You want to choose the most old soviet movies about murder from this list, which you'll really like?
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The most old soviet movies about murder - choose and watch online
Soviet movies about murder - quite rare category. We know total 92 this movies.
Including such famous ones as
"Alexander Nevsky", 1938
"Ivan the Terrible, Part I", 1944
"Hamlet", 1964
"The Passion According to Andrey", 1966
"The White Sun of the Desert", 1969
and etc.
These are the most popular ones but just because a lot of people have watched them doesn't mean you should watch them.
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soviet movies about murder
according to your taste
among those
92 ,
which we know.
We will not only help you choose movie,
but we’ll also tell you where it is watch for free in russian
A young man travels to Mars in a rocket ship, where he leads a popular uprising against the ruling group with the support of Queen Aelita, who has fallen more
A young man travels to Mars in a rocket ship, where he leads a popular uprising against the ruling group with the support of Queen Aelita, who has fallen in love with him after watching him through a telescope. close
Namus (Armenian: Նամուս, meaning "honor") is a 1925 silent film by Hamo Beknazarian, based on Alexander Shirvanzade's 1885 novel of the same name, which more
Namus (Armenian: Նամուս, meaning "honor") is a 1925 silent film by Hamo Beknazarian, based on Alexander Shirvanzade's 1885 novel of the same name, which denounces the despotic rites and customs of Caucasian families. It is widely recognized as the first Armenian feature film. close
After a man kills 2 members of his Yukon gold prospecting team, the other 2 surviving members struggle to keep him subdued for the next several months until they can turn him over to the law.
After a man kills 2 members of his Yukon gold prospecting team, the other 2 surviving members struggle to keep him subdued for the next several months until they can turn him over to the law. close
The film is based on The Governor, a play by Leonid Andreyev. V.I. Kachalov plays the governor of a small Russian province who tries to treat the people more
The film is based on The Governor, a play by Leonid Andreyev. V.I. Kachalov plays the governor of a small Russian province who tries to treat the people under his authority with kindness and equanimity. But when a local factory goes on strike, the governor buckles under to pressure from the Tzar and orders the wholesale slaughter of the strikers. He pays for this betrayal of his trust with his life -- at the hands of a courageous Bolshevik spy. close
Vasyl, a member of the Komsomol, with the help of a local party organization, gets a tractor and plows private boundaries "on kulak fields". However, this enthusiasm will cost him dearly.
Vasyl, a member of the Komsomol, with the help of a local party organization, gets a tractor and plows private boundaries "on kulak fields". However, this enthusiasm will cost him dearly. close
Young hobos are taken to a new camp to become good Soviet citizens. This camp works without any guards, and it works well. But crooks kill one of the more
Young hobos are taken to a new camp to become good Soviet citizens. This camp works without any guards, and it works well. But crooks kill one of the young people when they try to damage the newly built railroad to the camp. close
When German knights invade Russia, Prince Alexander Nevsky must rally his people to resist the formidable force. After the Teutonic soldiers take over more
When German knights invade Russia, Prince Alexander Nevsky must rally his people to resist the formidable force. After the Teutonic soldiers take over an eastern Russian city, Alexander stages his stand at Novgorod, where a major battle is fought on the ice of frozen Lake Chudskoe. While Alexander leads his outnumbered troops, two of their number, Vasili and Gavrilo, begin a contest of bravery to win the hand of a local maiden. close
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. more
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether. close
This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest more
This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him. close
Paralyzed since birth, Ilya can only watch helplessly as his village is plundered by barbarians. But when a mysterious traveler arrives with a magic elixir more
Paralyzed since birth, Ilya can only watch helplessly as his village is plundered by barbarians. But when a mysterious traveler arrives with a magic elixir that restores him to full health, Ilya begins an adventure to protect the village and the royal family from harm. close
In Arabic, “mameluke” means a white slave, a prisoner. In Egypt, this name was given to prisoners of war who had been sold into slavery from Georgia and more
In Arabic, “mameluke” means a white slave, a prisoner. In Egypt, this name was given to prisoners of war who had been sold into slavery from Georgia and other countries of the Caucasus. The action of this drama starts in Georgia in the late 18th century. Two friends are abducted and sold into slavery. One ends up in Egypt, the other - in Venice. Years later, they meet by the ancient pyramids, in the desert where a battle is going on between the armies of Bonaparte and Ali-bey, the ruler of Egypt. In a combat with a French officer, the Mameluke injures him. Falling from his horse onto the sand, the officer exclaims in Georgian: “Vai, nana!” (“Oh, mother!”). And the Mameluke recognizes in him a mate of his childhood games. close
The Ossetian prince is thrown a baby girl. In memory of the deceased daughter, the prince adopts a baby. Years pass. The beautiful Fatima and the son more
The Ossetian prince is thrown a baby girl. In memory of the deceased daughter, the prince adopts a baby. Years pass. The beautiful Fatima and the son of Prince Jambulat love each other. He falls in love with Fatima and Prince Ibrahim's farmhand but hides his feelings while watching the happy couple. The Russian-Turkish war begins and Dzhambulat is the first to leave his native land and beloved for five years. Five ten years pass. Years of grief do not bring the lovers closer. According to the law of the mountains, Fatima is forced to marry. The prince insists on that. The girl rejects the princely suitors and chooses an old friend - halop Ibrahim, now working for a Russian engineer. Ibrahim managed to create a happy family. The firstborn was named Jambulat. Fatima has no soul in her husband and children. Five years pass in peace and joy. Suddenly, Jambulat, who wandered the world after his captivity, returns, still loving Fatima - and demands that she be with him. . . close
Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's more
Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations. close
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous more
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again. close
Uldis Dumpis (“Secret Fairway”), Oleg Basilashvili (“Eternal Call”), Rita Gladunko (“Contarabanda”), Vadim Medvedev (“Autumn Marathon”) in the film “Conspiracy more
Uldis Dumpis (“Secret Fairway”), Oleg Basilashvili (“Eternal Call”), Rita Gladunko (“Contarabanda”), Vadim Medvedev (“Autumn Marathon”) in the film “Conspiracy of Ambassadors”. The historical detective about the disclosure of the Chekists under the leadership of F. E. Dzerzhinsky and J. Peters of a conspiracy against young Soviet Russia, which in 1918 was organized by the ambassadors of several hostile states led by the English diplomat Lockhart. close
Katerina Izmailova is a filmization of Dmitry Shostakovich's long-suppressed 1936 opera. Galina Vishnevskaya stars as Katerina, a bored 19th century farm more
Katerina Izmailova is a filmization of Dmitry Shostakovich's long-suppressed 1936 opera. Galina Vishnevskaya stars as Katerina, a bored 19th century farm wife. At the behest of her grungy lover, Katerina murders her husband and her father-in-law. She and her new beau are both sent to Siberia, where the lover almost immediately takes up with a younger woman. Banned by Stalin for its bleak portrait of Soviet life, Katerina Izmailova was not given a Russian staging for over 40 years; its Metropolitan Opera debut did not occur until 1994. Dmitri Shostakovich also wrote the screenplay for the screen version of Katerina Izmailova. close
Brave sons of Khevsureti and Kisteti fight against each to protect their homelands. But, they confront faulty domestic traditions to respect enemy’s true more
Brave sons of Khevsureti and Kisteti fight against each to protect their homelands. But, they confront faulty domestic traditions to respect enemy’s true prowess and find themselves in conflict with own compatriots. close
The setting is the east shore of the Caspian Sea (today's Turkmenistan) where the Red Army soldier Fyodor Sukhov has been fighting the Civil War in Russian more
The setting is the east shore of the Caspian Sea (today's Turkmenistan) where the Red Army soldier Fyodor Sukhov has been fighting the Civil War in Russian Asia for a number of years. After being hospitalised and then demobbed, he sets off home to join his wife, only to be caught up in a desert fight between a Red Army cavalry unit and Basmachi guerrillas. The cavalry unit commander, Rahimov, "convinces" Sukhov to help, temporarily, with the protection of abandoned women of the Basmachi guerrilla leader Abdullah's harem. Leaving a young Red Army soldier, Petrukha, to assist Sukhov with the task, Rahimov and his cavalry unit set out to pursue fleeing Abdullah.Sukhov and women from Abdullah's harem return to a nearby shore town. Soon, looking for a seaway across the border, Abdullah and his gang come to the same town... close
Without external spectacular techniques (fighting chases and other attributes of the adventure genre), the film tells about young Chekists who lead a more
Without external spectacular techniques (fighting chases and other attributes of the adventure genre), the film tells about young Chekists who lead a complex case with a murder and several suspects. After exposing the espionage activities of the director of the cinema Andrey Baturin and Igor Krasnyukov go to the resident of foreign intelligence. . . close
A group of drunken young people severely beat the couple in love. Subsequently, Aleksandr Shchetinin died in the hospital after receiving injuries from more
A group of drunken young people severely beat the couple in love. Subsequently, Aleksandr Shchetinin died in the hospital after receiving injuries from beatings. The court, chaired by Judge Khromova, is to pronounce the death sentence on one of the four participants in the fight, who committed the fatal blow that led to death. close
Raskolnikov, an impoverished ex-law student, kills an old pawnbroker and her sister, perhaps for money, perhaps to prove a theory about being above the more
Raskolnikov, an impoverished ex-law student, kills an old pawnbroker and her sister, perhaps for money, perhaps to prove a theory about being above the law. He comes to police attention through normal procedures (he was the victim's client), but his outbursts make him the prime suspect of the clever Porfiry. Meanwhile, life swirls around Raskolnikov: his mother and sister come to the city followed by two older men seeking his sister's hand; he meets a drunken clerk who is then killed in a traffic accident, and he falls in love with the man's daughter, Sonia, a young prostitute. She urges him to confess, promising to follow him to Siberia. Will he accept responsibility? close
In the Siberian wilderness, on one of the car depots, bad stories occur. It all starts with theft, and leads to murder. And neither the police nor the more
In the Siberian wilderness, on one of the car depots, bad stories occur. It all starts with theft, and leads to murder. And neither the police nor the leadership of the base can put things in order. Moreover, the main character, Alexei, seems that he is completely alone in search of the truth. close
A venerable philatelist was killed in his own apartment. Only one inconspicuous stamp was stolen from his collection. The investigation of the details more
A venerable philatelist was killed in his own apartment. Only one inconspicuous stamp was stolen from his collection. The investigation of the details of this seemingly unmotivated murder leads prosecutors on the trail of a dangerous criminal. . . close
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