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The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and more
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons. close
When Viktor meets Gizella one day beside the lake, he takes an interest in her and begins to call on her regularly. The one passion in the life of Gizella, more
When Viktor meets Gizella one day beside the lake, he takes an interest in her and begins to call on her regularly. The one passion in the life of Gizella, who is unable to speak, is dancing. When Viktor deceives her and she finds him with another woman, she moves away and begins a career as a ballerina. Later, as she is on tour performing “The Dying Swan”, the artist Glinskiy attends her performance. Glinskiy, whose own obsession is to depict death in his art, becomes fascinated by Gizella, and he is determined to use her as a model for a special project. close
Seven year old Sasha practices violin every day to satisfy the ambition of his parents. Already withdrawn as a result of his routines, Sasha quickly regains more
Seven year old Sasha practices violin every day to satisfy the ambition of his parents. Already withdrawn as a result of his routines, Sasha quickly regains confidence when he accidentally meets and befriends worker Sergei, who works on a steamroller in their upscale Moscow neighborhood. close
On a deserted railway line two trains have stopped because of repair works. Opposite each other. Time goes by, and movement is still not restored. Among more
On a deserted railway line two trains have stopped because of repair works. Opposite each other. Time goes by, and movement is still not restored. Among the passengers some strange relations begin to develop... close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
“The drama of the plot is the global martial arts of a dying traditional and emerging new way of life in a modern collective farm village. The basis for more
“The drama of the plot is the global martial arts of a dying traditional and emerging new way of life in a modern collective farm village. The basis for the plot was the fact of the murder by the kulaks of the rural pioneer Pavlik Morozov, who gave the authorities his father, the chairman of the village council. And the film itself and its condemnation resulted in a large-scale political campaign became the largest events in the cinematic life of the 30s. The material of the film is not preserved. According to the conventional version, the only copy of the second version died on the Mosfilm during the bombing in 1941. The rest of the material is gone. According to the cuts saved by the editor E. Tobak in 1968, N. I. Kleiman mounted a photo film containing the main points of both options from them. - E. Margolith V. Shmyrov (Extracted Cinema). 1924-1953. Moscow Double-D 1995. close
Young scholar Andrei, fascinated by haunting actress Zoia Kadmina, is surprised when she sends him a note. The two have a brief scheduled meeting, then more
Young scholar Andrei, fascinated by haunting actress Zoia Kadmina, is surprised when she sends him a note. The two have a brief scheduled meeting, then three months later Andrei is shocked to learn she has died. He becomes obsessed with Zoia's memory and decides he must find out all that he can about her. close
Despite living in luxury, Vera is lonely and discontented. When she accompanies her mother, the Countess, on a charity visit to the poor, she is troubled more
Despite living in luxury, Vera is lonely and discontented. When she accompanies her mother, the Countess, on a charity visit to the poor, she is troubled by what she sees, and she resolves to do whatever she can to help them… close
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage more
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors. close
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era more
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era fishing village. Guided by a series of faintly illuminated rooms, the wandering spirit comes upon ancient souls who take on physical forms as they recount their personal stories of daily existence, loss, and tragedy in the peasant community. Intrigued by his initial visit to a curiously distracted elderly woman, the spirit returns to her home in order to ask a fundamental question - "What is happiness?" - an existential query that is innocently answered with innate humility and accepted unknowingness. close
"In the mountains my heart" is a short Soviet film Rustam Khamdamov, based on a short story by William Saroyan. This is a small episode in the life of more
"In the mountains my heart" is a short Soviet film Rustam Khamdamov, based on a short story by William Saroyan. This is a small episode in the life of the citizens. This or something similar could happen in any city. This something, as a rule, does not turn upside down the life of the city, but just suddenly makes you freeze life for a while and think about something important, hearing an amazing melody.
A lonely man walked through the morning town with a music trumpet. Sometimes he played it, but nobody cared. And yet there were those who asked who he was. It turned out that he was the famous actor McGregor. There were those who fed and warmed the vagrant. He played the trumpet again in gratitude. Played so that all the townspeople, having left business, went out to listen to the magical sounds of his music. close
Since Zoya Verenskaya's husband passed away ten years ago, she has been devoted to her daughter Lee. At present, Lee is in poor health, and she is in more
Since Zoya Verenskaya's husband passed away ten years ago, she has been devoted to her daughter Lee. At present, Lee is in poor health, and she is in danger of losing her eyesight. Zoya's suitor Dmitry wants to get married, but Zoya is determined to wait until Lee is better. Then, on a vacation in the Crimea, they learn Lee's true feelings for Dmitry, and suddenly all of their lives are thrown into turmoil. close
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). more
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.” close
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter.
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter. close
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is more
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is a cut-off of the era, watching our life, and those around us. Thinking about where the line between reality and insanity lies. close
Violence in the snow! One of the most radical shorts ever made behind the iron curtain, a special document of the Necrorealists' art group, in the former more
Violence in the snow! One of the most radical shorts ever made behind the iron curtain, a special document of the Necrorealists' art group, in the former USSR. "Lesorub" (Lumberjack) is a reaction full of energy and morbid rage against the rigid rules of socialist realism - Claus Loeser, Gegenbilder close
Parajanov's collage of all the footage that remained from his film "Kyiv Frescoes," which was halted by the authorities who demanded that all the negatives be destroyed.
Parajanov's collage of all the footage that remained from his film "Kyiv Frescoes," which was halted by the authorities who demanded that all the negatives be destroyed. close
Sergei’s beloved wife Yelena has passed away, and the bereaved husband is inconsolable. He remains obsessed with pictures of Yelena and with a braid of more
Sergei’s beloved wife Yelena has passed away, and the bereaved husband is inconsolable. He remains obsessed with pictures of Yelena and with a braid of her hair that he has saved. One day, while walking in the street, he passes by a woman who bears a striking resemblance to Yelena. close
The film is a visual accompaniment to Honegger's music representing the progress of a transcontinental locomotive. The superimposed orchestra rhythmically reinforces the music.
The film is a visual accompaniment to Honegger's music representing the progress of a transcontinental locomotive. The superimposed orchestra rhythmically reinforces the music. close
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