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Fifty-year-old Vladimir Ivanovich Prokhorov, relieved of his worldly possessions, takes a journey back in time. Accompanied by a traveling companion barely more
Fifty-year-old Vladimir Ivanovich Prokhorov, relieved of his worldly possessions, takes a journey back in time. Accompanied by a traveling companion barely half his age, he revisits the people and places of his youth and witnesses the dark forces that shaped the 20th century. close
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances more
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem. close
In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 more
In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 appears. Shots of the awakening of the city, renewal of its life, echo with lyrical pictures of the revival of nature. Kaufman's attentive camera stops for a long time on the smiling faces of the children, painting a lyrical picture of a confession of love for Kyiv. close
Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity.
Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity. close
Based on the novel of the same name by Oleksandr Dovzhenko. About the childhood of the famous Soviet film director Oleksandr Dovzhenko, who was born on more
Based on the novel of the same name by Oleksandr Dovzhenko. About the childhood of the famous Soviet film director Oleksandr Dovzhenko, who was born on the ancient lands of Chernihiv, along the banks the Desna. The film consists of two parts. The first is the world shown through the impressions of the six-year-old Sashko. The second is the recollections and reasoning of Sashko, now an elderly colonel who liberates his native village during the war. close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
A Soviet dam project means that many old Ukrainian villages will end up under water. There are conflicts between the dam engineers and villagers who don't want to move.
A Soviet dam project means that many old Ukrainian villages will end up under water. There are conflicts between the dam engineers and villagers who don't want to move. close
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns more
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns itself with the natural rhythms of country life, disrupted by the beat of looming industrialisation. close
Murad Rasulov, a simple 16-year-old Azerbaijani, raised in Tbilisi, and a passionate fan of football, falls in love for the first time in his life with more
Murad Rasulov, a simple 16-year-old Azerbaijani, raised in Tbilisi, and a passionate fan of football, falls in love for the first time in his life with Anya, a Russian girl who is studying at the same institute in Baku, two years older than him. The difference in age and the conflict of cultures becomes an obstacle in the way of a young man whom no one helps, in a hopeless, desperate struggle for love. close
Several episodes, each focusing on a different figure. Towards the end they all come together to replicate the famous painting by Édouard Manet that provides the title.
Several episodes, each focusing on a different figure. Towards the end they all come together to replicate the famous painting by Édouard Manet that provides the title. close
Once again, director Yulia Solnsteva directs a movie that her late husband Alexandre Dovchenko scripted but did not live long enough to shoot. In this more
Once again, director Yulia Solnsteva directs a movie that her late husband Alexandre Dovchenko scripted but did not live long enough to shoot. In this wartime drama, the emphasis is on the heroics of both the civilians and the soldiers during times of severe stress in World War II. At the core of the action is one man in particular, whose sacrifices and heroics speak for a much larger group. close
The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: more
The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.--Oxymoron close
A group of geologists discover oil under the fields where Sosana, the aged and anachronistic father, raises his herd with his unhappy wife, her friend more
A group of geologists discover oil under the fields where Sosana, the aged and anachronistic father, raises his herd with his unhappy wife, her friend and his growing boy with whom he displays a wonderful rapport. The land is invaded by big machinery that feels remarkably alien to the serene and natural aesthetic of the valley. The family all enjoys the pleasures and storytelling capacity a slide projector grants them, but it too feels distinctly out of place in a town with no plumbing. close
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel more
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties. close
About Trofimov, a well-known rider who goes on taking part in races in spite of the advanced age, until he realizes his time has gone and passes his experience on to his granddaughter’s fiance
About Trofimov, a well-known rider who goes on taking part in races in spite of the advanced age, until he realizes his time has gone and passes his experience on to his granddaughter’s fiance close
The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's more
The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice. close
Longing to discover his father, a sad young boy dreams of becoming a fish and swimming to the great white ship he sees traversing Lake Issyk. Lost in more
Longing to discover his father, a sad young boy dreams of becoming a fish and swimming to the great white ship he sees traversing Lake Issyk. Lost in his dreams, and buoyed by the pagan tales of his Central Asian grandfather, he feels a close communion with nature: so much so that when a hunter kills a stag, he too takes a final, liberating leap. close
This ideologically charged film as a typical sample of Soviet version of history portrays the events in Ukraine in 1921 after the defeat of Ukrainian more
This ideologically charged film as a typical sample of Soviet version of history portrays the events in Ukraine in 1921 after the defeat of Ukrainian liberation struggle and the occupation of the country by invading Bolshevik hordes. The Bolsheviks are good guys and Ukrainian rebels refusing to submit to a new, this time Soviet, slavery are portrayed as bandits and brigands fighting against their own people. close
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). more
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.” close
Sophiko, a well-known journalist, seems to be more close to many of her respondents when they need her advice than to his family members. All engrossed more
Sophiko, a well-known journalist, seems to be more close to many of her respondents when they need her advice than to his family members. All engrossed in her work, she suddenly finds out that she is losing her husband who has started a love affair with another woman. Of course, it strikes her badly but life never lets her to concentrate on her personal problems. close
At the age of sixteen, the heroine of the film “Salute, Maria” becomes a revolutionary underground. In 1919, at the height of the war, the girl conducts more
At the age of sixteen, the heroine of the film “Salute, Maria” becomes a revolutionary underground. In 1919, at the height of the war, the girl conducts agitation among the sailors of the invasion fleet and meets Pablo, a Spanish sailor. Fate forces them to part, and again Maria and Pablo meet only after a few difficult years. They are destined to work illegally together in Spain. Mary remains abroad when she burys her husband and son. During the Second World War, a brave woman trains cadres intended for Soviet intelligence.
The role of Maria brought Ada Rogovtseva the award for the best female role, which the actress received in 1971 at the Moscow Film Festival. According to the results of the survey of the publication “Soviet screen” in the same year close
A boy is sitting at a table, writing a letter for Boris Prutkov. The cartoon follows the journey of this letter from Rostov to Leningrad, where its addressee more
A boy is sitting at a table, writing a letter for Boris Prutkov. The cartoon follows the journey of this letter from Rostov to Leningrad, where its addressee Prutkov has just left for Berlin; when the letter arrives in Berlin, Prutkov has just departed for London; as the letter arrives in London, Prutkov is already on a steamboat to Brazil, and once the letters is delivered by postman Don Basilio, Prutkov is already on his way back to Leningrad– where the letter, having followed Prutkov around the world, finally reaches him. The film sings a song of praise to the global postal services and to the reliability of the postmen, but it also tells the story of a journey around the world, returning once more to the new Soviet capital: Leningrad. close
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