You want to choose worst soviet films and series from the selection "greatest movie candidates" from this list, which you'll really like?
Tell us a little about yourself or rate some films.
Worst soviet films and series from the selection "Greatest Movie Candidates" - choose and watch online
Soviet movies from the selection "Greatest Movie Candidates" - quite popular category. We know 408 this movies.
These are the most popular ones but just because a lot of people have watched them doesn't mean you should watch them.
If you want to choose movies,
which you won't be disappointed,
fill out a short form
and/or rate several films,
and filmAdviser will pick you up
soviet movies from the selection "greatest movie candidates"
according to your taste
among those
408 ,
which we know.
We will not only help you choose movie,
but we’ll also tell you where it is watch online for free
While detained in one of the Soviet Gulags (prison work camps), Maria fell in love with and had a child by one of the camp guards. However, in order to more
While detained in one of the Soviet Gulags (prison work camps), Maria fell in love with and had a child by one of the camp guards. However, in order to save her baby, she was manipulated into a situation where she had to betray her lover. The main attraction of this film is the clear depiction it gives of the harsh conditions of life in these infamous camps. close
Inspired by Flaubert’s Madame Bovary, Sokurov’s Save and Protect recalls the most crucial events of Emma’s decline and fall: affairs with the aristocratic more
Inspired by Flaubert’s Madame Bovary, Sokurov’s Save and Protect recalls the most crucial events of Emma’s decline and fall: affairs with the aristocratic Rodolphe and the student Leon, the humiliation that follows her husband’s botching of the operation on the stable boy’s clubfoot. The universality of the theme of eternal struggle between the soul and the flesh is conveyed through the absence of specific reference to time or place: although the film seems to begin in 1840, its surreal mode effortlessly accommodates an automobile and the strains of “When the Saints Go Marching In” on an off-screen radio. Focusing on passion from a woman’s perspective and downplaying plot, Sokurov explores his subject in exquisite detail, capturing not only the heat of passion but also the quiet moments before and after and the innocent sensuousness of the body. close
In "The Soviet Elegy" the long train of photos of the Soviet leaders, dead or alive, stops at the portrait of Yeltsin. At the time of shooting Yeltsin more
In "The Soviet Elegy" the long train of photos of the Soviet leaders, dead or alive, stops at the portrait of Yeltsin. At the time of shooting Yeltsin had fallen down from the assembly of the Communist Party deities, and participated in the earthly life through connections of different kinds. close
Violence in the snow! One of the most radical shorts ever made behind the iron curtain, a special document of the Necrorealists' art group, in the former more
Violence in the snow! One of the most radical shorts ever made behind the iron curtain, a special document of the Necrorealists' art group, in the former USSR. "Lesorub" (Lumberjack) is a reaction full of energy and morbid rage against the rigid rules of socialist realism - Claus Loeser, Gegenbilder close
Incredible adventures of an Italian test auto-racer in the exotic and so unpredictable Russia! Originally, this film was made as a commercial for the more
Incredible adventures of an Italian test auto-racer in the exotic and so unpredictable Russia! Originally, this film was made as a commercial for the Fiat Automobile Company, but the abundance of the shot material proved enough for editing a full-length feature. close
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns more
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns itself with the natural rhythms of country life, disrupted by the beat of looming industrialisation. close
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno more
Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno prostoty"). The anti-hero Glumov tries to escape exposure in the midst of acrobatics, derring-do, and farcical clowning. Several members of Eisenstein's troupe at the legendary "Proletkult" stage theatre in Moscow briefly appear in this little film. close
This is the second installment of a three-part series of autobiographical films about the director's life. The first, which won various awards for its more
This is the second installment of a three-part series of autobiographical films about the director's life. The first, which won various awards for its maker, was entitled Zamri Oumi Voskresni and was later retitled Zari, Umri, Vokresni ("Freeze-Die-Come to Life"). At the end of that film, set at the conclusion of World War II, the young Valerka was striving hard to overcome the inertia of just getting by, along with his sometime friend Galiya. In this one, he is adjusting to Galiya's death and is back in school and is living with his mother, a prostitute. After a girl at the school is found to have been gang-raped, the headmaster chooses Valerka to be one of the scapegoats, though he had nothing to do with the deed. The punishment seems mild enough, he was simply expelled from school. However, after quarrelling with his mother about the incident, he takes to the road, and discovers a society so bleak, degraded and hopeless that it is a wonder he remained alive. close
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel more
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties. close
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this more
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities. close
The peaceful life of an exemplary collective farm is being rent asunder by shortages and dissent, and a commissar is sent to uncover the source of the more
The peaceful life of an exemplary collective farm is being rent asunder by shortages and dissent, and a commissar is sent to uncover the source of the problems, unaware that their is actual sabotage involved. close
A group of Russian partisans hiding within a remote forest attempt to destroy a nearby German airfield, all the while assisting a downed French pilot more
A group of Russian partisans hiding within a remote forest attempt to destroy a nearby German airfield, all the while assisting a downed French pilot who happens to fall madly in love with a local girl. close
A wise and forgiving communist leader decides to send a young worker, Karl Renn, as an international delegate to the Soviet Union after the worker had more
A wise and forgiving communist leader decides to send a young worker, Karl Renn, as an international delegate to the Soviet Union after the worker had deserted a picket-line and had expressed doubts about the methods of class struggle in in his own country. close
The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's more
The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice. close
Surrounded by a few party officials, Alexei Ivanov, a stakhanovist smelter, is decorated by Stalin. The "Little Father of the Peoples" takes this opportunity more
Surrounded by a few party officials, Alexei Ivanov, a stakhanovist smelter, is decorated by Stalin. The "Little Father of the Peoples" takes this opportunity to invoke threats of war.... One day, war indeed breaks out. Bombs fall on the field where Alexei finds himself in the company of the schoolmistress Natacha, his fiancée. Alexei joins the Red Army and soon becomes a sergeant. Fighting rages and German troops advance. Natacha is arrested and deported. But the tide turns decisively with the German defeat at Stalingrad. Now the major offensive against Hitler can begin. close
The Confession (1990) survives in Parajanov: The Last Spring (1992) in its original camera negative. It remained unfinished due to the death of Sergei more
The Confession (1990) survives in Parajanov: The Last Spring (1992) in its original camera negative. It remained unfinished due to the death of Sergei Parajanov. The Confession (1990) was his favorite screenplay, which was written in the 1960s and was his film-memory of the childhood, student years, marriage, imprisonment and more as the fantasist Parajanov perceived it. Parajanov gifted the screenplay to Mikhail Vartanov, made a drawing on the cover and wrote: "The Confession will only be made by a director born in 1924 in Tiflis, Georgia." He predicted that he would not finish it. close
A Russian village struggles through the German occupation during World War II in this tense drama from the Soviet Union. As the town doctor finds his more
A Russian village struggles through the German occupation during World War II in this tense drama from the Soviet Union. As the town doctor finds his home has been taken by German troops, his daughter becomes involved in the anti-Axis resistance, and his son -- confined to a mental hospital -- escapes to fight the invading armies. close
Singer Oksana has lost her beloved in the war. Everyone thinks he perished, but actually he was taken prisoner, then ran away, hid, fell into American more
Singer Oksana has lost her beloved in the war. Everyone thinks he perished, but actually he was taken prisoner, then ran away, hid, fell into American hands, and… Finally, he returns to his village, and meets Oksana. —Yerevan International Film Festival close
A woman whose husband has been killed in WWII lives with her father-in-law in the desert. She cannot leave and go back to her family, because that would more
A woman whose husband has been killed in WWII lives with her father-in-law in the desert. She cannot leave and go back to her family, because that would mean the end of hope that her husband, a heroic pilot, might return one day. close
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage more
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors. close
Based on the novel “Ukuaru” by Veera Saar, a story about Minna, a young woman who has to make choices in the name of her true love, home, and the continuation of life.
Based on the novel “Ukuaru” by Veera Saar, a story about Minna, a young woman who has to make choices in the name of her true love, home, and the continuation of life. close
The way Saint Peter explains it to the Devil who's knocking on Heaven's door to collect his share of souls: there will be no more souls, as God has come more
The way Saint Peter explains it to the Devil who's knocking on Heaven's door to collect his share of souls: there will be no more souls, as God has come to doubt if humans are really meant to achieve salvation. If they aren't then how can they be punished posthumous and sent to Hell? There's only one way to make sure if sinning is the human nature, or is it that they simply don't want to better themselves - Devil himself must go down to Earth, in human form, and if he can achieve salvation then so can a human being... Based on A. H. Tammsaare's classic novel of the same name. close
The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects more
The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic. close
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary more
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society. close
A 1937 Soviet documentary film directed by Dziga Vertov. The film was shot to commemorate the 20th anniversary of the October Revolution. It focuses on more
A 1937 Soviet documentary film directed by Dziga Vertov. The film was shot to commemorate the 20th anniversary of the October Revolution. It focuses on the women and the role of motherhood, featuring images from across the Soviet Union, in particular the Far East. close