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Ukrainian agitprop film from 1929 that was banned and long forgotten until its rediscovery in the 1970s, imaginatively shot by the gifted cameraman Oleksii more
Ukrainian agitprop film from 1929 that was banned and long forgotten until its rediscovery in the 1970s, imaginatively shot by the gifted cameraman Oleksii Pankratiev, whose panoramic long shots feature dynamic compositions. The background, barren field and bare sky, raise the agricultural subject matter to the level of an epic poem. Using innovative editing, Shpykovskyi transformed an incredibly simple plot into an avant-garde work. Created the same year as Earth (Zemlya), the film forms a paradoxically conceptual, ideological, and aesthetic pair with Dovzhenko’s movie. close
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel more
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties. close
Vasyl, a member of the Komsomol, with the help of a local party organization, gets a tractor and plows private boundaries "on kulak fields". However, this enthusiasm will cost him dearly.
Vasyl, a member of the Komsomol, with the help of a local party organization, gets a tractor and plows private boundaries "on kulak fields". However, this enthusiasm will cost him dearly. close
The priests, stock market officials, and police conspire to squeeze income out of pilgrims come to see relics of a Christ like figure. A pair of con men try to pass of a resurrected saint.
The priests, stock market officials, and police conspire to squeeze income out of pilgrims come to see relics of a Christ like figure. A pair of con men try to pass of a resurrected saint. close
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair more
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m) close
The new power stations are beating like hearts to the pulse of modernisation. At gigantic expense and effort, the Soviet Union is rapidly industrialised. more
The new power stations are beating like hearts to the pulse of modernisation. At gigantic expense and effort, the Soviet Union is rapidly industrialised. The state plan foresees the construction of forty power-generation centres across the country. However, the people must first be enlightened about the nature and use of electrical current. Horses and tractors, households and industry, nature and the world of work, neon signs and the construction of power stations all depend on this miraculous new source of energy. The famous Soviet director Lev Kuleshov masterfully realises this project with documentary shots, acted scenes, and lots of creative trick sequences. close
The first screen adaptation of an epic Russian novel about a village of Cossacks on the Don River, covering the last days of peace on the riverside before the beginning of the First World War.
The first screen adaptation of an epic Russian novel about a village of Cossacks on the Don River, covering the last days of peace on the riverside before the beginning of the First World War. close
Young hobos are taken to a new camp to become good Soviet citizens. This camp works without any guards, and it works well. But crooks kill one of the more
Young hobos are taken to a new camp to become good Soviet citizens. This camp works without any guards, and it works well. But crooks kill one of the young people when they try to damage the newly built railroad to the camp. close
A story about capitalistic corruption in a small village and the personal struggles of Anka (Vera Marinich) as she is pregnant and abandoned by her lover.
A story about capitalistic corruption in a small village and the personal struggles of Anka (Vera Marinich) as she is pregnant and abandoned by her lover. close
Soviet "proletarian" film about anti-war strike at St Petersburg factory, 1914. Resembles Pudovkin's classic "End of St. Petersburg," made 4 years earlier: more
Soviet "proletarian" film about anti-war strike at St Petersburg factory, 1914. Resembles Pudovkin's classic "End of St. Petersburg," made 4 years earlier: backward lad (Poslavsky) from poor village comes to town desperate for work. He's hired as replacement ("scab") worker at big metallurgical factory, which is in the throes of a strike organized by the Bolsheviks (communists). The Bolshevik strikers are led by Ivan Shtraukh (brother of the more famous Russian actor Maxim Shtraukh). At first, the deceitful industrialist's son (Fedosev) involves the naive Poslavsky in an attempt to murder Shtraukh, but the attempt only wounds the heroic organizer. Will Poslavsky follow through with the planned killing, or will he redeem himself by going over to the side of the strikers? close
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this more
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities. close
Silent cartoon satire "Dear Long" Ivan Druzhinina ridicules the hard life of railway workers, who daily have to deal with problems on railway transport.
The more
Silent cartoon satire "Dear Long" Ivan Druzhinina ridicules the hard life of railway workers, who daily have to deal with problems on railway transport.
The driver Vanya decides to overtake a new courier train on his well-known steam locomotive. The verst changes the mile, and the rusher is already preparing for victory, when suddenly on the tracks, as if from the ground, an unexpected obstacle arises: Vanin steam locomotive crashes ... into a cow. On the branch there is a crash, and all the consequences in the shortest possible time must be eliminated in order to deliver strategic cargo - bags of grain. close
During World War 1 a Russian soldier (Pyotr Sobolevsky) serves in Russian Expeditionary Force in France where he is chosen for his marksmanship and trained more
During World War 1 a Russian soldier (Pyotr Sobolevsky) serves in Russian Expeditionary Force in France where he is chosen for his marksmanship and trained as a skilled sniper. After the Russian revolution the soldier returns home while his commander (Boris Shlikhting) fights against the Soviet Russia. In 1930 the former soldier works on a factory and also he is the instructor in shooting club. Once the town that is near the Soviet border is attacked by foreign troops (the hostile state isn't named but the uniform of the soldiers resembles Finnish). The character meets againt with his former commander who serves in invading forces. close
Fred, a young British sailor who accidentually finds himself in the USSR and after a number of comic adventures he, attracted by Soviet youth enthusiazm, more
Fred, a young British sailor who accidentually finds himself in the USSR and after a number of comic adventures he, attracted by Soviet youth enthusiazm, goes to take part in Dneprostroy (building of Dnepr power station). close
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns more
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns itself with the natural rhythms of country life, disrupted by the beat of looming industrialisation. close
Shame or Counterplan is a 1932 Soviet drama film directed by Sergei Yutkevich and Fridrikh Ermler. The film’s title-song called "The Song of the Counterplan", more
Shame or Counterplan is a 1932 Soviet drama film directed by Sergei Yutkevich and Fridrikh Ermler. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s. This film could be considered as a Stalin propaganda film. The plot involves an effort to catch "wreckers" at work in a Soviet factory. From Wikipedia, the free encyclopedia close
A young Lyova travels with the hope of ascent from Czarist Russia to New York. Disappointed, he returns to the young Soviet Union and is glad to have found a simple work.
A young Lyova travels with the hope of ascent from Czarist Russia to New York. Disappointed, he returns to the young Soviet Union and is glad to have found a simple work. close
The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the more
The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men. close
1929. The Chinese are preparing an attack on the CRC, recruiting soldiers into their gang. Among them is the dweller of Van. Having recovered from a sudden more
1929. The Chinese are preparing an attack on the CRC, recruiting soldiers into their gang. Among them is the dweller of Van. Having recovered from a sudden attack on a Soviet border village, the Red Army detachment goes on the offensive. Among the prisoners is Van. Wang and another prisoner are on the run. But on the road between the fugitives, a conflict occurs and a young Chinese Wang begins to realize who his true enemy is. . close
Outskirts is an internationally renowned masterpiece of early sound cinema. In a remote Russian village during World War I, colorful and nuanced characters more
Outskirts is an internationally renowned masterpiece of early sound cinema. In a remote Russian village during World War I, colorful and nuanced characters experience divided loyalties: family loyalty vs. personal desire, nationalism vs. transcendent humanism. close
A wise and forgiving communist leader decides to send a young worker, Karl Renn, as an international delegate to the Soviet Union after the worker had more
A wise and forgiving communist leader decides to send a young worker, Karl Renn, as an international delegate to the Soviet Union after the worker had deserted a picket-line and had expressed doubts about the methods of class struggle in in his own country. close
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary more
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society. close
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. more
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite.
As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels. close