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The film about the Holodomor famine in Ukraine, based on the novel 'The Yellow Prince' by Vasyl Barka. The film is told through the lives of the Katrannyk more
The film about the Holodomor famine in Ukraine, based on the novel 'The Yellow Prince' by Vasyl Barka. The film is told through the lives of the Katrannyk family of six. It relies more on images than on words shot in black-and-white. close
The director dedicated this lyrical, epic film-confession to the memory of his father who was a doctor. The film’s protagonist, an ambulance doctor, conducts more
The director dedicated this lyrical, epic film-confession to the memory of his father who was a doctor. The film’s protagonist, an ambulance doctor, conducts dangerous experiments in search of a vitally important vaccine. His wife believes in his work, though his daughter would not understand him. His son, who is absolutely unlike his father in character, is trying to protect him. But self-denial in the name of science proves too high a price. Just when he is on the verge of discovery, the doctor loses everything he has gathered as a result of his twenty-year-long work. This loss brings him even closer to his son. The shooting of the film continued for seven years (1985-1992), making it a metaphorical culmination of the Soviet cinematography and the Soviet way of life as a whole. close
Soviet army was one the worst for human dignity places to be. The task of the army was to turn freethinkers into normal dumb Soviet people. An intelligent Ukrainian guy refuses to obey.
Soviet army was one the worst for human dignity places to be. The task of the army was to turn freethinkers into normal dumb Soviet people. An intelligent Ukrainian guy refuses to obey. close
Living in Almaty, Kazakhstan, a young man is preparing to become a bus conductor. One day, in between wandering the city streets and going to the movies, more
Living in Almaty, Kazakhstan, a young man is preparing to become a bus conductor. One day, in between wandering the city streets and going to the movies, he makes the acquaintance of a female student. close
Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey more
Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey through a black tunnel, and a final emergence into pure white light. close
In this affectionate, leisurely paced comedy, an Odessa policeman is out walking his beat when he discovers an adorable infant abandoned in a cabbage more
In this affectionate, leisurely paced comedy, an Odessa policeman is out walking his beat when he discovers an adorable infant abandoned in a cabbage patch. He does his duty and takes the baby to an orphanage, but later he and his wife, who have an unusually affectionate and cozy relationship, decide to try and adopt the little one. What they must go through to accomplish that goal is anything but straightforward. close
In 1930s Poland Christian boy Ivan goes to live with a Jewish family to learn a trade. He becomes friends with Abraham, the son of the family. However, more
In 1930s Poland Christian boy Ivan goes to live with a Jewish family to learn a trade. He becomes friends with Abraham, the son of the family. However, anti-Semitism is rife in their environment, and they flee to escape an upcoming conflict. Journeying together, they demonstrate their inseparability. close
A photographer and his wife travel across Armenia photographing churches for a calendar project. Travelling with them is a local man acting as their driver more
A photographer and his wife travel across Armenia photographing churches for a calendar project. Travelling with them is a local man acting as their driver and guide. As the project nears completion, the distance between husband and wife grows. close
Sergey Dvortsevoy makes his international debut with this astonishingly intimate portrait of a nomadic family on the Kazakh plains. Several scenes in more
Sergey Dvortsevoy makes his international debut with this astonishingly intimate portrait of a nomadic family on the Kazakh plains. Several scenes in this slow, elegant film betray a certain dry humor -- a child devouring the last of a bowl of yogurt and then crying; a cow getting its head stuck in a pail; and a woman singing to herself, accompanied by her snoring husband. Other scenes capture the nomads' hardscrabble lives -- drunken herdsmen in the grips of existential despair, growling dogs, and a camel enduring a rather grim septum piercing. By the end of the film, the family pulls up stakes and herds its sundry four-legged beasts -- camels, cattle, goats, dogs, and horses -- to a more fertile plain. This film was screened at the 1999 Yamagata International Documentary Film Festival. close
Two Russian soldiers, one battle-seasoned and the other barely into his boots and uniform, are taken prisoner by an anxious Islamic father from a remote more
Two Russian soldiers, one battle-seasoned and the other barely into his boots and uniform, are taken prisoner by an anxious Islamic father from a remote village hoping to trade them for his captured son. close
A witty, despairing French-Russian-Italian-Swiss art movie set in 16th-century Georgia, Stalinist Georgia, contemporary Georgia, and contemporary Paris, more
A witty, despairing French-Russian-Italian-Swiss art movie set in 16th-century Georgia, Stalinist Georgia, contemporary Georgia, and contemporary Paris, featuring the same set of actors in all four settings. close
A man goes to see his former schoolmate working at a boiler house and persuades him to burn in the furnace the corpse of his communal flat neighbor whom more
A man goes to see his former schoolmate working at a boiler house and persuades him to burn in the furnace the corpse of his communal flat neighbor whom he has just murdered after a quarrel. An orphaned girl gets a job in the archives of the maternity home to find out the identity of her mother who abandoned her years earlier. She finds her, befriends her and takes the first opportunity to throw her into the sea. An old intellectual tries to explain to the neighbor’s five-year-old daughter “all the abomination of her lumpen existence”. The girl feeling hurt for her mother decides to poison the old man with arsenic. close
In a remote Kyrgyz village, Beshkempir, an infant foundling, is taken in by five older women and later adopted by a couple unable to bear children of more
In a remote Kyrgyz village, Beshkempir, an infant foundling, is taken in by five older women and later adopted by a couple unable to bear children of their own. Fast forward to his early teenage years, a pubescent Beshkempir is faced with all the problems of crushing on girls and courtship, reconciling with friends and dealing with death in the family. Above all he questions his place in the world as an adoptee. close
The unborn child of Mamlakat is telling her story. She is 17, beautiful and vivacious, and dreaming secretly of becoming an actress. She lives with her more
The unborn child of Mamlakat is telling her story. She is 17, beautiful and vivacious, and dreaming secretly of becoming an actress. She lives with her father and brother in a small village in Central Asia. One night she is seduced by an actor from a travelling troupe, who poses as a friend of Tom Cruise, and makes her pregnant. She tries to abort, but her father and brother become determined to find the seducer, setting in motion a cascade of comic adventures. close
The movie examines the lives of the not-so-fortunate dregs of society through airy but uneven absurdist comedy. The unfortunates of the title are mentally more
The movie examines the lives of the not-so-fortunate dregs of society through airy but uneven absurdist comedy. The unfortunates of the title are mentally challenged people, some of whom could be termed insane - or merely inane. close
A filmmaker, Kobessov, awakens from an anxiety nightmare: during the preview of his newest film, the projectionist mixes up the reels and begins to show more
A filmmaker, Kobessov, awakens from an anxiety nightmare: during the preview of his newest film, the projectionist mixes up the reels and begins to show a bad karate film by accident. Although Kobessov objects to the mix-up, the public is ecstatic and refuses to allow the projectionist to interrupt the screening to show Kobessov's film. close
'A Prayer for Hetman Mazepa' unfolds during an interesting era in the history of Eastern Europe when Russia, under Peter the Great, and Sweden, under more
'A Prayer for Hetman Mazepa' unfolds during an interesting era in the history of Eastern Europe when Russia, under Peter the Great, and Sweden, under King Charles XII, struggled for power; the Ukraine was the pawn in the middle. In 1709, Ivan Mazepa, Hetman of Ukraine, which was part of the Russian Empire, signed a pact with the Swedish king promising to support Sweden in its war against Russia provided that the Ukraine was given its independence. close
The film is based on A. P. Chekhov’s play “Tatiana Repina” and short story “Difficult People”. At his wedding, the groom is horrified to see among the more
The film is based on A. P. Chekhov’s play “Tatiana Repina” and short story “Difficult People”. At his wedding, the groom is horrified to see among the church crowd his former mistress who had recently committed suicide. close
In a remote, isolated Yazidi Kurdish village in post-Soviet Armenia, Hamo, a widower with a pitiful pension and three worthless sons, travels daily to more
In a remote, isolated Yazidi Kurdish village in post-Soviet Armenia, Hamo, a widower with a pitiful pension and three worthless sons, travels daily to his wife's grave. There he meets the lovely Nina, who is communing with her late husband. The two are penniless--she works in a local bar that is about to close down, while he has been forced to start selling his meager possessions. All seems hopelessly bleak, yet when Hamo begins to court Nina, their unexpected love revitalizes them. close
A man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, more
A man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, and the marquis may be even more sinister than what the young man may've predicted. close
This celebrated director's "exquisite cruelty" appears front and center when the death of a stage actor turns a theatrical drama into a real one. Two more
This celebrated director's "exquisite cruelty" appears front and center when the death of a stage actor turns a theatrical drama into a real one. Two in One's two parts, "Stagehands" and "Woman of a Lifetime," celebrate the psychological richness that lurks just beneath the surface of banal reality - if murderous stagehands, lascivious fathers and vengeful daughters can be described as banal. close
Chouga is a beautiful, rich and beloved young woman. She is thirty and lives in Astana, the Kazak new capital. She is married to a famous scientist in more
Chouga is a beautiful, rich and beloved young woman. She is thirty and lives in Astana, the Kazak new capital. She is married to a famous scientist in his sixties and has a seven-year-old son. Her brother and sister-in-law live in Almaty. The couple is tearing apart and Chouga’s brother requests her to come and try to bring them back together. There she meets Ablaï, a rich and idle young man whom she strongly feels attracted to. Once back to Astana, Chouga tries to withstand this sensual attraction about which she has a premonition of a tragic outcome. close
Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.
Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship. close
Two young orphan siblings travel to Moscow in search of their missing father. Scared of being separated and sent to orphanages, they hope to reunite with the last link of their shattered family.
Two young orphan siblings travel to Moscow in search of their missing father. Scared of being separated and sent to orphanages, they hope to reunite with the last link of their shattered family. close
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic more
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter. close
A filmmaker finds creative freedom more elusive than he imagined in this ironic comedy-drama. Tired of the state-appointed producers and censorship in more
A filmmaker finds creative freedom more elusive than he imagined in this ironic comedy-drama. Tired of the state-appointed producers and censorship in his homeland, Soviet Georgia, Niko decides to move to France, only to find that he has merely traded one type of interference for another. close
Georgy is driving a load of freight into Russia when, after an unpleasant encounter with the police at a border crossing, he finds himself giving a lift more
Georgy is driving a load of freight into Russia when, after an unpleasant encounter with the police at a border crossing, he finds himself giving a lift to a strange old man with disturbing stories about his younger days in the Army. After next picking up a young woman who works as a prostitute and is wary of the territory, Georgy finds himself lost, and despite asking some homeless men for help, he’s less sure than he was before of how to make his way back where he belongs. As brutal images of violence and alienation cross the screen, Georgy’s odyssey becomes darker and more desperate until it reaches an unexpected conclusion. close
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