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Ali Hamraev
Али Хамраев
Birth at
19 May 1937
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Ali Irgashalievich Khamraev director screenwriter. Born in Tashkent. Graduated from the directorial faculty of VGIK (the workshop of G. Roshal and Y. Geniki). Director of the k/st "Uzbekfilm". Author and co-author of several scenarios.
The hero of the main paintings A. Khamraev and if he was a lover Kayum (artist B. Beishenaliyev) from the "White White Storks" by the red commissar Khodjaev (artist S. Chokmorov) from the "Extraordinary Commissar" or a young kolkhoznik Halima (actress D. Kambarova)
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Ali Irgashalievich Khamraev director screenwriter. Born in Tashkent. Graduated from the directorial faculty of VGIK (the workshop of G. Roshal and Y. Geniki). Director of the k/st "Uzbekfilm". Author and co-author of several scenarios.
The hero of the main paintings A. Khamraev and if he was a lover Kayum (artist B. Beishenaliyev) from the "White White Storks" by the red commissar Khodjaev (artist S. Chokmorov) from the "Extraordinary Commissar" or a young kolkhoznik Halima (actress D. Kambarova) from the "Triptych" in his aspirations can be characterized by the chrestomaticalmmontov (artist) only one passion for power. His heroes are people of one mind of one passion to whom neither life nor death is a hindrance.
In one of the best films of the artist “Without fear”, the attempt to forcibly remove the burqa from the “liberated woman of the East” turns into the death of many innocent people on both sides of the pass fight. The Seventh Bullet finale is catastrophic. In the fight of the red commander Maksumov (artist S. Chokmorov) with the Basmachi leader Khairulla, a very young girl Aigula (artist D. Kambarova) who is in love with the commander dies from a stray bullet. In the ideological clash of class enemies, a barely beginning life perishes.
But there are other heroes focused on their mind. Halimah of the Triptych, left by her empty frivolous husband, will at all costs erect her own house by herself refusing the traditional help of fellow villagers of the collective farm. Paintings of the late 80s “I remember you” with autobiographical motives, the image of an open apocalyptic world hostile to man is born.
