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Merry Fellows was the first Soviet musical comedy. Set in Odessa and Moscow in the 1930s. Shepherd Kostya Potekhin (Utyosov) is mistaken for an international more
Merry Fellows was the first Soviet musical comedy. Set in Odessa and Moscow in the 1930s. Shepherd Kostya Potekhin (Utyosov) is mistaken for an international concert star. He falls in love with Anyuta (Orlova) and plays the "star" for her. In a cascade of comic musical numbers he becomes the leader of a Jazz-Band and gives a hilarious show at the Odessa Music Hall. Now he is destined to perform at the Bolshoi Theatre in Moscow. close
The story, a Communist re-telling of Gulliver's Travels, is about a young boy who dreams of himself as a version of Gulliver who has landed in Lilliput more
The story, a Communist re-telling of Gulliver's Travels, is about a young boy who dreams of himself as a version of Gulliver who has landed in Lilliput suffering under capitalist inequality and exploitation. close
The protagonist, a lazy pen-pusher, gets the sack for his bureaucratic idleness, and learns that the way back into the job market depends on getting a more
The protagonist, a lazy pen-pusher, gets the sack for his bureaucratic idleness, and learns that the way back into the job market depends on getting a letter of recommendation from a "grandmother" close
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns more
After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns itself with the natural rhythms of country life, disrupted by the beat of looming industrialisation. close
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary more
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society. close
Zaitsev did not have the moral strength to stand the test of power. The position of the head of construction quickly taught him to catch, twist, cooperate more
Zaitsev did not have the moral strength to stand the test of power. The position of the head of construction quickly taught him to catch, twist, cooperate with crooks and hoodlums. But after arriving in the town where his Red Army colleagues work, he was firmly confident in success and their friendly support. But Glinka and Lacis, who also hold senior positions, believe that honesty and decency are a prerequisite for true friendship.
Soviet comedy "Three Comrades" (1935) - the film where the famous film was last shot close
Namus (Armenian: Նամուս, meaning "honor") is a 1925 silent film by Hamo Beknazarian, based on Alexander Shirvanzade's 1885 novel of the same name, which more
Namus (Armenian: Նամուս, meaning "honor") is a 1925 silent film by Hamo Beknazarian, based on Alexander Shirvanzade's 1885 novel of the same name, which denounces the despotic rites and customs of Caucasian families. It is widely recognized as the first Armenian feature film. close
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete more
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused. close
Goga is a Russian man who has no luck with women. He has a chance meeting with Mary Pickford, and after she kisses him on the cheek, he becomes as irresistible as her.
Goga is a Russian man who has no luck with women. He has a chance meeting with Mary Pickford, and after she kisses him on the cheek, he becomes as irresistible as her. close
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair more
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m) close
Konstantin Eggert both directed and starred as Count Shemet, cursed by his insane mother’s traumatic experience with a bear to have seizures during which he himself becomes a “bear” on the kill.
Konstantin Eggert both directed and starred as Count Shemet, cursed by his insane mother’s traumatic experience with a bear to have seizures during which he himself becomes a “bear” on the kill. close
The animated film “Dragonfly and the Ant”, among the creators of which should be mentioned the outstanding Soviet animator Ivan Ivanov-Vano, is based more
The animated film “Dragonfly and the Ant”, among the creators of which should be mentioned the outstanding Soviet animator Ivan Ivanov-Vano, is based on the fable of the same name by Ivan Krylov. A year later, in 1936, a color version of the film was released.
The plot, set out in verse, dates back to ancient times and is contained in the famous fables of Aesop. While the dragonfly jumps carelessly and dances all summer, laughing at the ant, he carefully prepares for the winter, collecting supplies. But when it gets cold, the jumper comes to the ant to warm up and ask for food. close
Silent cartoon satire "Dear Long" Ivan Druzhinina ridicules the hard life of railway workers, who daily have to deal with problems on railway transport.
The more
Silent cartoon satire "Dear Long" Ivan Druzhinina ridicules the hard life of railway workers, who daily have to deal with problems on railway transport.
The driver Vanya decides to overtake a new courier train on his well-known steam locomotive. The verst changes the mile, and the rusher is already preparing for victory, when suddenly on the tracks, as if from the ground, an unexpected obstacle arises: Vanin steam locomotive crashes ... into a cow. On the branch there is a crash, and all the consequences in the shortest possible time must be eliminated in order to deliver strategic cargo - bags of grain. close
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. more
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite.
As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels. close
A bold study on the dangers of prostitution in the Soviet Union in the 1920s. It's sort of dramatic fiction that tells the story of Lyuba, which after more
A bold study on the dangers of prostitution in the Soviet Union in the 1920s. It's sort of dramatic fiction that tells the story of Lyuba, which after irremediable events, loses his honor, being obliged to exercise the oldest profession in the world to survive. She hopes for better days and a new opportunity. The film also shows us the story of two other women who also need hope. close
Igor Savchenko's Accordion (Garmon', 1934) was adapted from a poem by A. Zharov. This film sheds light on the reasons why the mass song came into being. more
Igor Savchenko's Accordion (Garmon', 1934) was adapted from a poem by A. Zharov. This film sheds light on the reasons why the mass song came into being. In it, the country boy Timosha stops playing the accordion after being chosen leader of the local Komsomol. When he understands that he must compete with the sad kulak songs played by Tlskliby ("Mournful"), he recognizes his mistake in abandoning his accordion, and in the end he gathers the other youths around him with his lively and merry songs. close
The story concentrates on a single 48-hour period during the Russian Revolution. The central character, played by Y. E. Samchykovski, is an old servant more
The story concentrates on a single 48-hour period during the Russian Revolution. The central character, played by Y. E. Samchykovski, is an old servant who staunchly supports the Royal Family. Even when his master is placed in prison and his son is appointed a commissar, the servant remains faithful to the Czarist regime. But when his village is invaded by the White Russian army and his son is summarily executed, the old man realizes that his homeland is far better off in the hands of the revolutionaries, who seek to build rather than destroy. A "cleansing" fire brings this propaganda piece to an appropriately symbolic conclusion. close
The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the more
The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men. close
The seamy Jewish underworld of Odesa is the setting for Isaac Babel's story based on the life of gangster king Mishka Yaponchik "Mike the Jap" Vinnitsky. more
The seamy Jewish underworld of Odesa is the setting for Isaac Babel's story based on the life of gangster king Mishka Yaponchik "Mike the Jap" Vinnitsky. Murder is a way of life for Benya and his gang until he finds himself ensnared in a Bolshevik trap. close
"Though not given a New York showing until 1935, V. I. Pudovkin's Mechanics of the Brain (Mekhanika Golovnovo Mozga) was written and directed by Pudovkin more
"Though not given a New York showing until 1935, V. I. Pudovkin's Mechanics of the Brain (Mekhanika Golovnovo Mozga) was written and directed by Pudovkin in 1926. A full year in the making, this scientific documentary concentrates on the behavioral studies conducted by Prof. Ivan Pavlov. The laboratory dogs used in Pavlov's research don't seem too happy about it, and as a result this film might be hard to take for the more sensitive viewers (the vivisection sequence is particularly rough). The progress of the research is detailed with charts and graphs, hardly the "cinematic" touches one might expect from Pudovkin. Interestingly, Mechanics of the Brains was released two years before the results of Pavlov's studies were printed in book form." close
The new power stations are beating like hearts to the pulse of modernisation. At gigantic expense and effort, the Soviet Union is rapidly industrialised. more
The new power stations are beating like hearts to the pulse of modernisation. At gigantic expense and effort, the Soviet Union is rapidly industrialised. The state plan foresees the construction of forty power-generation centres across the country. However, the people must first be enlightened about the nature and use of electrical current. Horses and tractors, households and industry, nature and the world of work, neon signs and the construction of power stations all depend on this miraculous new source of energy. The famous Soviet director Lev Kuleshov masterfully realises this project with documentary shots, acted scenes, and lots of creative trick sequences. close
During World War 1 a Russian soldier (Pyotr Sobolevsky) serves in Russian Expeditionary Force in France where he is chosen for his marksmanship and trained more
During World War 1 a Russian soldier (Pyotr Sobolevsky) serves in Russian Expeditionary Force in France where he is chosen for his marksmanship and trained as a skilled sniper. After the Russian revolution the soldier returns home while his commander (Boris Shlikhting) fights against the Soviet Russia. In 1930 the former soldier works on a factory and also he is the instructor in shooting club. Once the town that is near the Soviet border is attacked by foreign troops (the hostile state isn't named but the uniform of the soldiers resembles Finnish). The character meets againt with his former commander who serves in invading forces. close
A Soviet girl has met Douglas Fairbanks and Mary Pickford during their visit to Moscow in 1927 and dreams of going to Hollywood. Overcome with excitement, more
A Soviet girl has met Douglas Fairbanks and Mary Pickford during their visit to Moscow in 1927 and dreams of going to Hollywood. Overcome with excitement, she falls asleep and her dream comes true. close