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Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade more
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution. close
A hapless loser (with the surname of Loser) undergoes misadventures with avaracious clergy, a tired horse, and a walking granary (among other things) on his road to collectivized happiness.
A hapless loser (with the surname of Loser) undergoes misadventures with avaracious clergy, a tired horse, and a walking granary (among other things) on his road to collectivized happiness. close
A 1935 USA trade-paper reviewer called it... "an impressive and technically outstanding historical drama dealing with czarist terrorism and revolutionary more
A 1935 USA trade-paper reviewer called it... "an impressive and technically outstanding historical drama dealing with czarist terrorism and revolutionary boiling in the days of 1907. Picture is one of the Soviet prize winners and has particular merits in realistic performance, photography and movement, plus some musical touches in way of folk songs." Written by Les Adams close
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' more
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution. close
Outskirts is an internationally renowned masterpiece of early sound cinema. In a remote Russian village during World War I, colorful and nuanced characters more
Outskirts is an internationally renowned masterpiece of early sound cinema. In a remote Russian village during World War I, colorful and nuanced characters experience divided loyalties: family loyalty vs. personal desire, nationalism vs. transcendent humanism. close
The first screen adaptation of an epic Russian novel about a village of Cossacks on the Don River, covering the last days of peace on the riverside before the beginning of the First World War.
The first screen adaptation of an epic Russian novel about a village of Cossacks on the Don River, covering the last days of peace on the riverside before the beginning of the First World War. close
During the good old days of the Russian aristocracy, that is to say, before the October Revolution, in the city of Moscow there was a fancy restaurant more
During the good old days of the Russian aristocracy, that is to say, before the October Revolution, in the city of Moscow there was a fancy restaurant which catered to the appetites and egos of the rich. In one such establishment works a middle-aged waiter who is devoted to serving his bourgeoisie clients correctly. However, his life outside his job is very different: His son was killed during the Russian civil war and the waiter's wife died of grief as a result.... close
A poor but honest fisherman Pepo opposes a cunning trader Zimzimov, who tries to rob him by trickery refusing to pay a lost bill. Pepo choses prison to paying-off his honour.
A poor but honest fisherman Pepo opposes a cunning trader Zimzimov, who tries to rob him by trickery refusing to pay a lost bill. Pepo choses prison to paying-off his honour. close
In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, more
In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test. close
Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial more
Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial culture in an epic ode to farm-collectivization progress. close
Zaitsev did not have the moral strength to stand the test of power. The position of the head of construction quickly taught him to catch, twist, cooperate more
Zaitsev did not have the moral strength to stand the test of power. The position of the head of construction quickly taught him to catch, twist, cooperate with crooks and hoodlums. But after arriving in the town where his Red Army colleagues work, he was firmly confident in success and their friendly support. But Glinka and Lacis, who also hold senior positions, believe that honesty and decency are a prerequisite for true friendship.
Soviet comedy "Three Comrades" (1935) - the film where the famous film was last shot close
Jacob, a farmer, returns from the war to his wife Marie and begs the landlord baron for a plot of land to rent. The Baron grants the request, but only more
Jacob, a farmer, returns from the war to his wife Marie and begs the landlord baron for a plot of land to rent. The Baron grants the request, but only for a barren, rocky, useless acreage. The pair struggle to make do on this land, but then the Baron demands that Maria leave her husband to serve as wet nurse to his married daughter Anya's new baby, on threat of eviction. While nursing the daughter's baby, Maria receives unwelcome attentions from the daughter's husband, and a scandal erupts, ruining Maria in her husband's eyes. When she escapes from her employers and seeks to return home, the police give her the yellow passport signifying a prostitute, further degrading her. She approaches home, unsure of the reception that awaits her. close
Namus (Armenian: Նամուս, meaning "honor") is a 1925 silent film by Hamo Beknazarian, based on Alexander Shirvanzade's 1885 novel of the same name, which more
Namus (Armenian: Նամուս, meaning "honor") is a 1925 silent film by Hamo Beknazarian, based on Alexander Shirvanzade's 1885 novel of the same name, which denounces the despotic rites and customs of Caucasian families. It is widely recognized as the first Armenian feature film. close
The vain station master of a Russian train station out in the sticks has a quarrel with an old peasant woman and has her thrown in jail. The local party more
The vain station master of a Russian train station out in the sticks has a quarrel with an old peasant woman and has her thrown in jail. The local party youth organisation finally manage to get her released, after having to cut through lots of red tape. close
A young country girl who becomes an apple seller is seduced and abandoned. She finds a protector but when he is arrested for theft she finds honest work in a factory.
A young country girl who becomes an apple seller is seduced and abandoned. She finds a protector but when he is arrested for theft she finds honest work in a factory. close
The daredevil pilot Sergei Belyaev takes a risk flying a plane which is not properly maintained and crashes dangerously, landing in hospital, his plane more
The daredevil pilot Sergei Belyaev takes a risk flying a plane which is not properly maintained and crashes dangerously, landing in hospital, his plane going up in smoke. The aviation student Galya Bystrova, having a crush with Belyaev, unfortunately tends to imitate him in the air. Later, heeding the advice of the wise headmaster Rogachev, they become experienced pilots. Bystrova is assigned to Pamir, and Rogachev, in love with her, is sent to Sakhalin. close
The story concentrates on a single 48-hour period during the Russian Revolution. The central character, played by Y. E. Samchykovski, is an old servant more
The story concentrates on a single 48-hour period during the Russian Revolution. The central character, played by Y. E. Samchykovski, is an old servant who staunchly supports the Royal Family. Even when his master is placed in prison and his son is appointed a commissar, the servant remains faithful to the Czarist regime. But when his village is invaded by the White Russian army and his son is summarily executed, the old man realizes that his homeland is far better off in the hands of the revolutionaries, who seek to build rather than destroy. A "cleansing" fire brings this propaganda piece to an appropriately symbolic conclusion. close
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. more
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite.
As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels. close
An adaptation of Evgenii Zamiatin’s short story “The Cave,” about a musician dying of hunger in his large, unheated Petersburg apartment because he was not needed in the revolutionary city.
An adaptation of Evgenii Zamiatin’s short story “The Cave,” about a musician dying of hunger in his large, unheated Petersburg apartment because he was not needed in the revolutionary city. close
A group of Ukrainian women are forced to work in the mine under the supervision of cruel enemy soldiers. When the soldiers are forced to retreat and decide more
A group of Ukrainian women are forced to work in the mine under the supervision of cruel enemy soldiers. When the soldiers are forced to retreat and decide to blow up the mine, the women organize a guerrilla action to stop them. close
A travelling circus troupe during the Civil War. A kommissar tries to transfer the wagon into an agit-prop van. The Whites conquer the town. The kommissar hides among the artists.
A travelling circus troupe during the Civil War. A kommissar tries to transfer the wagon into an agit-prop van. The Whites conquer the town. The kommissar hides among the artists. close
Aerograd is a 1935 Soviet film by Ukrainian director Olexander Dovzhenko, Mosfilm-VUFKU coproduction. It is a futuristic adventure story set in the Soviet more
Aerograd is a 1935 Soviet film by Ukrainian director Olexander Dovzhenko, Mosfilm-VUFKU coproduction. It is a futuristic adventure story set in the Soviet Far East. Considered one of two sound masterpieces by Dovzhenko, the other being "Ivan". close
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete more
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused. close
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary more
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society. close
A story about capitalistic corruption in a small village and the personal struggles of Anka (Vera Marinich) as she is pregnant and abandoned by her lover.
A story about capitalistic corruption in a small village and the personal struggles of Anka (Vera Marinich) as she is pregnant and abandoned by her lover. close
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