You want to choose the most new dramatic soviet drama films and series from this list, which you'll really like?
Tell us a little about yourself or rate some films.
The most new dramatic soviet drama films and series - choose and watch online
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary more
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society. close
A wise and forgiving communist leader decides to send a young worker, Karl Renn, as an international delegate to the Soviet Union after the worker had more
A wise and forgiving communist leader decides to send a young worker, Karl Renn, as an international delegate to the Soviet Union after the worker had deserted a picket-line and had expressed doubts about the methods of class struggle in in his own country. close
Outskirts is an internationally renowned masterpiece of early sound cinema. In a remote Russian village during World War I, colorful and nuanced characters more
Outskirts is an internationally renowned masterpiece of early sound cinema. In a remote Russian village during World War I, colorful and nuanced characters experience divided loyalties: family loyalty vs. personal desire, nationalism vs. transcendent humanism. close
Shame or Counterplan is a 1932 Soviet drama film directed by Sergei Yutkevich and Fridrikh Ermler. The film’s title-song called "The Song of the Counterplan", more
Shame or Counterplan is a 1932 Soviet drama film directed by Sergei Yutkevich and Fridrikh Ermler. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s. This film could be considered as a Stalin propaganda film. The plot involves an effort to catch "wreckers" at work in a Soviet factory. From Wikipedia, the free encyclopedia close
During World War 1 a Russian soldier (Pyotr Sobolevsky) serves in Russian Expeditionary Force in France where he is chosen for his marksmanship and trained more
During World War 1 a Russian soldier (Pyotr Sobolevsky) serves in Russian Expeditionary Force in France where he is chosen for his marksmanship and trained as a skilled sniper. After the Russian revolution the soldier returns home while his commander (Boris Shlikhting) fights against the Soviet Russia. In 1930 the former soldier works on a factory and also he is the instructor in shooting club. Once the town that is near the Soviet border is attacked by foreign troops (the hostile state isn't named but the uniform of the soldiers resembles Finnish). The character meets againt with his former commander who serves in invading forces. close
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this more
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities. close
Young hobos are taken to a new camp to become good Soviet citizens. This camp works without any guards, and it works well. But crooks kill one of the more
Young hobos are taken to a new camp to become good Soviet citizens. This camp works without any guards, and it works well. But crooks kill one of the young people when they try to damage the newly built railroad to the camp. close
The first screen adaptation of an epic Russian novel about a village of Cossacks on the Don River, covering the last days of peace on the riverside before the beginning of the First World War.
The first screen adaptation of an epic Russian novel about a village of Cossacks on the Don River, covering the last days of peace on the riverside before the beginning of the First World War. close
«Goroda i gody» is a Drama film directed by Yevgeni Chervyakov, and written by Yevgeni Chervyakov, Konstantin Fedin, Dmitri Tolmachyov and Nathan Zarkhi, released in the USA on April 03 of 1931.
«Goroda i gody» is a Drama film directed by Yevgeni Chervyakov, and written by Yevgeni Chervyakov, Konstantin Fedin, Dmitri Tolmachyov and Nathan Zarkhi, released in the USA on April 03 of 1931. close
Vasyl, a member of the Komsomol, with the help of a local party organization, gets a tractor and plows private boundaries "on kulak fields". However, this enthusiasm will cost him dearly.
Vasyl, a member of the Komsomol, with the help of a local party organization, gets a tractor and plows private boundaries "on kulak fields". However, this enthusiasm will cost him dearly. close
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel more
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties. close
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade more
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution. close
From his early silent works, the great Russian film director, Herr Yakov Protazanov, made literary adaptations from equally great Russian writers, as more
From his early silent works, the great Russian film director, Herr Yakov Protazanov, made literary adaptations from equally great Russian writers, as is the case with "Chiny I Lyudi" ( Ranks And People ) (1929) in which three short stories by Chekhov, "Anna On The Neck", "Death Of A Petty Official" and "Chameleon" were assembled for the silent screen. close
Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial more
Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial culture in an epic ode to farm-collectivization progress. close
The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional more
The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional Victor Karenin, a rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he first falls in with Gypsies, and into a sexual relationship with a Gypsy singer, Masha. close
In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading more
In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury. close
Georgia, 1864. The Tsarist regime is using Cossacks to forcibly resettle Muslim Georgians to Turkey in order to steal their land. Meanwhile a Muslim girl more
Georgia, 1864. The Tsarist regime is using Cossacks to forcibly resettle Muslim Georgians to Turkey in order to steal their land. Meanwhile a Muslim girl falls in love with a Christian from the next village. close
The film is based on The Governor, a play by Leonid Andreyev. V.I. Kachalov plays the governor of a small Russian province who tries to treat the people more
The film is based on The Governor, a play by Leonid Andreyev. V.I. Kachalov plays the governor of a small Russian province who tries to treat the people under his authority with kindness and equanimity. But when a local factory goes on strike, the governor buckles under to pressure from the Tzar and orders the wholesale slaughter of the strikers. He pays for this betrayal of his trust with his life -- at the hands of a courageous Bolshevik spy. close
Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical more
Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical of Russian cinema. And Kruzheva is a good example of that as he illustrates the friendly rivalries between the youths on village in both a very rough and clowning way. close
The momentous film stars Mykola Nademskyi as the grandfather of Tymish (Semen Svashenko), whom he alerts to secret treasure buried in the mountains of more
The momentous film stars Mykola Nademskyi as the grandfather of Tymish (Semen Svashenko), whom he alerts to secret treasure buried in the mountains of Zvenygora – Treasure that rightfully belongs to his homeland. The film wonderfully blends both lyricism and politics and uses its central construct to build a montage praising Ukrainian industrialization, attacking the bourgeoisie, celebrating the beauty of the Ukrainian steppe and retelling ancient folklore. Said Sergei Eisenstein of the film, "As the lights went on, we felt that we had just witnessed a memorable event in the development of the cinema". close
An adaptation of Evgenii Zamiatin’s short story “The Cave,” about a musician dying of hunger in his large, unheated Petersburg apartment because he was not needed in the revolutionary city.
An adaptation of Evgenii Zamiatin’s short story “The Cave,” about a musician dying of hunger in his large, unheated Petersburg apartment because he was not needed in the revolutionary city. close
This little known Russian movie, from the director of the following year's Oblomok imperii/ A Fragment of Empire is both surprising and accomplished. more
This little known Russian movie, from the director of the following year's Oblomok imperii/ A Fragment of Empire is both surprising and accomplished. The mute cobbler is interested in the local girl but she is already pregnant by one of the gang of sailor suit toughs. The Soviet Youth League secretary's only assistance to her is a book about sex in Russian literature and things turn nasty. close
Jacob, a farmer, returns from the war to his wife Marie and begs the landlord baron for a plot of land to rent. The Baron grants the request, but only more
Jacob, a farmer, returns from the war to his wife Marie and begs the landlord baron for a plot of land to rent. The Baron grants the request, but only for a barren, rocky, useless acreage. The pair struggle to make do on this land, but then the Baron demands that Maria leave her husband to serve as wet nurse to his married daughter Anya's new baby, on threat of eviction. While nursing the daughter's baby, Maria receives unwelcome attentions from the daughter's husband, and a scandal erupts, ruining Maria in her husband's eyes. When she escapes from her employers and seeks to return home, the police give her the yellow passport signifying a prostitute, further degrading her. She approaches home, unsure of the reception that awaits her. close
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' more
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution. close
Tsar Nicholas I is enamoured by Natalia, the wife of Alexander Pushkin. To cover his tracks, the tsar encourages the suit of Georges d'Anthès, a French more
Tsar Nicholas I is enamoured by Natalia, the wife of Alexander Pushkin. To cover his tracks, the tsar encourages the suit of Georges d'Anthès, a French officer, with the help of Count Alexander von Benckendorff. Pushkin hears rumours of D’Anthès’s love for his wife and challenges him to a duel. The officer attempts to save his life by marrying Natalia’s sister Ekaterina. Returning from his country estate, Pushkin receives anonymous letters and insists on a duel with D’Anthès. close
During the good old days of the Russian aristocracy, that is to say, before the October Revolution, in the city of Moscow there was a fancy restaurant more
During the good old days of the Russian aristocracy, that is to say, before the October Revolution, in the city of Moscow there was a fancy restaurant which catered to the appetites and egos of the rich. In one such establishment works a middle-aged waiter who is devoted to serving his bourgeoisie clients correctly. However, his life outside his job is very different: His son was killed during the Russian civil war and the waiter's wife died of grief as a result.... close
60 from 61
If you were registered, you should have seen the full description right here...