more
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. The cycle of present has opened. And in the ashes of the burnt lives a new fire flashed, and lit the way for those who went to the beginning of all beginnings. And I have witnessed it. close
Based on the play by Alexander Vampilov "Twenty Minutes with an Angel". Two seconded men began their “labor” activities in a small town with the fact more
Based on the play by Alexander Vampilov "Twenty Minutes with an Angel". Two seconded men began their “labor” activities in a small town with the fact that they were drunk. When they woke up, they decided to get money, but the search for funds was not successful. Suddenly a stranger appeared and offered them a hundred rubles. "Heroes" and their hotel neighbors did not believe in the sincerity and unselfishness of the act. . . close
Silent serious people buy weapons. They are taking him by a caravan of trucks through Moscow. One of them changes into new clothes and leaves the others more
Silent serious people buy weapons. They are taking him by a caravan of trucks through Moscow. One of them changes into new clothes and leaves the others for his beloved girlfriend, who lives in the capital. close
An underground short film from a “necrorealist” Russian filmmaker. The film is about sadomasochism, possessed by the idea of death and self-destruction. more
An underground short film from a “necrorealist” Russian filmmaker. The film is about sadomasochism, possessed by the idea of death and self-destruction. Evocative of the silent films from the beginning of the 20th century. -https://mubi.com/films/will close
Course work of the student of the directorial department Ivan Okhlobystin.
Training film studio VGIK. Since early childhood, I have played different games. more
Course work of the student of the directorial department Ivan Okhlobystin.
Training film studio VGIK.
Since early childhood, I have played different games. And the older I get, the more dangerous it is for me to lose, and the scarier it is for others to win. Jesus! Leave me one game to hide and seek. That's the only thing I'm willing to play my whole life. close
In "The Soviet Elegy" the long train of photos of the Soviet leaders, dead or alive, stops at the portrait of Yeltsin. At the time of shooting Yeltsin more
In "The Soviet Elegy" the long train of photos of the Soviet leaders, dead or alive, stops at the portrait of Yeltsin. At the time of shooting Yeltsin had fallen down from the assembly of the Communist Party deities, and participated in the earthly life through connections of different kinds. close
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with more
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives. close
A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require more
A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require the death of each participant once his or her task is accomplished. After killing one of their colleagues and splitting into several groups, the alpinists continue their journey. But the human unconscious doesn’t follow military orders. Having once committed murder, the “knights” can’t control their desire to kill. They forgot their mission… and kill each other instead. —University of Pittsburgh close
A three-minute long insight into the life of completely unusual people – a group of pacifists forced into hiding in the cellar of a ruinous house to escape more
A three-minute long insight into the life of completely unusual people – a group of pacifists forced into hiding in the cellar of a ruinous house to escape a war tribunal. The difficulties of war are manly endured by the film’s characters. This film, like most of Yufit’s works, shows his love of 1920’s avant garde cinema, which was considered the highest pinnacle in cinematography. The director believes the art of moving pictures was more heartfelt before sound and colour. “The development of technologies is not a particularly positive thing for human existence,” says Yufit. —Arsenals Film Festival close
Children write an essay on the topic “What I want to become”. Nikitin, Jr., "hanging" for a while, realized that better father's profession - M.S. - he more
Children write an essay on the topic “What I want to become”. Nikitin, Jr., "hanging" for a while, realized that better father's profession - M.S. - he does not know anything. And although his older sister calls his dad mayonnaise, the boy knows that his father loves his profession and will not exchange it for any other. And so he too, like his dad, will work on virus breeding, write papers, speak at symposiums and be called Emanes.
Additional information: Nice, fun and innovative picture, diploma work of GITIS graduates. No pathos, no deep philosophical thoughts, no superstars. But there is youth, relaxation and energy. This 15-minute movie is worth watching. close
The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by slightly more
The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by slightly accelerated excerpt from Brezhnev’s speeches, as well as by fragments of statements of the mentally ill person with the schizophasia symptom. close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter.
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter. close